Category: Poetry (Page 1 of 20)

Boat in a Bottle by Courtney LeBlanc

April 2, 2023 / The Furious Gazelle Editors

Who was the first to decide to capture

a boat in a bottle, to build and string

together a mast, the sails, to keep

the bow from breaking against the glass?

Who tried to contain an ocean in a jar

that once housed beer or mead or wine?

Once, I collected sea glass, filled a bowl

with the muted green and white and blue,

searched for the coveted red pieces.

Once, I lived on an island and gave

a man my salt water heart. He tangled

his hands in my seaweed hair, pressed

his ocean mouth against mine. I crashed

into his shores again and again, beat

myself blue against his rocks. When

I left, he smashed the bottle, set

the small boat adrift. On the deck

of the ship, a sliver of red, the glass

of my heart, set to sea.

_______________

Courtney LeBlanc is the author of the full-length collections Exquisite Bloody, Beating Heart (Riot in Your Throat) and Beautiful & Full of Monsters (Vegetarian Alcoholic Press). She is a winner of the Jack McCarthy book prize and her next collection of poetry will be published by Write Bloody in spring 2023. She is also the founder and editor-in-chief of Riot in Your Throat, an independent poetry press. She loves nail polish, tattoos, and a soy latte each morning. Read her publications on her blog: www.wordperv.com. Follow her on Twitter: @wordperv, and IG: @wordperv79.

Poetry by John Grey

February 15, 2023 / The Furious Gazelle Editors

YOU LEAVE IN WINTER

Those are your footprints
leading from my stoop
to the front gate.

The snow’s compacted,
preserved them,
even as it buries the path,
the garden.

Your departure
is trapped, slowed to a stillness.

Come spring,
the flowers will bloom.
Your leaving will thaw.

___

CHARACTER INSTRUCTIONS

Far from any highway,
or town for that matter,
follow the trail through thick woods,
narrow and sunless
but aided by occasional tree markings,
that leads to a cave,
a labyrinth really,
with tunnels branching off
in many directions,
but the one you want
drops down to the shore
of an underground river,
that you must wade across
to reach a passageway on the other side
where you should begin to see
strange markings on the walls,
silken threads dangling from the ceiling
that give the impression
of broken spider wings,
bones scattered here and there
on the muddy floor
and you’ll hear strange noises,
like a gorilla in great pain
though it’s coming from no great ape,
and much scurrying about,
lots of moving shapes,
shadows darting back and forth
across your flashlight ray,
before you finally enter this large chamber,
lit by glittering jewels,
with an altar on one end
and what appears to be a dark-robed man
conducting some kind of service
for twenty or so similarly-cloaked acolytes,
who bow their heads, hum softly,
with an occasional break
for an impassioned, “Yes master”,
before their leader suddenly
notices your presence, and all heads turn,
gleaming red eyes stare threateningly at you,
and then you’ll know you have arrived –
I can’t say whether you’ll live or die,
but you’re in chapter ten of my new novel.

_______________

John Grey is an Australian poet, and US resident, recently published in Sheepshead Review, Stand, Poetry Salzburg Review, and Hollins Critic. His latest books, “Leaves On Pages” “Memory Outside The Head” and “Guest Of Myself” are available through Amazon.

Poetry by Holly Day

February 6, 2023 / The Furious Gazelle Editors

Nowhere ‘Til April

In my desk is a picture of a jungle from somewhere

warm and green that a friend once sent me, said I could go there

live in his family’s abandoned farm any time I’d like

there’s no plumbing or electricity there and sometimes snakes

make getting to the front door difficult, but here is a picture

and I can stay there.

I can feel the edges of the green photograph in my pocket

when I walk the dog in the winter, when I wait for her to take a crap

hovering in apparent agony over the ankle-deep snow. I can go there

any time I’d like, and there would be snakes but it would be warm.

The Thing That Blocks the Sun

How huge the world must seem to a tiny bug. How huge my hands must seem

When they reach down to cover the tiny bug, blot out the sun entirely

Wrench it from the pavement and lift it to the sky.

Or perhaps the size difference is so great that it doesn’t even register

As something happening, much as the way I can’t feel the world turning beneath my feet

Or hurtling through space, or the heaving of coastal plates as they slowly crash

Against one another. Perhaps this little insect doesn’t notice me at all

Thinks that every time I cover it with my palms, it’s just the sun setting out of place

Some cosmic aberration beyond its control

Not worth worrying about.

________________

Holly Day’s poetry has appeared in Asimov’s Science Fiction, Grain, and Harvard Review. Her poetry collections include Where We Went Wrong (Clare Songbirds Publishing), Into the Cracks (Golden Antelope Press), Cross Referencing a Book of Summer (Silver Bow Publishing), and The Tooth is the Largest Organ in the Human Body (Anaphora Literary Press).

Poetry by Abigail Dembo

September 1, 2022 / The Furious Gazelle Editors

It

I saw it on my way to work and it looked like a number. It was thin. It had smooth skin. It had a sharp nose and chin. It was a one or a zero. Static. It came in the mist. It left rings on the table and a black and white photograph. It sang, “So long Marianne, it’s time we began . . .” and cried to the seagulls, glowing like amber. It smelled like magnolia. It was some masquerade, but it opened its mouth and a voice embossed in silver rose out, “Do you want to go dancing? Or do you want to come home?”

Self-Portrait as Venus with Adonis in San Francisco

Into musty hotels

up back alley fire

escapes through windows.

The Emperor. The Lyric.

A single bulb hanging. To be with him,

I am drawn

down by his habits

in plumes of gray doves.

Fixing the puddles of gutters

I see I am thinned.

“No, I am waiting for someone,”

for hours, like a dog,

down the street from the hustlers’ bar

with whistles

and slow-rolling cars

for him. A vision of fatality

leaking like a cracked

cell-phone screen.

A man being led

down a dark alleyway

returning, needful,

black tar in hand.

The fumes

of vinegar, the concrete,

the syringe–

“No, you go first. You need to get off.”

Oh, and so what? I say,

I am pained, lover, but I give it to you.

Confederate, I would not

have you be other.

Let’s get away. Let’s sleep

near Mission Dolores

tonight. Gold foil cherubs

sit still

their form ending in curls.

Nothing has those classical adornments, no

muses anymore.

______________

Abigail Dembo lives in Berkeley, California, and is currently a poetry editor for Southland Alibi. Her poetry has appeared in the Berkeley Daily Planet, Ursa Minor, SlipStream Magazine, and other places.

Poems by Zebulon Huset

August 10, 2022 / The Furious Gazelle Editors

Transmogrifying Honey Battered

Muddily the morning crept.

Though rain often causes fowl lungs

to top off with droplets, drowning so many

of the raised-head dummies—

Chucky the chicken, rooster to some,

cocked his head, juked or jived

at a too-inopportune time

and startled a sting from the resting

transmogrifying bee.

This was how Janet skipped

into the scene upon waking:

the broken syringe, dangling

microscopic bits of bee belly-flesh,

plugging the swell of purple—the sundered

venom sac pulsing in toxins like an IV—

which caused Chucky’s clunky heart

too much issue with tissue constriction.

Janet wept for her perished pet,

mourned the morning, played

devastated Dr. Frankenstein with two 9-volts

through lunchtime. Her cries even survived

as eggs and flour and honey and paprika

were whisked together for a batter

that could staunch any tears.

That would stop her tears.

No crying at dinner, Janet. Enough already.

Poetry by David M. Harris

August 5, 2022 / The Furious Gazelle Editors

Rep. William J. Pascrell

Dear Mr. Pascrell:

Before you were the Honorable (D, NJ),

back when you taught history and psychology

at Paramus High, you were one of the foundrymen

who melted down our formless minds and gave them

rough shape. Detail and polish were up to us.

You told a story, about leaving for the prom,

your father said, “Be careful.” Eventually,

I think, I got the point. Did any of us

understand? Later I decided we were not

meant to understand, not then, but to

ponder and find our own meanings.

It was a rare peek into the personal.

one that other teachers never granted us.

And what was a social studies teacher doing

as one of the advisors to the high school

literary magazine? Something else to mull.

Changing the world, one student at a time,

must have seemed too slow. We needed

a good example, so you made yourself one.

But how different, really, is governing

from running a classroom? So much

patient explanation, filing down rough edges

for the easier acceptance of complex machineries,

so much talking to people who won’t listen.

And the greatest failure is surrendering the effort.

Poems by Kika Dorsey

June 14, 2022 / The Furious Gazelle Editors

Horizon

They say the closer you come to something, the further away it can seem. As if it’s all a horizon. As if the horizon could ever be your lasso, your tightrope spanning past and future, your thread to sew closed what tore.

I’ve been so near to my father’s death that my eyes blurred with more than tears. I’ve been so far away from my children’s birth that they disappeared like March fog when the sun buckles down and does its work of rising from a line I called my life, a line I could never trace. I’ve traveled so far that nothing has looked familiar—not the white marble statues of gods, the banyan trees, the dancing Lipizzaner, the cobblestoned streets, the cock fights in jungles, the foreign seas.

Now I am home and what is close to me presses against my legs, wraps its arms around my waist. I’ve learned that you can never know what lies behind its mystery—a day lost in the woods, a dream of galloping horses, a fire built with twigs, a funeral, a birth—everything so near it has become their flesh, their journey toward a horizon forever receding.

Petroleum

When he was zooplankton, buried beneath sedimentary rock in Texas and Iraq, he slept like the poor merchant under threadbare sheets next to algae, on bales of straw. He awoke and woke up the bees while he took their honey. He pulled out his own rotten teeth.

Rock has a way of condensing poverty, of solidifying the earth so that it is harder to dig our graves. Rock can press our sight with mountains against the sun, can flatten and skip on water, can crumble when the sea catches it with salt, can sail from the bully’s slingshot, can teach us to be still.

We have always been restless. We’ve burned whale oil, then promised the whales as they sang that we’d take from stone instead. We’ve created drills that bob their heads to a ground where we have kneeled, always begging our gods for a second chance. We’ve knocked down flasks of oil from a shelf when we dreamed of wealth and cursed the son we have yet to have. We’ve awoken to spills that coated the wings of seagulls.

When he was living with us, he promised us planes and cars and oil for our dry faces. He fueled the ships in the seas. The whales were confused about the sound of the motor. They didn’t know how to make it a percussion of their song. You see, here is the paradox of music: to write a symphony you need silence.

There is a little girl. She has a nightlight. It’s a purple fairy with blue wings. Without it she opens her eyes to the dark and feels scared. She needs to see that the shirt draped over the chair is not a killer. She needs to see that the dark is not dark. Outside the motors of cars rumble. She wonders where they are going, why they, too, are not sleeping. She falls asleep and dreams of squirrels. She dreams of lakes. She dreams of ladders reaching so high into the sky even the birds cannot nest there. They are too busy singing.

__________

Kika Dorsey is a poet and fiction writer in Boulder, Colorado, and lives with her two children, husband, and pets. Her books include the chapbook Beside Herself (Flutter Press, 2010) and three full-length collections: Rust, Coming Up for Air (Word Tech Editions, 2016, 2018), and Occupied: Vienna is a Broken Man and Daughter of Hunger (Pinyon Publishing, 2020), which won the Colorado Authors’ League Award for best poetry collection. She has been nominated for the Pushcart Prize five times. Currently, she is an instructor of English at Front Range Community College and works as a writing coach and ghostwriter. In her free time she swims miles in pools and runs and hikes in the open space of Colorado’s mountains and plains.

Poetry by Colin Webb

June 1, 2022 / The Furious Gazelle Editors

Refractory

spastic filter of branches

catching dusk clouds

side-swiping indiscriminate thru

a line of others more distinct in their

trajectory—

then the obstructed lengths

unpossessing downhill too, or the

bristly blind of snow up to Here

that’ll curb your cigarette break bound

by slush overlooked too, and the dirty

distillation of static that’ll obscure all

the breakup songs to come

straining from car’s radio

for you to love thru

“Dreams Come True” by P.C. Scheponik

May 5, 2022 / The Furious Gazelle Editors

It was an old three-story brick house

in one of America’s dying towns,

but we could afford the apartment

on the second floor.

And though it was a disaster:

the plastic Woolworth’s dish drain

melted onto one of the electric stove’s

burners, the bed’s one foot propped up

on the Bible, the fish tank with its three

inches of green water and window drapery

lying inside, drowned in algae and neglect,

and though we had to scrape and toss the

water-stained wallpaper, refresh and repaint

the entire place, to me it was the best—

with the stained-glass window that turned the

living room gold in the afternoon with its sliding

wooden doors that divided the living space into

two separate rooms.

And though the roaches finally forced us to move,

I still remember those nights, in the living room,

sitting together

on the sofa of the first living room set

we bought as young bride and groom,

so happy to be together, on our own,

living proof that dreams really do come true.

_________

P.C. Scheponik is a lifelong poet who lives by the sea with his wife, Shirley, and their shizon, Bella. His writing celebrates nature, the human condition, and the metaphysical mysteries of life. He has published six collections of poems: Psalms to Padre Pio (National Centre for Padre Pio, INC), A Storm by Any Other Name and Songs the Sea has Sung in Me (PS Books, a division of Philadelphia Stories), and And the Sun Still Dared to Shine (Mazo Publishers), Stained-Glass Faith (Alien Buddha Press) and Seeing, Believing, and Other Things (Adelaide Books). His work has also appeared in numerous literary journals. He is a 2019 Pushcart Prize nominee.

Poems by Kathryn Kopple

April 4, 2022 / The Furious Gazelle Editors

Epidemics

I can’t recall why. Or when I bought

Hippocrates’ Epidemics. I was on

a tangent that should have taken me east

of Athens to Perinthos on the Sea of Marmara.

To get there, I would have to stop over

in Crannon. About Crannon, I know

nothing, which is basically how I’ve

always traveled. Floundering from

country to country. Blind to where I was going.

After Italy, why not Hungary?

I passed the time surrounded by

Soviet architecture. Buildings

stripped of ornament uniformly at war

with old world charm. My host, a woman

and her boy. He didn’t walk, couldn’t feed

himself. His silence. Her patience.

I felt oddly blessed and cursed. Lightning.

I’ve been struck more than once. Spinoza’s

famous question: What can a body do?

Bite my tongue. The toll it takes

to come back from the dead.

On the phone, I hear my partner offer

his sympathies. There’s been a significant

uptick in requests for advance directives.

The neighbors left for Charlotte a week

after the schools closed. To read the mail,

we put on gloves. The house reeks of chlorine.

We’re still under orders to hunker down.

For how long, no one knows.

When this is over, I hope to visit Perinthos,

a hanging cliff-town in Turkey, overlooking

a luminous sea, harboring every

ounce of light the heavens will spare.