Literary as hell.

Tag: writing (Page 33 of 37)

Q&A with author Rori Shay

Rori Shay, author of the Elected series, has a new short story in the upcoming anthology Athena’s Daughter’s 2, an all-female sci-fi and fantasy anthology from Silence in the Library Publishing. Athena’s Daughter’s 2 is now available for pre-order.

We talked to Rori Shay about her writing process, her influences, and her upcoming work.

 

Q: Could you tell us a bit about your upcoming story “The Pendant” in Athena’s Daughter’s 2?

A: Sure!  It’s a prequel to the ELECTED trilogy.  It’s about a mom who’s asked to give up her most valuable possession to aid in her son’s quest.  The thing is, she doesn’t agree with what her son’s about to do, and his quest leaves the country without a leader.  It’s a story about duty versus desire and a mother’s love.
Q: Your short story “The Pendant” is based on a longer work of yours, “ELECTED.” How do you approach a short story differently than a novel?

A: It is a totally different process.  For the longer novels, of which there are three in the Elected Series, I wrote a detailed outline for each one.  For the short story I just had an idea of what would happen and got right into writing.

 

Q: Do you have any advice for authors who are struggling to write their first novel?

My advice for first time authors is to create an outline.  It doesn’t have to be much, just the bare bones of the story.  Then keep adding to it, and make breaks for chapters after anything major happens.

 

Q: Do you remember the first piece of sci-fi you ever wrote? What was it about and when did you write it?

A: Yep, it was ELECTED.  Before that book, I’d only ever written children’s picture books and a women’s fiction novel.  I got really into the dystopian books for YA and decided to create my own in which I delved into the science.  I got tired of reading about dystopias where you had to guess how the earth was ruined.  I wanted to tell readers exactly how it happened and weave in climate change as an important topic.

 

Q: What are some of the books that you read growing up? How do you think they influenced your later writing, if they did?

A: Roald Dahl.  I’ve read almost everything he’s written, and his style and creativity definitely influenced my writing.

 

Q: What do you suggest we do to increase representation of women in sci-fi and fantasy?

A: Read them!  Support them!  Let them know that men aren’t the only techy sciencey people who can write sci-fi and fantasy!  Women can write it too!  Girl Power!

 

Rori Shay is a strategic management consultant living in the Seattle area with her family, black lab, and cat.  In the writing world, Rori is primarily know for her science fiction trilogy,The Elected Series.  She enjoys running, reading, snow-shoeing, pumpkin-picking, and right now…writing the third ELECTED novel!  Rori is also a member of the Society of Children’s Book Writers and Illustrators (SCBWI).

You can follow Rori on Twitter at @RoriShayWrites or email her directly at rorishay(@)gmail (dot)com.

“PLEASE DO!” by Alan Swyer

Alan Swyer
“PLEASE DO!”

Please don’t, over time, had come to assume multiple meanings in the lives of the Harrises. First and foremost was the original: a pleading or urging from Rebecca that Kenny not explode, as he did often, though never at her. Then there was a softer version: as in No more tickling, or Maybe it’s not a good idea to buy that cheesecake, or I don’t really need that birthday present we can’t afford. Finally, on those rare occasions when the two of them were on the verge of a argument, a spat, or some kind of squabble, it became their safe phrase, whose invocation or utterance was enough to turn a potential dispute into a moment of shared laughter.
In the eyes of their friends, the Harrises were not simply an unlikely couple. They were almost separate species. Rebecca was calm, soft-spoken, and understanding, albeit with a kind of patrician New England remove that some mistook for aloofness. Kenny, in contrast, was loud, gregarious, and upbeat, yet capable of the kind of volatility that quickly revealed his blue collar New Jersey roots.
When confronted by a wrong or an injustice – something as insignificant as a driver cutting him off, or a jerk ignoring the wait-your-turn code at their favorite LA burger joint; or worse, something as heinous as racial prejudice or bullying – Kenny turned into a man possessed. With words or with fists, he became fearless, relentless, indomitable.
Kenny’s outbursts were a frequent sore point early in his relationship with Rebecca – one that failed to diminish as days turned to months, then months to years. Though she appreciated his willingness to fight for his rights, or theirs, plus his readiness to stick up for an underdog, Rebecca, was, and probably always would remain, uncomfortable with controversy or confrontation. More importantly, in a world where far too many hotheads were armed, she felt there was valid reason to fear for Kenny’s life.
As different as they were in background and temperament, Rebecca and Kenny shared a surprising number of loves and interests. Food, from haute cuisine to pastrami, and from pizza to treats from Burma, Ethiopia, and far-off provinces of China, provided a never-ending source of adventure and joy. As did films, whether by Godard, Bertolucci, Sergio Leone, Sam Fuller, or some new auteur from North Africa or Finland. Add to that their affection for offbeat novels and travel, plus music ranging from John Lee Hooker to Thelonious Monk to the Chambers Brothers, Southside Johnny, Sharon Jones & the DapKings, and even obscure hip-hop, and there was a common ground that was everchanging and seemingly inexhaustible.
With each of them hailing from 3,000 miles away, the two spent considerable time exploring their new environment simply as friends, with Kenny, all the while, enjoying flings not merely with locals, but also with old flames who passed through Southern California.
Inevitably, though, what started as platonic became less so. Then, what was still noncommittal evolved into something deeper and more meaningful, with the two of them ultimately searching for an apartment to share.
The notion of marriage, however, remained not just unspoken, but seemingly farfetched, until a day when Kenny, about to light up a Montecristo cigar smuggled out of Cuba by a friend, playfully tried to place the band on Rebecca’s ring finger.
“Don’t do it unless you mean it,” she said softly.
“What makes you think I don’t?”
“Am I sensing something?”
“Such as?”
“The C word,” she replied.
“You mean crazy?”
“No.”
“Cuckoo?”
“Try again –”
“You don’t possibly mean commitment –”
“Says who?”
Kenny gazed deeply into Rebecca’s eyes. “Well, I’m game if you are,” he then said, surprising not just her, but himself as well.
If either of them had been a believer in omens, the events leading up to their wedding might have made the future seem far too unlikely. Scheduled to take place in a bucolic spot overlooking Rebecca’s cherished coast of Maine, the first sign of trouble came with the arrival of the Matron of Honor, who showed up inconsolable, her husband having dumped her for a Swedish exchange student. Carla’s rage seemed tame, however, once war broke out between two other key figures: Rebecca’s mother and Kenny’s.
Determined to remain above the fray, the bride and groom took to enumerating what they playfully termed their blessings. “At least there’s no hail storm,” Rebecca said at one point. “At least there are no locusts”, Kenny stated at another. Then came, “At least W won’t be President.” And, “At least the Russians haven’t invaded.”
All that, however, was before the area was struck by a hurricane whose devastation caused the governor to declare a state of emergency.
Yet despite the number of invitees who found themselves turned away by highway patrolmen, plus the fact that a grandparent on each side was inadvertently left at a nearby motel, and above all the increased hostility between the two sets of parents, who progressed from exchanging epithets to cold-shouldering each other, the wedding proceeded without setting off nuclear warfare. As did a brief honeymoon in Montreal.
Laden with presents, many of which had little relevance to their lifestyle, the newlyweds then set off on a cross-country drive with the hope of a fresh start.
That lasted until somewhere in Wyoming, when their aged Volvo’s water pump suddenly burst.
Undaunted, they had the car towed into Laramie. There, thanks to Rebecca’s whispered pleas of Please don’t, slights and looks that might otherwise have resulted in explosions passed without serious incident. Thus what might have seemed like three days of interminable waiting instead became a second honeymoon, complete with a rodeo, country music, and loads of chicken-fried steaks.

 

Reaffirmation that their luck might be changing for the better came shortly after the newlyweds finally returned to Los Angeles. Having dreamed aloud about relocating to a nicer part of town, Rebecca and Kenny unloaded their presents, grabbed some much appreciated Thai food, then drove up to the Hollywood Hills. Certain that its rustic feel and scenic views were perfect for them, they were scouring the area in search of rentals when they came upon a guy putting up a For Rent sign.
Within minutes, the newlyweds found themselves paying first and last month’s rent on a small but cozy house that seemed perfect for them.

 

Kenny’s dealings as an up-and-coming producer in the music business, a world infinitely more volatile than Rebecca’s realm of children’s books, provided a measure of satisfaction, as well as a non-stop source of agitation. That, not surprisingly, upped his level of combustibility to the point where Please don’ts came with ever-increasing frequency during their first awkward but never dull year of married life.
Yet despite the constant tension, it was Kenny who remained a much-needed source of positive energy when attempts to have a baby turned their bedroom into a science lab. He was the one who buoyed Rebecca’s spirits each time the arrival of her period risked becoming a cataclysmic setback. And who refused to accept as definitive the ominous
reports given to them by fertility specialists. And, most significantly, who engendered Please don’ts from his wife whenever someone dared broach the subject of settling for adoption.
“Conventional wisdom,” Kenny stated after a session with a particularly vexing physician, “is nothing more than accepted ignorance.”
“Which means?” Rebecca asked.
“Fuck him!”
Not only would the two of them neither give up nor give in, Kenny insisted not once, not twice, but so enough that it became a mantra – they would ultimately, without any question or doubt, prevail.
When, at last, Rebecca became pregnant, Kenny did not pop the cork from a bottle of Dom Perignon, nor did he gloat. “Now comes the real work,” he announced. So began a program in which he squeezed fresh grapefruit juice daily once it was found to bethe only valid antidote to Rebecca’s morning sickness. And smoked a turkey breast each week to guarantee a tasty and ever-ready source of protein. And, once it was time, made their weekly Natural Childbirth class a highlight, rather than a chore, by discovering a
tasty and affordable Persian restaurant on their way.

 

In keeping with their due diligence, with only six weeks left before the expected day of delivery, Rebecca and Kenny, having conferred with both their Ob/Gyn and their pediatrician, took a tour of the hospital where the birth would presumably take place.
What they found pleased them immensely. Aside from being friendly, uncrowded, and wonderfully calm, the maternity ward had a blissful spirit of cooperation. Rebecca, they were assured, would be able to keep the baby with her at all times. Plus, Kenny would be completely welcome to remain with mom and child twenty-four hours a day.
Despite the uncertainty ahead, the parents-to-be were beyond comforted. Rebecca and Kenny, in fact, were aglow.

 

The remaining time leading up to the expected delivery date was charted and planned in greater detail, as Kenny often joked, than the invasion of Normandy. Nothing, no matter how large or small, went ignored or unscheduled – from the acquisition of a crib, to the food that would be on hand, to the commencement of a diaper service, since, for both ecological reasons and comfort, their newborn would only be touched by cotton. Everything imaginable would be taken care of, acquired, or attended to, in due time. Or
so they thought.

 

It was while headed to a business dinner that Kenny first got a hint that their carefully orchestrated plans might find a way to go awry. Seeing Rebecca’s number come up on his cell phone, he answered quickly thanks to Bluetooth. “How’s my favorite mom-to-be?”
“I t-think I had a contraction,” Rebecca announced nervously.
“But we’re close to four weeks away.”
“I know, but –”
“Want me to come home?”
“Just be on stand-by,” Rebecca said.
“You need me, I’m yours.”
“Meanwhile, I’ll call Dr. Roth.”

 

Having checked in a couple of times during the course of the evening, Kenny phoned again once seated behind the wheel of his car. Reassured that there was no need to break land and sea speed records, he arrived home in time to find Rebecca filling a cupboard with what looked like a year’s supply of recently purchased rolls of paper towels.
“Somebody nesting?” Kenny asked.
“Don’t be silly.”
“So what did Roth say?”
“He didn’t.”
“What do you mean?”
“He’s out of town.”
“Jesus!”
“But I spoke to the doctor filling in, and he said it was probably just the baby moving.”
“Really?”
“Or that it might have been a twitch.”
“You’re kidding me.”
“In any event, I feel fine. Get you something?”
“A good night’s sleep after all the yak-yak over dinner.”
“Plus maybe a little too much wine?”
“Me?” Kenny asked guiltily before yanking off his clothes and tumbling tipsily into bed.

 

Despite barely being able to touch the rim, Kenny was dreaming that he was dunking one-handed over Kobe Bryant when suddenly he was awakened by a hand rubbing his head.
“I think my water broke,” Rebecca said sheepishly as Kenny sat up.
“H-how can you tell?” he mumbled.
“The bathroom’s a swamp.”

 

With Kenny having done his best to fight off drowsiness by running water over his head, he and Rebecca burst forth moments later from their hillside lair to head toward the hospital.
“Everything’ll be fine,” Kenny said as he navigated his way through streets that were blissfully free of traffic after midnight. “Everything’ll be just fine.”
“You trying to convince me, or yourself?” Rebecca couldn’t help asking.
“Both.”
In contrast to the serenity during their exploratory visit, what they found at the hospital’s maternity ward was bedlam.
“What’s going on?” asked Kenny once they made their way through the crowd at Admissions.
“Happens every year at this time,” replied the harried staffer.
“How come?”
“It’s September 26th.”
“So?”
“Nine months and a day after Christmas. So where do things stand?”
“My water broke,” explained Rebecca.
“Your doctor in the know?”
“I wish,” Kenny interjected none too happily.
“He’s out of town,” Rebecca added. “But the fill-in’s on his way,” Rebecca stated. “And so’s the pediatrician.”
“Hopefully things’ll go easily,” said the staffer despite the chaos around her.

 

Any hope for easily disappeared once the substitute obstetrician, a rumpled but affable guy who introduced himself as Dr. Kornblau, arrived.
“I guess you know we’re talking about footling breech,” he said upon examining Rebecca.
“We know nothing of the sort,” Rebecca mumbled.
“But what’s that mean?” demanded Kenny.
“That the baby’s trying to come out one foot first,” replied Kornblau.
“I know that,” Kenny protested. “I mean for natural childbirth.”
“Well, we can try to turn him.”
“Him?” asked Rebecca.”
“You didn’t have amnio?” queried Kornblau.
“Only to check for birth defects,” Kenny explained. “We want to be surprised.”
“Then him or her,” Kornblau responded.
“And if turning doesn’t do –” Rebecca said haltingly.
“What we hope it’ll do?” said Kornblau, finishing her sentence. “If it seems there’s insufficient dilation –”
“Then?” asked Kenny.
“We’re looking at a C-section,” stated Kornblau without joy.
Once it became clear that despite their hopes and dreams, plus weeks of Persian food followed by natural childbirth classes, their baby would have to enter the world surgically, Rebecca was crestfallen.
“I’m sorry, too,” Kenny whispered as they prepared her for the operation. “But what matters most –”
“Is a healthy baby,” Rebecca affirmed, squeezing her husband’s hand. “But I can still keep it with me, can’t I?”
Kenny turned to the nurse who was doing the prep.
“No problem with that, is there?”
“Not that I know of,” the nurse replied.

 

Shell-shocked from watching Rebecca’s belly sliced open, Kenny was nonetheless thrilled when into the world, peeing in every possible direction, came the newest member of his family.
“Guess it’s the boys’ list of names,” he said to Rebecca, all the while girding himself to cut the umbilical chord.
A nurse carefully cleaned the baby, then handed him to Rebecca to nurse.
Watching with a pride the likes of which he’d never before experienced, Kenny studied his wife, who looked radiant.
But the mood was shattered abruptly when into the room came an officious hospital employee determined to assert her authority.
“Time for the baby to go to the nursery,” the blustery woman announced.
“Beg your pardon?” replied Kenny.
“Off to the nursery,” she chirped.
“We were told the baby could stay with us,” Kenny said forcefully.
“And it could if we had enough rooms. But guess what. We don’t.”
“That’s not acceptable,” Kenny declared.
“Acceptable or not, that’s the way it is.”
“Kenny?” said Rebecca firmly, while making no move to relinquish the baby.
“Yes, sweetie?”
“Know how I’m always saying Please don’t?”
“Yeah?”
“Well, Please do.”
Kenny smiled at words he never thought he’d hear from Rebecca, then turned all business as he again faced the bossy woman.
“Time for you and me to step out into the hall,” Kenny said forcefully.
“We were promised the baby could stay with us,” Kenny stated in no uncertain terms once he and the woman were face-to-face in the hall.
“And he could if we had a room in the maternity ward.”
“Then find us a room elsewhere.”
“I’m afraid that’s against the rules.”
“Want to show me where that’s written?”
“Sir, it’s against hospital policy.”
“But it’s within hospital policy to make a promise, then break it?”
“Sir, you’re being difficult.”
“Actually, I’m only warming up. Who do I have to talk to in order to make this
right?”
“My supervisor.”
“Whose name is?”
“Sheila Sullivan.”
“Please call her.”
“At 3 A.M.? I’m sure she’s fast asleep.”
“Then give me her number so that I can call.”
“Sir, I don’t think you understand!”
“No, you’re the one who doesn’t understand. You’ve got five minutes to make this
right.”
“Or?”
“Jail break.”
“Y-you can’t d-do that,” stammered the woman.”Wanna bet? Five minutes, then mom, baby, and I are out of here.”
“B-but if anything h-happens –”
“My lawyers will hold you, your absentee supervisor Miss Sullivan, and the whole
damn hospital responsible.”

 

Rebecca beamed as she, her new baby, and Kenny were taken to a bright, cheerful new room where they were suddenly allowed to stay together.
Aware that much remained to be done – they still owned no crib, no baby blankets, no baby undershirts, and had no diapers – they found comfort in that what they did have was each other.
The days ahead, like those that preceded them, would certainly not be easy. But the life that awaited, despite the bumps that they would clearly encounter, would be of their choosing. In other words, as often as was humanly possible, it would be in keeping with their own personal Please do’s and Please don’ts.

Q&A With Megan O’Russell

The Furious Gazelle spoke with author Megan O’Russell about her recent novel, The Tethering, and her upcoming short story in Athena’s Daughter’s II, and what makes her furious.

 

Q: The Tethering is your first novel. Where did the inspiration to write it come from, and what was the process of writing it like?

The TetheringThe process for writing The Tethering was a little strange and not something I would necessarily repeat. The idea for The Tethering came from a little boy waiting in a window for a girl to come back. I don’t really remember why that image came to me, but I needed to find out more about the boy. I wrote a scene and then another scene, and after a lot of revisions and changes, The Tethering was born. In projects since The Tethering, I’ve kept much closer track of what I’ve written so I don’t rewrite the same information ten times. I’m still finding the process that works best for me.

 

Q: Your upcoming short story in Athena’s Daughter’s II is based on the world of the Tethering. What were some of the challenges you faced creating a new story in the same world? Do you have plans to return to the Tethering world again?

My story in Athena’s Daughters 2, “At the Corner of the Garden Wall,” actually takes place during The Tethering. And if you read both stories, it is easy to see where the two line up. Claire, the girl featured in “At the Corner of the Garden Wall,” is a secondary character in The Tethering, but I have been told many times that everyone wants to know more about her. This story is Claire’s chance to have an adventure all her own. The biggest challenge was deciding what parts of the world of The Tethering were really necessary for the short story. If I had tried to explain everything about how magic works in “At the Corner of the Garden Wall,” I wouldn’t have had room for the actual story. I also had to refrain from getting too in depth with the setting. I know who lives where in the house, but the readers don’t need that information. So it all had to be cut.

And as for returning to The Tethering, book two in the four part series, The Siren’s Realm, will be available for preorder in February, so I am very much still in the world of The Tethering.

Q: How do you approach world building? When you started writing The Tethering, how much of the world did you plan out before you started writing?

I knew what I wanted. I wanted wizards to mix with our world. I didn’t want them to be separated from us. I wanted readers to believe that the sewer grate at the end of the street might be exploding because of magic. Figuring out the how and the why of it all was one of my greatest joys in writing the series.

Q: Do you remember the first thing you ever wrote? What was it about and when did you write it?

I wrote a middle grade fantasy novel when I was in high school. I’m an actor by trade, and I wrote the story backstage during King Lear. I think writing and acting really go hand in hand. They are both wonderful forms of storytelling. And I am so grateful to have the opportunity to follow both passions.

Q: What are some of the books that you read growing up? How do you think they influenced your later writing, if they did?

I was such an avid reader my parents had to use both of their library cards so I could have enough books to only go to the library once a week. One of my favorite authors was Madeline L’Engle. I think from her writing I not only took away a sense of wonder, but also the desire to let my characters be who they need to be, even if I have to write another story for them to have that opportunity.

Q: What makes you furious about the lack of female science-fiction and fantasy authors published? How do you think we can increase representation of women in sci-fi and fantasy?

When I was looking for a home for The Tethering, the publisher I worked with briefly before Silence in the Library didn’t understand that the story was about more than romance. All they could see was the boy and the girl. The magic meant nothing to them. I was lucky enough to have a supportive editor who didn’t try to make me cut all the fantasy elements from The Tethering, but it was still rough. Because I am a woman, and there was love in my book, all it was to them was a romance. Just because I’m a woman doesn’t mean all I can write is teenage angst. And just because a boy loves a girl doesn’t mean there isn’t more to the story.

I am so grateful I found Silence in the Library and a true home for The Tethering. I am also thrilled to be a part of a project that strives to give more women a voice in fantasy and science-fiction. I think the best thing we can do to increase representation of women in sci-fi and fantasy is to support more projects like Athena’s Daughters 2. The only way for women to find their voice is to be given the chance to speak.

 

Megan O’Russell is thrilled to be publishing At the Corner of the Garden Wall with Silence in the Library. At the Corner of the Garden Wall is a part of The Tethering series, book one of which is currently available from SitL. And if you read The Tethering closely, you’ll find the night on which the adventure in the garden happens. Originally from New York, Megan is a professional actress who spends her time traveling the country for different shows. When not on stage or writing, Megan spends time with her beloved ukulele and her wonderful husband. To follow Megan’s writing adventures, you can visit her website at meganorussell.com.

Add The Tethering to your Goodreads list at https://www.goodreads.com/book/show/21480311-the-tethering

Athena’s Daughters II is now available for pre-order on Kickstarter.

Follow Megan O’Russell on Facebook at https://www.facebook.com/ORussellauthor or on Twitter @MeganORussell

“How to Get a Jewish Divorce,” by Nina Bennett

How to Get a Jewish Divorce

 

Don’t live in the same house with your wife

after you’ve decided to divorce her. See your rabbi,

find a scribe. Observe the sun, divorce

proceedings must take place during daylight.

Do not let the scribe use a form, or any paper

that can be erased, it should be parchment.

Choose two righteous men as witnesses.

 

Your wife removes all rings, holds cupped hands

beside each other, palms up, fingers

somewhat raised. You hold the Get, tell her

This is your divorce. Accept this document

and you are divorced from me from here on.

Allow the paper to fall into her hands.

She closes her fingers around the document,

lifts it up, places it under her arm, walks away.

Have no further contact.

 

Delaware native Nina Bennett is the author of Sound Effects (2013, Broadkill Press Key Poetry Series chapbook #4). Her poetry has appeared in numerous journals and anthologies such as Kansas City Voices, Big River Poetry Review, Houseboat, Bryant Literary Review, Yale Journal for Humanities in Medicine, Philadelphia Stories, and The Broadkill Review. Nina was a 2012 Best of the Net nominee.

 

“Deborah Interviews Debra” by Kayla Pongrac

Deborah Interviews Debra—

Artist Admiration Series: Vol. 2, Issue 7

 (C) Kayla Pongrac

Deborah: Allow me to begin this interview by asking what inspired your new body of work.

Debra: The ladder outside my bedroom window has been growing exponentially. I hear it at night, crawling past my second-story window, scratching its chest against the brick walls of my apartment complex. So it was this ladder, mostly.

Deborah: I see. And how would you describe this ladder?

Debra: Oh, I think it’s just like everything else. I spend a lot of time contemplating how lovely it would be to cup it in my hands and then toss it down my throat like a piece of popcorn, you know, just so I can spend an entire afternoon painting it different colors.

Deborah: What color would you paint it?

Debra: Coloring Book Background, probably.

Deborah: White then, right?

Debra: No, more of a tan—a sad tan. And I’d mix that with the color of my dad’s initials tapping me on the shoulder.

Deborah: Is your dad still alive?

Debra: He tends to be.

Deborah: And what about your mom?

Debra: My mother reminds me of a kite that I once flew by my bedside.

Deborah: You once flew a kite by your bedside?

Debra: It was storming. All my windows were open. The strangest part about that night was the thunder—I could feel the thunder in my gums. It made my teeth vibrate and shift counter-clockwise.

Deborah: I think I want to go back to discussing this ladder. Did you mention that you own it?

Debra: I own everything I see, so I would be silly not to consider that ladder mine.

Deborah: What do you mean by “I own everything I see”?

Debra: Everything that gets put in my cup gets dissolved, and that is all. I really don’t like these questions. I thought you wanted to talk about my art?

Deborah: One critic recently compared your art to “cracking an egg on a trampoline made of seahorse intestines.”

Debra: How flattering. I don’t often read reviews because they make me seasick—all the black words floating atop the white pages, you know—but it sounds like this review could be worth two pills.

Deborah: Do you think that critics are generally helpful or hurtful? Oscar Wilde once said, “A man who does not think for himself does not think at all.”

Debra: “The critic has to educate the public; the artist has to educate the critic.” That’s something else that Oscar Wilde often says.

Deborah: Hmmm . . .

Debra: And here’s another: “There is only one thing in life worse than being talked about, and that is not being talked about.” I enjoy being talked about. I find it quite comforting.

Deborah: Do you consider yourself well-read?

Debra: No. I just know Oscar Wilde personally.

Deborah: I don’t see how that could possibly be true.

Debra: He comes over for tea on weekends.

Deborah: Comes over where?

Debra: To my apartment.

Deborah: And you two drink tea together?

Debra: Not together, but that is correct.

Deborah: Is he familiar with your ladder or your new body of work?

Debra: He knows nothing of the ladder, or the latter.

Deborah: Can you confirm his existence?

Debra: I thought you wanted to talk to me about my art? I don’t feel like we’re talking about my art.

Deborah: But we’ve learned a lot about you.

Debra: Who is “we”?

Deborah: Everyone reading this.

Debra: You mean all the nervous jellyfish?

Deborah: Perhaps we can try to re-schedule this interview at a more convenient time for you. I’m not quite convinced that I have your full attention today.

Debra: No. Just tell everybody that I like saltwater, too. That should be enough. Yes, that should plenty. Tell them that I like saltwater and that I will meet them all on the shores of the Atlantic Ocean at this time next year. I’ll have my ladder with me. We’re going to tour the country.

Deborah: Thank you. Good luck to you . . . and your ladder.

Debra: Please, allow the jellyfish to panic for a little longer. They have no hearts, bones, eyes, or brains. Someone needs to remind them of the benefits of keeping it that way.

 

Kayla Pongrac is an avid writer, reader, tea drinker, and vinyl record spinner. Her work has been published or is forthcoming in theNewerYorkSplit Lip MagazineOblongThe BohemythDUM DUM Zine, and Mixtape Methodology, among others. When she’s not writing creatively, she’s writing professionally—for two newspapers and a few magazines in her hometown of Johnstown, PA. To read more of Kayla’s work, visit www.kaylapongrac.com or follow her on Twitter @KP_the_Promisee.

No Animal by Bethany Lake

Read No Animal by Bethany Lake, a short play.

Bethany Lake is a playwright, director and Artistic Director/Founder of Demasquer Theatre in Halifax, Nova Scotia. In 2007, she co-wrote an adaptation of an original short story entitled A Spider’s Tale for Dalhousie University’s 2007-2008 season. Her 2013 play, A Healthy War, was a hit with both audiences and critics alike. A Healthy War both “nailed the inexorable tug of youthful passion” and“had the audience flinching and turning away” – The Coast.  “Filled with powerful performances and fuelled by an engrossing story, A Healthy War makes for riveting theatre” – The Coast. Bethany’s latest work includes The Prince of Pig Alley and No Animal. Bethany earned her Bachelor of Arts in Theatre Studies from Dalhousie University, was a member of Eastern Front Theatre’s Playwright’s Unit, is a member of the Playwright’s Atlantic Resource Centre and the Playwrights Guild of Canada. In October of 2014, she will be continuing her playwriting development at the Tarragon Theatre. Bethany has her hand in several upcoming projects, including a second installment in the trilogy she began with A Healthy War.

“Untitled” from “Love Poems” by Charles Bane

The Furious Gazelle is continuing to serialize Charles Bane’s new book of poetry, Love Poems. You can find more of his poetry here.

Untitled

Let it cut deeper
love, until it flows
inside the blood

It Flows Unstopped

It flows unstopped
into waters I have never
seen; into a father’s arms
holding you when you sleep
or a panther drinking as your fingers
rake my hair. It is rockets
over skies and buds unseen,
and the cloaks of night arching as
a life is put away and another
dawns and spills in ink.

Charles Bane, Jr. is the American author of The Chapbook (Curbside Splendor, 2011) and Love Poems (Kelsay Books, 2014). His work was described by the Huffington Post as “not only standing on the shoulders of giants, but shrinking them.” A writing contributor for The Gutenberg Project, he is a current nominee as Poet Laureate of Florida.

The Measure of a Man, by H. Rossiter

My shoes are old and frayed around the soles. A lot like me. Frayed soles, frayed souls, my granny used to say. She noticed a man’s shoes before she noticed anything else about him, his eyes or his suit or even his hair. When I was young, I wore cap toe oxfords, spit polished. Now I wear whatever I can find in the church charity bin.

I’m proud of my hair, though. You got worth if you got good hair, is what I always say. I’m not one of those old geezers who comb a few leftover wisps of sad gray over a bald skull. Not me. I’ve got a full head. Thick and strong. It’s steel gray and been that way since I was twenty two. Haven’t felt a woman’s hands in my hair since…let’s just say it’s been a long, long time. But I see them look at it, the meals-on-wheels ladies, the district nurse. I see their fingers aching to stroke it. Until they look down and see my shoes. Continue reading

Cold as Winter by Larissa Swayze

Cold as Winter

by Larissa Swayze

The freshly fallen snow glows blue beneath the Alberta moon and Christopher wades through knee-high drifts. He reaches into his coat, pulls out one of his grandfather’s cigarettes and lights it. He inhales deeply and the winter air mixes with the smoke, biting all the way down before leaving his frostbitten lungs in a puff as thick as ice fog.
He squints in the direction of the subdivision, his cigarette hanging off his lips. His hands return to his coat pockets. His frozen right fingers still curled around the lighter, Christopher flicks the striker to hear the sound. Once. Twice. Three times.
He watches the sky above the distant peaked roofs, breathing in his cigarette and the cold and the car exhaust from the highway. Where there used to be only stars—the streetlights throw a dull haze across the sky. The city has been creeping toward them for as long as he can remember. One day it was going to open its hungry maw and swallow them whole.
The night is strangely quiet. Christopher scans the field for his grandfather’s dogs. They usually follow him around during his evening smoke—bounding about, snapping at the air, barking at him, at each other, at nothing in particular. He inhales once more, then pushes through the snow. Each step invites the cold deeper into his bones.
Twenty feet from the barn, he widens his mouth to call the dogs’ names, but no sound comes out. He drops the cigarette. It melts the small patch of snow that catches it. He stares at the trail of blood, no longer wondering why the night is so silent.
The warmth of the farmhouse burns his cheeks and the smell of baking biscuits invades his nose. Christopher passes through the living room, where his grandfather sits in front of the television—crooked fingers wrapped around a glass of something dark, and enters the kitchen.
His grandmother barely looks up from the stove. “Damn it child, take off your boots when you come in the house. I just washed the floors.”
“What the hell happened to my dogs?”
His grandmother’s voice is smooth. The hand she stirs the pot of broth with steady. “They weren’t yours. And you smell like cigarettes. Go wash up.”
Christopher’s hands tremble. “What the hell happened to my dogs?”
She picks up a knife and begins slicing an onion. “Your grandpa kept saying if they wouldn’t leave the cows alone he was gonna do something about it. Well, guess what? One of the heifers damn near lost her calf because those mutts wouldn’t stop yapping at her. So grandpa called Uncle Joe over and had him take care of it.”
Christopher stares at his grandmother’s lined face, willing her to look at him. She dumps the sliced onion into the pot and moves on to a carrot.
Christopher’s voice is soft and flat. “Uncle Joe did it.” His hands stop shaking, but they remain cold as winter, even in the heat of the tiny house.
“Well, your grandpa sure couldn’t. You know how he loves them dogs.”
From the living room, the voices on the television grow uncomfortably loud as his grandfather turns up the volume.
“He didn’t have to kill them.” Christopher’s voice is lost beneath the laughter of a studio audience. His grandmother adds the carrot to the pot, then buries her head deep in the pantry.
Christopher moves back to the front entrance. He yanks off his boots and drops them on the linoleum. Thunk. He turns to the back of his grandfather’s head for a reaction. The older man coughs and Christopher can see spit spraying from his uncovered mouth. He watches his grandfather’s bald patch a few seconds more before turning away, unconsciously touching the back of his own head.
In the bathroom, he leaves the lights off and stands next to the sink. Through the two-foot by two-foot window he can see a cloud has moved over the moon. Still, the rolling hills on the horizon seem to radiate from within. But Christopher knows that can’t be. The snow is just reflecting the lights from the subdivision.
He turns on the tap and lets it run long enough that steam begins to rise out of the sink. He holds his hands beneath the scalding water until he can wiggle his fingers again. He looks in the mirror. His grandfather’s sharp eyes narrow. His grandmother’s wide nose steadily drips.
In the distance a coyote howls. Christopher’s ears twitch. Here come the dogs. Then, he remembers. He turns off the tap and heads back toward the kitchen. Shuffling his feet like an old man.

CONTEST ANNOUNCEMENT

Ross_Bay_Cemetery_Fall_colors_(1) (1)

Dear readers,

While it is still September, supermarkets already have their Halloween sections out and my candies look like eyeballs. THEREFORE Halloween contests are upon us and it is time for you to make us cry tears of terror. Send us something haunting, grotesque, pumpkin themed, etc. and you could win a book in the genre of your choosing as well as a $25 Barnes and Noble gift card. The top contenders will all be published on our site. Only one gets the coveted book and gift card.

Acceptable forms of writing for this contest are the same as our regular submission guidelines which are here: http://thefuriousgazelle.com/faq/ . The only rule is that this is a Halloween contest so your piece(s) should reflect that in whatever way you deem Halloween-ish.

That’s right piece(s)! We will take up to five submissions from each contestant. Please send your submissions with Halloween Contest Submission in the subject line of your email. The Deadline is Friday October 24, 2014.

BOO!

-The Furious Gazelle Editors

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