certainly live in Brooklyn!) should have a permanent home in Prospect Park.”
As a child, Bill Posley thought of himself as both white and black. However, he was told repeatedly that his biracial identity was invalid, such as when his teacher told him he couldn’t check both the “black” and “white” bubbles for race on a standardized test; he had to fill in just the black one.
Posley, who currently writes for CBS sitcom The Neighborhood, is a multifaceted performer with a gift for delivering serious messages wrapped in comedy. He tackles his quest to understand his own identity in his new one-man play, The Day I Became Black. When you’re biracial, he says, “you find yourself battling to maintain an identity that makes sense to you but the world is kind of forcing their identity on you.”
We spoke to him about his new play, his writing process, and how radical empathy can change the world.
On Friday, February 8th, the NY Indie Theater Festival kicked off its third season with a screening of Theresa Rebeck’s Poor Behavior. Continue reading
Amanda Quaid’s new film, Toys, packs a powerful punch in just two minutes. Based on a poem by stage and screen actress Peggy Pope, it tells the story of a father who uses gendered toys to mold his daughter into something she’s not, and a girl who resists.
An actress and playwright herself, Quaid stepped outside of her comfort zone in directing this film. She’d never done any kind of animation before – this was her first foray into the world of stop motion. “There’s real freedom and curiosity that can come from just being a beginner at something and seeing it through and not making it a livelihood or not making it my main focus. … I’ve been really fixed my whole life on what I was pursuing.”
What does Luke Cage have in common with Frederick Douglass?
Answer: more than you might expect. At New York Comic Con in October, David F. Walker discussed the parallels between black heroes from fiction and real life, and the importance of both. “I wouldn’t be up here on stage talking to you if it wasn’t for the fictional heroes [like Luke Cage] and the historical figures like Frederick Douglass and Harriet Tubman.”
For the past few years, Walker has been bringing humanity back into black superheroes, such as giving Cyborg back some of his body. Recently, he turned his hand towards a hero from history, penning The Life of Frederick Douglass, a graphic novel designed to give an overview of Douglass’s life to young readers, or anyone who’d like to know more about history. It will be released January 8th from Ten Speed Press.
We spoke to David F. Walker about #BlackLivesMatter, the history of racism, and the importance of black representation.
It’s that time of year again. As book lovers, we believe that a book is always the perfect present. Whoever you’re looking for, there’s something on this list for them. We aimed for more obscure or lesser-known titles, as well as our favorite new releases from 2018. If you pick a book from this list, the odds are pretty good they don’t already have it – either because it just came out so they haven’t gotten a chance, or because it’s not on their radar.
Did you, like us, forget that Hanukkah starts December 2 this year? Most of the books on our list are available online with one- to two-day shipping – so no matter what holiday you celebrate, there’s a perfect last-minute gift for you in here somewhere. (You can also check out our picks from last year.)
Gisele Lagace got her start in webcomics in the early 2000s, with Cool Cat Studio. Since then, she’s gone on to create a wide range of webcomics, including Menage a 3, a Three’s Company-esque adult romantic comedy, and Eerie Cuties, about a school for magical teens.
In addition to managing her own ring of webcomic titles, more recently, she’s also left her mark on cartoon characters straight out of your childhood. She drew several issues of Betty Boop and Jem and the Holograms, as well as reimagining the cast of Archie gender swapped.
Issue 1 of her newest title, Exorsisters (script by Ian Boothby), will be released tomorrow by Image Comics. (You can read a sneak peak online).
Q: You’ve collaborated quite closely, as a writer, with David Lumsdon and T. Campbell over the years. What do you like about working collaboratively?
I like that it sometimes takes me out of my comfort zone artistically. It’s also nice to be able to rely on another brain to solve a story problem.
Q: Anything you dislike about collaboration?
I guess I dislike it for the same things I like it for. At times, I can be sent outside my comfort zone a little too much, and too many cooks is also an issue sometimes with writing stuff collaboratively.
Q: David Lumsdon has his own titles now that grew out of Ma3, which you created. What’s it like having someone else working solo in a universe you built? Was it hard to let go of creative control?
I don’t have a problem with that. It also helps that I use T Campbell as editor on all properties, so I’m confident he’ll make sure everything works together. Maybe I put too much trust in people at times, but it’s generally the way I roll. Continue reading
New York Comic Con is one of the biggest events for people who love comics, books, and the people who make them. Fans come from all over to meet the writers, artists, and actors who bring their favorite stories to life. We recapped some of our favorite moments from this year’s Comic Con.
On Thursday, Amanda Conner and Jimmy Palmiotti offered up practical information for creators, from creators who have been in business for years. The duo were tapped to create what is now DC’s wildly successful Harley Quinn comic; they also founded the multimedia entertainment company PaperFilms. Palmiotti offered up his life experience on having his work brought to live action.
“Hang on to your intellectual property, the only power you have in this life is to say no.”
“For protecting your intellectual property the keyword is: tangible.”
On film deals: “Always ask for back end but don’t expect it. You should always try to get as much money as you can upfront, and also executive producer; they give those away like candy.”
Hold out for the best deal possible, don’t feel compelled to say yes. If you’re worried about protecting that property, another key piece of advice was, before shopping or sharing your work, make sure to have something tangible. What they mean by that is to create a website with your character/description of your work on it. Something with a date, a digital paper trail that leads back to your distinct idea, will go a long way in protecting your work.
Both creators agree that you should know how to pick your battles: when a large corporation threatened a lawsuit over the name of Palmiotti’s comic Random Acts of Violence (formerly called splatter man) Palmiotti changed the name shortly before going to press. This is also a good lesson in not getting too attached to your work; it’s always a good idea to be flexible they said.
Their other shared piece of advice was to “be nice, it comes back in spades.” Both agreed that having favors to call in whether it was getting help in making deals or raising funds for their indie film projects it’s worth it to build connections and have friends that will want to help you.
Recently, while hanging out in Madison Square Park, I needed to pee. There was an APT (Automated Public Toilet) nearby. Unfortunately, it was out of order. No big deal – because of my privilege as a middle class, white person, I was able to use the toilet at a nearby bar instead.
I learned about APTs in In Lezlie Lowe’s new book, No Place to Go: How Public Toilets Fail Our Private Needs. She writes about how crucial public toilets are, especially for those who can’t just walk into a privately-owned business bathroom, such as the homeless. The area around the broken public toilet in Madison Square Park smelled like urine, presumably because others had, lacking a place to go, urinated on the street instead.
Lezlie Lowe, a freelance journalist of over 15 years, has been covering public toilets for a long time. “I described public bathrooms as the itch I could never scratch,” Lowe said. She first became interested when her small children’s bathroom needs changed her relationship to her city. “But over time I kept on it,” Lowe said. “[Toilets are] the one thing I keep coming back to in my journalism practice. … There’s always great stories.”
Toilets also appealed to Lowe because she likes to write about the unnoticed parts of everyday life. “Public bathrooms were a good fit because you can’t find someone who doesn’t have some relationship with public bathrooms,” yet they’re frequently ignored or underappreciated in building design and public spaces.
We talked to Lezlie Lowe about toilets, feminism, and the process of working with a small press.
One night in her twenties, Marina Shifrin penned a list of 30 goals to complete before she turned 30. Funny and full of heart, 30 Before 30 tells the story of what happened as she set out to achieve each one. (Read our review here.)
We asked Marina a few questions about her book, and what she’s doing now.
Q: How do you think approaching life with a 20-something mindset can help even people who have passed that part of their lives?
Your twenties are this magical time for debauchery and experimentation, a time when mistakes can be molded into lessons instead of life-altering set-backs. Wisdom comes with age, sure, but we begin to lose a little bit of our tolerance for risk-taking. I think everyone, regardless of age, should approach life with enthusiastic resilience—you don’t need to be in your twenties to continue to learn and evolve as a person (these important practices are simply easier when your younger, and you have fewer responsibilities).