Literary as hell.

Tag: Short story (Page 10 of 11)

Sparrows and Mourning Doves by Caitlin Raleigh

Sparrows and Mourning Doves

 

It took Blackbird a moment to recognize the dead man in the marshes.

 

She had to crouch in the mud just beside him to peer at his downturned face, the eyes and mouth open. She would have known it right away had it not looked so bloated and white, like the bubbles in the lake foam just before they popped. The man’s name was Emery Hunt, a friend of her father’s from before they moved out of the city. He had a long face and small eyes with little wrinkles around them. “Kindness wrinkles,” as she’d thought of them. Kindness wrinkles were different from age wrinkles; Emery Hunt was not very old. Yet there were no lines in his waxy skin now, nor much else that matched her memory of his living self.

 

From behind her, the boy’s voice. “Do you think he fell from somewhere?”

 

Still examining, Blackbird made no move to look at him. The back of Emery Hunt’s head was smudged with red-brown, like rust from the chains of an old buoy.

 

“Or did…someone kill him?” The boy was never silent for long. Often in the evenings he rode his bike past her house near Maplewood, calling for her to explore with him, chattering all the while. Blackbird knew his age (nine—five years her junior) but not his name, and after several months it seemed far too late to ask. Sometimes she made up names for him, but in her head he was always “the boy.”

 

At last she stood. The reeds and lapping water tickled her bare feet; she’d taken off her shoes to enter the marsh. For a long moment she’d hesitated on the shore, but in the end felt she had to see the man’s face. Besides, the boy had been frightened and watching. “You shouldn’t have come to me first, you know,” she said quietly. “You should have had your parents call the police.”

 

The boy frowned. With his light eyes and thick, dark eyebrows, it had a comical effect. “I thought you’d want to see.” His eyes darted to the body and back again, as if he thought it would move if he looked away for too long.

 

To him, Blackbird knew, the discovery of a body was a morbid adventure. It was a sign of flattery that he’d thought to show her first. It wasn’t uncommon to see roadkill in the area—raccoons or possums, even a stray cat once or twice—and the boy always told her when he spotted a victim. He would lead her to the site, pedaling far more rapidly than she, and approach the carcass with solemn fascination. She’d watch as he studied it, circling until he thought he knew how the animal had been hit, sometimes even prodding it with a stick. But a human body was different. She was certain there had been no prodding of Emery Hunt. And if there had been, she wouldn’t want to know.

 

She started toward the road, her feet squishing in the muddy grass. “We should go back.”

 

“Who do you think he is?” The boy caught up to her, taking wide and sloppy steps. “Can the police find out who killed him? It couldn’t have been someone from here. Could it?”

 

He’d splashed water all over her legs. “Watch where you’re stepping,” she said. “Do you want the murderer to hear you, Little Elephant?”

 

It was mean, but she couldn’t help herself. The boy frowned again, still distracted by his questions. “How long do you think he’s been there? Maybe—maybe we should stay and look for clues.”

 

“I’ll race you to my house.” And she hopped on her bike before he could refuse, nudging the kickstand back with her heel.

 

The sun sank low over the marsh as she pedaled away, the boy on her heels, orange light washing over the dead man’s body for a moment before edging toward the shore.

******

Her father’s car was in the driveway when she returned. She waved to the boy and went inside, closing the screen door gently behind her.

 

Her father was sitting at the kitchen table with his crossword. “There you are, little bird. Were you on a walk?”

 

She went straight to the fridge. “Yeah, just a short one.” She took out the Styrofoam container, opened it to take out the sandwich and fries inside, and then stuck them in the microwave. “How’s the restaurant?”

 

He shrugged. “The usual business. Listen, when you’re done eating I was thinking we could go out in the boat. Take some binoculars, maybe see if we can spot the heron.” They often saw a heron at the edge of the pier, or skimming the water’s surface with its long body as it flew. A lone and regal bird, it always seemed to be the only one in the world, so that was how they talked about it.

 

“Okay.”

 

After a minute she sat down and began to eat. At first her father went back to his crossword, jiggling the pencil absently between his fingers, then writing a word. He glanced up. “You’re quiet. The food terrible or something?”

 

She smiled, shook her head. “No. It’s good. I’m just hungry.”

 

Maybe she should tell him now, before the police did. Maybe that would be better. Orange light streamed through the window, making her father’s wiry brown hair glow from behind. Blackbird remembered the dark stain on the back of Emery Hunt’s head, and kept silent.

 

Surely it would shock her father to hear of it. He did not need the news of another death, especially that of a friend; he had already lost Blackbird’s mother five years before. She had gone into the doctor’s office for an appointment, and had come out with cancer. Blackbird remembered the hospital room, its white bed with a hundred medical tools attached; and her mother, always a pale person, now so thin and white she looked like an egret or a swan, sitting up with delicate grace as they entered the room. Blackbird’s father had even gotten loans from friends to pay for her treatment. Before, the three of them often went to zoos and museums to see the animals, and to the bird sanctuary where they would picnic and bird watch for hours. One day Blackbird’s mother couldn’t go to those places anymore, and then she couldn’t go anywhere at all, and then she was gone. Afterward Blackbird and her father had moved to their current home in Twin Lakes, which had been handed down to them years before, after his family decided to move away to Michigan. It was only meant to be a summer home, but her father had worked on the insulation and eventually saved enough for a new furnace, so it was perfectly cozy in winter too.

 

It was far from winter now, with sunlight still reaching through the window at dinnertime, and the thick hum of cicadas in the trees, and a lone cricket chirping somewhere below the windowsill.

 

Blackbird ate her sandwich and fries. Her eyes wandered through the doorway to the living room. The black bookshelf, a crinkled and stained copy of Birds of the Midwest facing outward. The other books were always aligned by two bronze gargoyles, but now several books fell forward, a cascade of tiny steps.

 

“Where are the bookends?” she asked with her mouth full, pointing.

 

“Mm?” Her father leaned over to see. “Oh, I dropped one of them. Shattered in more places than you’d believe. I figured the other one’d be lonely by itself.” He flashed her a smile. “Besides, we can use the shelf space. There’s that book fair next week in town, and I could use something besides these puzzles to stare at.”

 

Her father was not a clumsy person. She wondered if afterward he had thrown them into the garbage, or maybe into the lake. She found herself wishing she could see them again.

 

“I’m finished,” she said, standing to put the rest in the fridge. He always brought her big sandwiches with too many fries so that she could have leftovers. “Are you ready?”

 

He stood, with a quiet salute. “Yes, ma’am. You get the binoculars and I’ll meet you outside.”

 

She moved, images of diving kingfishers and sparrows already floating through her mind. Smooth and graceful, they tossed their fish-prey up in the air, crunching down with sudden force. It was funny, watching their dinnertime dance, how easily she could forget about the tiny murders they were committing.

******

It was two days later, biking up Shores Lane, that she passed the cop car in the boy’s driveway.

 

The boy spotted her and waved. His parents stood behind him, talking to a policewoman with short red hair that Blackbird recognized from in town. Blackbird waved back, wishing she were not pumping uphill, because it gave the policewoman plenty of time to call after her. “Excuse me, young lady?”

 

She had to wheel back around to enter the boy’s driveway. Before she could speak the woman continued, “This young man says you’re a friend of his. That true?”

 

Blackbird hoped ‘this young man’ hadn’t said much else. “You could say that.”

 

“And do you know anything about the body he found in the marsh?”

 

She had told the boy not to tell anyone that he had shown her the body first. So he had listened. That meant word couldn’t get back to her father. She would have given the boy an appreciative look, but that would hardly make her seem innocent. “He told me about it. But I can’t help you. I’m sorry.”

 

She was always polite, if not expressive. The policewoman looked puzzled, and Blackbird wondered what the woman would have done if she’d said, There were crickets and thunder the night Emery Hunt visited, and I don’t know where the gargoyle bookends went. “What’s your name?” the woman asked, with an uncertain smile. “And where exactly do you live, if you don’t mind my asking?”

 

“She’s Blackbird,” said the boy, as if the policewoman were a little slow. “It’s her real name, even if it is strange. She lives at the bottom of our hill.”

 

Your hill?” Blackbird favored him with a tiny smile. He had called her name strange a million times, and she didn’t mind—it was a strange name, and not the first she’d heard of it. But it was the name her mother had given her. When she was younger her parents had often played the Beatles song of the same name. They would take each other’s hands on either side of her, forming a Blackbird sandwich, and sway back and forth to the music. Her mother had once told her it had been their wedding song.

 

“So…Blackbird,” the woman said, as if the name tasted funny on her tongue. “Where were you at around two a.m. on Wednesday morning?”

 

Blackbird shrugged. “I’m never up past midnight, ma’am. Is that when it happened?”

 

“Thereabouts.” The woman was writing in her little brown notebook. “We think, since he was found in the lake after all, it’s possible he fell off the side of a boat. Hit his head.” She looked up. “Something hit his head, anyway. We’ll know more soon. Can I speak to someone else in your household?”

 

“There isn’t anyone else home right now. My father’s at work.”

 

“Well, here.” The policewoman pulled a card out of her pocket, handed it to Blackbird. “When your father gets home, have him give me a call. We’ll be by soon, just to ask some routine questions. Nothing to be afraid of.”

 

Blackbird nodded. “Is that all, ma’am?”

 

“That’s it for now. Go on, enjoy your bike ride.”

 

“Wait,” the boy called after her, and made a beeline for his bike. “Are you going to ride down Mount Doom?”

 

Mount Doom was what her family had dubbed the steep hill that led into town. When Blackbird was younger she had often coasted down it, her father on his bike behind her. One day she’d hit a stray pebble while going too fast. The horrible lurch of flying, and then she’d skidded several feet on her stomach, so that bits of gravel embedded themselves into her skin. Back home her mother had wiped the blood that went from her knees to her socks, picked out the gravel and bandaged her. That was before, when Twin Lakes was only a summer home, and there was no cancer. Now Blackbird rode her brakes down the hill, and avoided the gravel.

 

“Maybe,” she said. “Does that mean you want to come?” It wasn’t really a question.

 

The boy pedaled just behind her. “How come you didn’t want that police lady to know I showed you the…the dead man?”

 

She often worried he would clip her back wheel. “Why don’t you ride ahead of me, Roadrunner?”

 

He obliged. “Well?”

 

A kind breeze blew her long dark hair off her forehead as she pedaled upward. “I don’t need to cause any extra trouble for my father,” she said, looking straight ahead.

 

“What kind of trouble? You didn’t do anything wrong.”

 

“But I saw it.” They reached the top of the hill, turned their bikes to enter the development. “Parents worry about their children worrying. Seeing too much, and things like that.”

 

They rode side by side now. The boy looked thoughtful. “My parents get mad if I just come home after sunset. Even if it’s still really light out. When I showed them the body they weren’t mad anymore, but after they called the police they got mad all over again. They told me that’s why I can’t go riding around by myself when it’s getting dark out. But they didn’t know what happened to that man, so how could they know it was dark out when he died?”

 

“Just an assumption. They don’t want you to get hurt.” It was funny, how adults were as convinced as children that terrors came with the darkness. Let the dark keep its secrets, little Blackbird, her mother used to tell her, when she woke from nightmares that made her afraid of her room’s black corners. They won’t hurt you.

 

“I won’t get hurt.” The boy grinned at her suddenly, taking his eyes off the empty road. “I can ride fast and brake fast. No one can catch me or throw me off.”

 

Blackbird saw the grin falter a little. “You’re the best bike rider there ever was,” she agreed, and it grew once more.

 

“Want to race to Mount Doom?” The boy straightened in his seat, fear forgotten.

 

She was not much in the mood for racing. “Okay. You get a head start since your legs are short.”

 

“Nuh-uh.” He frowned his comical frown. “I’m the best bike rider there ever was, so I can beat you anyway.”

 

“Suit yourself,” she said, and waited for him to count off gleefully before pushing down on the pedal. The wind picked up with her speed, as if sweeping her away from something—forever—even if she couldn’t quite place what that something was.

******

Evening in the boat, and the cloud-mottled sunset made a liquid portrait out of the water. Her father let her hold the binoculars as the heron flew overhead, soundless.

 

“I saw a strange bird today,” said Blackbird. “It was blue, but not flat blue like a blue jay. More of a…shiny blue. The way seashells glint in the sun.”

 

“Like a metallic blue?” Her father leaned forward a little, a smile beginning to brighten his face.

 

“That’s the word I wanted.”

 

“Sounds like an indigo bunting. I haven’t seen one here in a few seasons. Where did you see it?”

 

“By the edge of the dead end road inside the development. But then that boy went too close on his bike and scared it away. Oh, and we saw a mourning dove, too.” Mourning doves weren’t rare, but Blackbird loved them anyway. They had been one of her mother’s favorite birds. Blackbird had once thought their name was spelled like ‘morning,’ which didn’t make much sense, since weren’t most birds awake in the morning? Now the real name seemed appropriate, and not just because of the low and melodic coo they made.

 

“Well.” He looked out on the water. “Isn’t this a good bird day.”

 

They sat in silence for awhile, until the sun was only a cap on the heads of the trees. Normally Blackbird liked the silences fine, but as the minutes passed her father grew tense. He would squeeze his knee with one hand, relax, then squeeze again, watching the lake all the while. At last he said, “Blackbird. I assume you’ve seen the cops around, haven’t you?”

 

She nodded.

 

“They came into the restaurant today, just for a few minutes. They—they’ve identified the body of that man. It’s Emery Hunt.”

 

He glanced up at her. Folded his hands, squeezed them together too. She only waited.

 

“Well,” he said. “Remember I told you he left before you woke up that morning? After he’d spent the night?”

 

She remembered.

 

“Well, I’m afraid he and I had a bit of a fight.” Squeeze, squeeze.

 

Please don’t say it, Blackbird thought. I’ll do anything if you would just not say it.

 

“He…wasn’t too keen to be around me, so he decided to catch a late train back to the city. I should have driven him, but I didn’t. He was going to walk into town and hitch a ride to the station the old-fashioned way, I suspect.” His hands were trembling now, even when he squeezed. “I thought he had made it to the train station. I don’t know what happened to him—we’d been drinking a bit, you know, so maybe he fell and hit his head somehow.” He looked up at her, his face contorted, his body slouched. “I’m telling you this, Blackbird, even though I didn’t tell it to the cops. I lied, Blackbird. You understand why, don’t you? How suspicious it all sounds?” He laughed shakily. “You were asleep, and there’s no one else to verify that it’s the truth. So they would suspect me, and maybe even arrest me, and then they would take you somewhere else.”

 

He leaned forward in the boat, taking her small hands in his shaking ones. “You know I would never let anyone take you away from me, little bird. You know that, don’t you?”

 

Let the dark keep its secrets, little Blackbird. “I know, Papa.”

 

“You understand, my girl?” He was still looking at her pleadingly. “You believe me?”

 

It was the hardest thing she had ever done, looking back at him. Harder than seeing Emery Hunt’s bloated face and blood-crusted head, and talking to the policewoman, even harder than two a.m. Wednesday when she’d woken up thirsty.

 

Think of birds, simple pretty birds. Kingfishers and mourning doves and great swans, and the heron, the regal lonely heron. Think of happy sparrows, twittering inside the evergreens.

 

“I understand, Papa.” And she did.

 

“There’s my girl.” For a moment he looked like he wanted to hug her. Instead he brought her hands to his mouth and kissed them, then sat back against the rim of the boat. Several moments passed, but when he spoke again his hands weren’t shaking anymore. “Well now, looks like the sun’s gone down. Shall we head in?”

******

By midnight the thunder had rolled in with the clouds. Blackbird lay awake and listened.

 

Wake thirsty. Kitchen. Two voices, rising. On the floor, shadows tearing. A thud. Then another. Silence. One voice. One voice, gasping, shuddering. Dry mouth. Bedroom window. A paddle on water. Crickets and thunder. Waiting. A boat returning.

 

Wake thirsty. Kitchen. Two voices, rising…

 

She rose from the dream that was not a dream.

 

She thought of the nightmares she’d had when she was little, how she would wake crying out in the darkness. Her mother or father would come to check on her, to smooth her sweaty hair and tell her to go back to sleep. Sometimes she would wake simply frightened, not enough to cry out, but enough to slip into her parents’ room. Even after her mother died, she would draw comfort from sneaking in to see her father, just for a minute, just to hear him say, It’s all right, little bird. Nothing bad will happen to you. It’s all right, Blackbird, go back to sleep. In the morning all will be right again.

Caitlin Raleigh is a crazy redhead who loves all things related to cats, the Beatles, and Christmas. (It’s fitting that her first widely circulated publication contains ‘furious’ in its name.) Her work has also been published in DePaul’s literary magazine, for which she has more recently been the fiction editor. She is currently a graduate student in DePaul’s Writing and Publishing program, and when she isn’t writing her many stories, she’s thinking about them. She lives and breathes equally Chicago, Illinois, and Twin Lakes, Wisconsin.

Blog: caitlinraleigh.wordpress.com

Halloween Contest finalist: The Nefarious: A Tale of a Notorious Halloween Dance

This short story by J. J. Steinfeld is a finalist in the Furious Gazelle’s Halloween contest. The contest’s winner will be announced Friday. View the rest of the finalists here.

“The Nefarious: A Tale of a Notorious Halloween Dance” was first published in Strange Lucky Halloween (Edited by Sandi Reed-Chan and Jean M. Goldstrom, Whortleberry Press, 2013).

© 2014 by J. J. Steinfeld

“We haven’t gone dancing in years, Shane. Not since we first got married, let alone a Halloween dance,” Cynthia said to her husband of almost thirteen years. In fact, their thirteenth anniversary was in a week, two days before Halloween, and the dance Cynthia had been invited to by her boss, Edvard Bellwether, of Bellwether Worldwide Insurers.

“I used to love Halloween when I was a kid,” Shane said, staring up at the ceiling of the living room of their suburban apartment condominium, seeming to be locating himself in the past. I usually went trick-or-treating as one superhero or another, but I don’t remember ever going to a Halloween dance.”

“When I was young and not so young, I went to some wonderful Halloween dances, wearing beautiful costumes, always beautiful, elaborate costumes for me. Seems we grew up in different social strata,” Cynthia joked, but Shane lowered his head and gave an exaggerated growl, recalling the first time he met Cynthia’s upper-crust crustacean family as he always referred to them, and the contempt with which he still maintains they treat him because he was from a poor working-class family. Cynthia’s parents, both in their mid eighties, did not approve of their daughter’s marriage to a younger man, even after thirteen years, and a wedding her father had described on numerous occasions as a disappointing, lacklustre city-hall affair, Shane emphasized with rancour. As for Shane’s family, Cynthia once remarked they reminded her of a cross between the Munsters and the Addams Family, and Shane, who usually had a lively sense of humour, called that ridiculous comparison disrespectful and insulting, despite Cynthia’s claim that both of those fictitious families were delightful even admirable in an absurd social commentary sort of way.

“What should we go as?” Shane asked, recalling the years he went trick-or-treating as Batman or Superboy in costumes sewn by his mother. He closed his eyes, his fingers periodically poking into the air as he appeared to be counting Batmen and Superboys, and added, “I think it was six times as the Caped Crusader and five times as the Boy of Steel, between the ages of four to fourteen, inclusive.”

“Edvard told me this dance has been going on for ages, every Halloween, even before he started his insurance company two decades ago, and they always have a theme. Until now, he’s never invited anyone from our company. Felt it wouldn’t be proper, whatever that means. But when I told him when we got married, even if it was two unfortunate days premature, as he characterized it, he said he couldn’t resist. And thirteen years ago, of all anniversaries, his luckiest number. One’s costume has to somehow be connected to the theme, even tangentially or obliquely, he said. Edvard likes to use fancy words.”

“So what’s this big theme, Cynthia?”

“The Nefarious.”

“The what?”
“Nefarious.”

“Is that a noun?”
“I guess you can make it into a noun. I told you Edvard likes fancy words.”

“Whenever I pick you up at your office, the guy always gives me the creeps.”

“He’s great to work with. The best boss I’ve ever had, and as you know, I’ve had my fair share of bosses and supervisors.”

“He looks like Edgar Allan Poe, if you ask me.”

“You’re not the first person to say that, but I think he’s a handsome man. Edvard even hinted he might go as Poe to the Halloween dance.”

“I never said Edgar Allan Poe wasn’t handsome, only creepy looking. John Cusak is a handsome actor, and he played Poe in The Raven, for which, if you recall, I wrote a glowing review….” Both Shane and Cynthia were avid film buffs and each wrote weekly reviews for an online film website, Shane for more current films and Cynthia specializing in older films, especially classic films. Shane liked to say that film reviewing was his passion while his successful house-painting business was a sideline.

“After I told him we got married two days before Halloween, thirteen years ago, it was the first time I ever heard Edvard laugh. He went on for about a minute, and the whole office started laughing, turning the entire first floor of the building into a strange theatre of frivolity.”

“That sounds creepy, too.”

“Not at all, darling. It was rather fun. Things can get sombre with the crazy work load this month for reasons, I assume, that have nothing to do with Halloween.”

“Well, as long as he gives you a good raise.”

“I’ve only been with Bellwether Worldwide Insurers seven months, Shane, for Heaven’s sake.”

“You’ve already proven yourself a valuable asset.”

“Edvard actually said we should have gotten married on Halloween…in costume.”

“You were married in costume, so speak…a wedding costume.”

“I told him I had a very sexy dress…for a city- wedding.”

“You were the sexiest forty-two-year-old newlywed I’d ever seen or married.”

“Stop with your silliness, Shane.”

“Silliness is what gets me through all the silliness of existence, if you know what I mean, Cynthia.”

“I know exactly what you mean, I think…more or less.”

“Now who’s being silly?”

“Perhaps the question should be, who is being more silly?”

“Your forty-one year old young hubby, looking lovingly at his sexy fifty-five year-old wife,” Shane said, and hugged Cynthia, even though it annoyed Cynthia whenever he underscored the disparity in their ages. He had just turned twenty-eight and she was two-thirds into forty-two when they married thirteen years ago,

“Who shall we go as, Shane?”

“Has to fit the theme, you said.”

“I’ll research nefarious folks on the internet and see what I come up with, Shane. Movie characters with nefarious reputations might not be a bad place to start.”

“Too bad Batman or Superboy wouldn’t qualify as nefarious. Believe it or not, Cynthia, I’m looking forward to this Halloween dance, especially if you can wear something nefariously sexy.”

“Sounds like something Edvard might say…”

*

Cynthia and Shane decided on Bonnie Parker and Clyde Barrow. They watched the film several times on DVD to get a feel for what kind of costumes to wear, acting out in their living room some of the scenes. Shane even wrote an in-depth review of Bonnie and Clyde, and used it for this week’s online review. He usually didn’t review films made before 2000, but became so enamoured of the 1967 Bonnie and Clyde, and its place in cinematic history, he decided to make an exception. Cynthia wrote a long review essay on old gangster films, which Shane said was her best writing about film to date. After watching Bonnie and Clyde for the fourth time, they went to a vintage clothing store and found the perfect 1930s outfits, including hats close to those the actors Faye Dunaway and Warren Beatty wore in the film. When Shane told the thirtyish clerk at the clothing store that both she and he weren’t even born when Bonnie and Clyde hit the big screen, but his lovely wife was already in grade school, Cynthia became angry and stormed out of the store, vintage outfit in hand.

*

By the time Cynthia and Shane arrived, there were already over a hundred partyers, everyone in costume and dancing enthusiastically at different levels of competency. The dance was being held in a large but somewhat run-down community hall in a less than desirable section of the city Cynthia had never been near but Shane had grown up in, and trick-or-treated there, he mentioned with time-defying fondness. The lighting in the large hall was dim and periodically would flicker or go out completely for brief periods, with a dark-blue spotlight on the twenty-piece band that entertained almost non-stop during the dance, the musicians dressed as a rogue’s gallery of notorious criminals from history, ranging from nefarious assassins to infamous dictators to vicious serial killers. Cynthia enjoyed herself dancing, saying she felt her spirit was rejuvenated and she felt younger, at least by a few years. Shane said dancing made him feel older, making his point by rubbing his knees which were acting up painfully.

During one dance, to a song neither Cynthia nor Shane could place, Clyde Barrow, another Clyde Barrow, cut into the costumed Cynthia and Shane/Bonnie and Clyde couple, and another Bonnie Parker took hold of Shane, as Edvard stood nearby and oversaw the switch in partners.

“I feel so embarrassed,” Cynthia said.

“Why should it be embarrassing? It’s rather flattering,” the other Clyde said.

“Yes, most flattering,” the other Bonnie added.

“The movie is stupendous, and holds up quite well in comparison to more modern gangster films,” Shane said, as the other Bonnie tightened her hold on him.
“Your duds look like they’d fit pretty close into that period,” the other Clyde observed.

“You look awfully…what’s the word—” the other Bonnie said.

“Authentic,” Edvard said. “Authentic with a capital ‘A’.”

“Thank goodness it’s not that other famous capital ‘A,’ the one in the Scarlet Letter, a film a gave a lovely review even if most other reviewers weren’t in agreement with my assessment,” Cynthia said, as the other Clyde tightened his hold on her. Both of the other Bonnie and Clyde liked to dance extremely close, as though attempting to meld their body with their dancing partner.

“Look around,” Edvard encouraged, “just about everyone has had a film or two about them, maybe a lot more,” he said, putting his arm around Jack the Ripper, “or as nefarious characters in a horrifying film about someone else,” and soon the discussion revolved around the films that contained either major or minor roles for The Nefarious, and a discussion of what qualified as nefarious behaviour, historically, in fiction, and cinematically.

A group of strikingly realistic-looking gangsters, standing close to a little too skinny and much too tall Al Capone, rattled off the names of dozens of movies and someone commented it sounded like the rat-tat-tat of an old-fashioned machine-gun. Machine Gun Kelly went out to his car and came back with a machine gun which Edvard said was authentic. Machine Gun Kelly aimed his authentic-looking weapon at Shane, and when Shane cowered, said he shouldn’t be a fraidy-cat. Shane started to walk away from the menacing Machine Gun Kelly, but he was blocked by five tough-looking gun molls that Cynthia later speculated two of whom were men dressed as gangster women, two definitely females, and the fifth was androgynous but Shane thought was a female and Cynthia a male. The five eagerly identified themselves as Helen Wawzynak, who had been dancing earlier with Baby Face Nelson, Beulah Baird with Pretty Boy Floyd, Kathryn Thorn with Machine Gun Kelly, Virginia Hill with Bugsy Siegel, and Evelyn “please call me Billie, everyone” Frechette with John Dillinger, and each gun moll tried to outdo the others with what sounded like first-hand descriptions of their nefarious backgrounds and exploits alongside their nefarious gangster associates.

Edvard, Shane pointed out, was using the word authentic a great deal. He was using it for nearly everyone, except for Shane and Cynthia whom he mildly flattered by saying that they certainly approximated the period but didn’t quite capture. He did admit to never having seen the 1967 film, but his friends who were costumed as 1930s Bonnie and Clyde had shown him photographs of the real Bonnie Parker and Clyde Parker, a thick album of old photographs, and the resemblance was uncanny, or authentic, as Edvard said several more times. As he continued to talk about the authenticity of the other Bonnie and Clyde, Edvard did a slow gyrating dance with Cynthia/Bonnie, and Shane/Clyde gave him a hard shove, but Edvard held on to Cynthia and laughed it off by saying let bygones be bygones, and let’s not turn this festive occasion into a horror story. “Mind you,” Edvard said, “Edgar Allan Poe might appreciate a more horrible tone to the festivities, and I am the nefarious Poe tonight, am I not?” Edvard even suggested that everyone call him Edgar, if only until the Halloween dance was over. After he let go of Cynthia and eyed another potential nefarious dance partner, Edvard claimed that his middle name, coincidentally, was Allan, Edvard Allan Bellwether, but Cynthia and Shane both thought that was untrue, a Halloween verbal trick.

As Cynthia danced yet another time with the other Clyde, she could see the other Bonnie dancing again with Shane, holding her husband too closely, occasionally whispering into his ear what Cynthia imagined were suggestive, erotic words. The other Clyde told Cynthia that jealously was a wretched emotion, a wicked green-eyed monster that can shred one’s emotions, and if his Bonnie wanted to rob a bank with someone else and then have a wild sex romp afterward in a cheap motel room, he wouldn’t mind.

“We could pull off a few heists together,” the other Clyde went on, whispering close to Cynthia’s ear, much in the manner the other Bonnie whispering to Shane.

“Bonnie and Clyde met a horrific end,” Cynthia said firmly, and stepped away from the other Clyde.

“That was in a Hollywood movie, not real life. The movie-makers got it all wrong. That is, the cops killed the wrong folks, and we got away.”

“That is obvious, isn’t it? But shouldn’t you be somewhat older, Clyde, say over a hundred? Bonnie and Clyde were killed in 1934, after all, he twenty-four and she twenty-three”

“Heck, deals can be made, potions can be found. I saw Mephistopheles over by the refreshments a little while ago, having a chat with Dillinger,” the other Clyde said, moving close to Cynthia again, and quickly gave her a kiss before she could avoid his lustful lips.

“By the way, that green-eyed monster you mentioned, and I can handle, thank you, is from Shakespeare, who I much prefer reading than dancing with you,” Cynthia said sharply to the other Clyde, and hurried away to the opposite side of the large room.

At the start if the last song before the costume judging, Edvard asked Typhoid Mary, wearing a surgical mask, to dance. Earlier there had been heated debate among some of the other costumed partyers that Typhoid Mary wasn’t nefarious because she had been asymptomatic and didn’t believe she was infecting others, but a veterinarian dressed as Mr. Hyde eloquently argued that since she refused to cooperate with medical authorities on many occasions, the results if not the intent were nefarious and therefore Typhoid Mary qualified as nefarious.

Edvard was the first person to ask Typhoid Mary to dance all evening. “I insisted she wear the surgical mask. Nice touch, wouldn’t you say albeit a bit of an anachronism? Maybe she’ll take it off later, but I think that’s prospective irony, if you get my drift,” he said to Cynthia and Shane, who were dancing together not far away from them.

“Not exactly, Edvard,” Cynthia responded.

“It hardly matters. Wait until the judging. First prize is incredible.”

“A get-out-of-jail-free card?” Shane said, having recently commented on how much jail time some of the characters had served, and even attempted to estimate an aggregate total of time, at least a thousand of years, he estimated, spent incarcerated by those costumed characters at the Halloween dance.

“A five-million-dollar life insurance policy, with the yearly premiums paid for a hundred years, in case the winner has longevity in their family,” Edvard said, offering a mischievous glance in Cynthia’s direction.

“I already have adequate life insurance, Mr. Poe.”

“One can never have enough life insurance. I’m sure Cynthia would appreciate the bigger policy.”

“Don’t forget the booby prize,” Typhoid Mary said, raising her voice in excitement.

“What would that be?”

“Later, Shane. Hold your horses and keep on your pants.”

“What an odd term, booby prize, isn’t it?”
But apposite…and authentic,” Edvard said, just as Cynthia joined the group standing around the gregarious organizer of the Halloween dance.

Edvard revealed that he had won three times in the last twenty or so years and the booby prize twice, “Hard to fathom that, but it’s all relative and subjective and unpredictable,” he said, rubbing his Edgar Allan Poe moustache.

“Why would anyone want the booby prize?” Cynthia asked, shaking her head in bewilderment.

“One must have a booby prize, the coveted booby prize. The booby prize consists of the first and last place costumes ending the evening with a romantic dance, depending on sexual preferences, but I‘m sure you know what I‘m getting at. I’ve seen first and last place smooching and the opening sparks of a romantic relationship. Well, last year, a dapper Beelzebub and a drab-looking Angel, albeit an Avenging Angel, really hit it off. They had to be pried apart or they’d still be kissing. They married last week, less than a year after that monumental osculation. I understand they are in their honeymoon in a hot climate, at Beelzebub’s suggestion.”

*
Sweeney Todd and Typhoid Mary won in a tie, and Cynthia and Shane received the booby prize. The band began their final number, and Sweeney Todd took Cynthia onto the dance floor, and Typhoid Mary pulled a reluctant Shane toward the centre of the dance floor as all the other costumed partyers formed a cordon around the two dancing couples, as if they were contemplating escape, “There’s no escaping this tradition,” Edvard said, seeming to be reading their minds, or at least their body language.

Near the end of the dance, Typhoid Mary removed her surgical mask and gave Shane a deep kiss he would never forget, he already starting to look more than a little ill.

“Typhoid Mary is about as authentic as you can get,” Edvard said, “even if she wasn’t nefarious in her heart…”

***

You can read more about J.J. Steinfeld at http://www.ditchpoetry.com/jjsteinfeld.htm

Halloween Contest Finalist – Blackout

This short story by Hannah Regan is one of the finalists of the Furious Gazelle’s Halloween contest. The contest’s winner will be announced Friday.

 

Blackout

By Hannah Regan

Now picture this: first, black. The sharp sound of a switch, and a light flares. It backlights a rippling white sheet. No, off-white, really. Creamy. A few slapping sounds from the darkness around you, then a silhouette appears on the screen. The figure kneels, picks something up from the ground. A quick ripping sound, a snap, and then a steady hiss, and a small yellow glare – a match lit behind the screen. A crack, and the sheet falls. You see a face – a beautiful face, the face of an angel, but marred by a jack-o-lantern smile, toothy but razored-edge canines, head thrown back, laughing, and then suddenly snaps shut into a smirk that sends shivers tearing down you. He drops the match, and everything is black, once again, until it blazes up, consuming everything in gold. And then nothing.

The boy ran through town, breathing hard, bare feet getting dirtier with every slap onto the ashy asphalt, tearing away from the golden sky blazing behind him. The pollution-heavy air weighed in his lungs and his ears rang as the sirens began to blare, waking the peaceful air. And still he ran, harder, further, faster, until he could run no more. Then he collapsed on the ground.

Lights up behind the screen again, a platform with a dark mass shadowing it this time. A curvaceous woman moves around it this time, clinking sounds as she mixes this and that, then leans over the platform. A spluttering noise, the dark mass convulses sharply. Blackout.

The boy is on his feet again, but no longer on the street. He’s bolting sidelong through a seemingly endless hallway. He sees himself running on all sides of himself. There, he is stretched like taffy, reaching to the sky. Over there, he is the size of his thumb. In a third side, he is wider than he is tall. Every few lengthy strides, he crashes into a wall. It shatters, leaving a black scar in the shimmering hall. He changes directions, and keeps running, until every wall was destroyed, and he collapses again on shards of glass.

Lights up. A barren hospital room is illuminated. One metal cot, on which is heaped a small, dark mass. Outside a steel door, two silhouettes are illuminated. The curvy nurse, and a tall, square man – the doctor? Whispers are heard leaking under the door, and then it opens. The light is white and harsh, contrasting with the warm, soft, yellow glow of the hallway outside. The gold is cut off sharply as the door slams and the man and woman enter.

Both figures bustle around the bed. The nurse fusses with the mass’s sheets, fluffs its pillows, checks the bedpan. The doctor checks vitals, making notes on pulse, breathing, lividity, on the chart hung on the foot of the bed. Both figures pause as the mass stirs, taking the shape of a small boy. His eyes flicker for a moment, revealing stripes of green iris underneath. Blackout.

The boy is trapped now in a spinning cylinder which stretches and compresses, so that just when he thinks he has reached the end, he is carried back to the start. The walls spin around him, disorienting. Getting weaker. Cylinder is shrinking. Tighter, tighter, squeezes out all the air, and he crumples, stuck inside the still invariably rotating tube.

The harsh white light flickers into being again, blinding you momentarily. The green-eyed boy is sitting up on the hospital bed now; the doctor and nurse are seen outside the door once again. The boy is examining himself. His legs and arms are hardly recognizable as such. They bear a mix of injuries: slices which seem to sparkle, as though there is glitter embedded in them; scrapes and bruises still full of asphalt and ash, dusky black amid the glitter; and everywhere, shiny red burns, glaring, giving off a radiation. You can almost feel the heat.

After a thorough self-examination, the boy lies back against the sheets, waiting. The doctor enters again, and the narrow green slits snap shut, feigning sleep. Another round of checking vitals, a crisp nod from the doctor. The first words – “alert me when he wakes” – a slamming door – and a blackout.

The click of a light, and the sheet is back. You see a long vehicle – a truck? – race along toward the golden flare in the distance. The flare hisses, crackles and pops, reaching ever higher, threatening to consume every drop of ink coloring the sky. A wailing sound grates on your ears, repetitively, and you beg for it to stop. Mercy, please. The truck reaches the blaze, the wail stills, but you know it is too late. The building is consumed, and there is nothing left to find. Shards of glass on the ground, ash falling like feathers from the sky, and in a secret corner, one, almost consumed match, much too small a thing to have committed such a grand act.

This time, first sound. Another wail, less mechanical. Human, this time. Then the grating bleached light. The boy, contorting on the pallet, as the doctor and nurse bend over him with thin silver instruments. As you watch, the doctor reaches down, there is a barely audible click, then his hand comes up, reaches over to a bowl, and relaxes. There is a ping – a shard of glass falling into the bowl. They are removing the glittery pieces from him, one by one, and he does not appear to be numbed.

They work in silence, broken only by the occasional ping as the glass hits the bowl, and the soft moan of the boy whose nervous system is being consumed from the outside, trying to hold himself together long enough to achieve a point of relief which may never come.

No lights. You sit in darkness as a series of beeps reaches your ears, then a voice. It’s human, but barely. Robotically, the woman tells you that there has been a fire in the South district. No one was harmed inside the building, an abandoned warehouse. However, the arsonist is suspected to be severely injured. She begins to describe the arsonist. It sounds terribly familiar, and you realize with a sense of horror that weighs in your stomach as if you have swallowed a stone that she is describing the small boy lying on a pallet in a cold, bare hospital. Anyone with information is asked to come forward. You can call… The voice trails off as she recites the number, the sound fading, and you are alone in the dark.

The blinding white light floods you once more, and the golden light is lighting three figures now: the pear-shaped nurse, the square doctor, and now a round man, slightly shorter. More whispers, followed by a gruff “get out of the way.” The door opens again, and the people come in to peer down at the boy.

He could be a mummy now, wrapped in bandages which covered some sort of gooey purple ointment which simultaneously soothes his burns and stings his cuts. He twitches every few seconds. His green eyes are open, the whites stung red with pain. There was a trickle of red running down his chin, where he seemed to have bitten his lip to keep from crying out.

The adults crowd the bed, and his eyes flicker between them as his body convulses. The round man sends the doctor and nurse out, and shows the boy something shiny. A silver badge, it seems. He speaks, but his voice sounds like it is coming through in a haze. The boy’s eyes narrow again. The man does not look around, and so he does not notice the book of matches lying on the bedside table.

The boy releases his hold on his lips to issue a sharp scream – it hurts you, it is so piercing. The doctor and the nurse come running back in, and shoo out the round man with the badge. Blackout.

No light. No sound. It feels as if you are floating. What is this place, precisely? Who are you? What are you? You aren’t sure. It’s heavy. It’s empty. You have no perception of time, no awareness of having any senses. What is this? Fade out.

Lights up, this time soft yellow. You are in the hallway now, watching the doctor and nurse talk to the round man with the badge in front of the door. They are arguing, the round man insisting that the boy is a criminal and needs to go to jail, while the doctor and nurse insist he is too weak. They open the door and enter, and from the brief glimpse you get, the medical professionals are right. Machines beep and whir, and the boy groans softly. The door slams, leaving you outside.

Black. You’re angry, you want inside with the boy. But you can’t open the door without a hand. As soon as this thought crosses your mind, one appears at the end of an arm that hadn’t been there. You become corporeal. Laughter bubbles up from your newly formed lungs. Efficacy at last.

Back to the warm gold light of the hallway. You lay your hand on the doorknob, admiring your fingers as they twist and contort, pushing the door in, and you enter. The doctor, nurse, and round man are all gone, off to argue in some other part of the hospital, it seems. The boy jars when he sees you.

“Who are you?” His eyes are narrowed, but you know he has noticed the resemblance between himself and you. “Do I know you?”

“Yes. Of course you do.” Although you have never spoken before, the words slip out easily, the skill already there for you to tap. “I’m you.”

“If you’re me, then who am I?” There’s a glint in his eye; he thinks he has trapped you. You smile, the ghost of a smile carved into a Halloween jack-o-lantern, lit from behind by a single match.

“I’m you. You severed me from yourself, saying it was too hard to be truly human. In fact, really, I’m you and you are a shell.” Eyes widen, and you see the ghost of a memory dance in his eyes, electric green, but flat, lifeless, no soul behind them to breathe life into him.

“I did. I cut you out. There was too much pain, too much horror.” The words come out of his mouth in a detached sort of way, there is no more emotion attached to them. You have all of his emotions, now. He has nothing left except the pain, inescapable and ever present.

“Ironic, really, that it was your desire for painlessness which leaves you in such agony now. Why’d you do it?”

“What, light the fire?” You nod. “Because I could. Because the matches were there. Because I was testing whether I really could feel nothing.”

“Nothing. Not nothing. I have felt nothing, but you still feel the physical. Are you ready for me again?” He nods, terribly slowly, grimacing in pain.

“Is there greater pain than this?” He grits his teeth. You smile, mirthless.

“Yes.” Simple, straightforward. “There is the pain of nothingness.” You rush upon him, in through the wound still gaping from where he severed you, not so long ago. You wiggle, adjusting to him again, desperately seeking the anchor which you have missed like a physical ache. As you latch in once again, he screams, you scream, the two sounds one, raw and primal – the pain of feeling once again. Blackout.

When you come to, green eyes flashing and dancing, the doctor and nurse are hovering over you, the round man standing off to the side, observing. The doctor is taking notes again, attempting to determine why you screamed, and the nurse is pumping pain medication in through the IV in your wrist. You stop her, reveling in the deliciousness of the pain, the sensation flooding your body.

The harsh white light stings your eyes, and the gritty hospital sheets rip into your delicate burns, and the beeping of the machines might as well be bombs going off. And you delight in it all, feeling it deeply, the aliveness of it all. The round man steps forward.

“Why’d you do it, son? Why’d you set the fire?” Everyone pauses in their routine tasks to hear your answer, listening intently. Your green eyes, animated now, widen, and the jack-o-lantern smile splits your angelic face. The round man steps backward.

“I don’t have a reason. I felt nothing. I feel nothing. I am nothing.” Mad laughter bursts from inside you, and you begin convulsing again, shaking all over with the utter emptiness of your mirth. The last sensation you are aware of is one sharp prick in your shoulder, as the nurse stabs you with a tranquilizer. Your laughter subsides, the world goes fuzzy, and the pain swims down, as you leave the conscious world once more. Blackout.

The Measure of a Man, by H. Rossiter

My shoes are old and frayed around the soles. A lot like me. Frayed soles, frayed souls, my granny used to say. She noticed a man’s shoes before she noticed anything else about him, his eyes or his suit or even his hair. When I was young, I wore cap toe oxfords, spit polished. Now I wear whatever I can find in the church charity bin.

I’m proud of my hair, though. You got worth if you got good hair, is what I always say. I’m not one of those old geezers who comb a few leftover wisps of sad gray over a bald skull. Not me. I’ve got a full head. Thick and strong. It’s steel gray and been that way since I was twenty two. Haven’t felt a woman’s hands in my hair since…let’s just say it’s been a long, long time. But I see them look at it, the meals-on-wheels ladies, the district nurse. I see their fingers aching to stroke it. Until they look down and see my shoes. Continue reading

The Rocket Scientist by Matthew Laffrade

THE ROCKET SCIENTIST

Michael hated going to dinner parties, fundraisers, or any other formal gathering where he’d meet strangers. During introductions and pleasantries he’d always be asked what he does and he would have to reply with “rocket scientist”. At some point in the evening someone would always say “it’s hard but not as hard as what Michael does!” A slew of laughs would follow.
People would always ask him what he does “exactly”.
“So you’re a rocket scientist huh? So are you like an engineer?”
“No.”
“Oh, so more like a physicist then?”
“No. I am a rocket scientist.”

 

At this point he’d always feel the urge to slap people, an urge he came close to succumbing to on multiple occasions after a few scotches. What bothered him most is that people never got so detailed in their employment inquiries with others.
“What do you do?” they’d ask.

“Banker” the person would reply. That would be that. They may get more specific but it never got further than:

“What kind of banking?”
“Oh bonds and such.”

Not much by way of explanation and it really doesn’t say what the sorry sack did for a living “exactly” but it would do. It always did. This went for doctors and lawyers as well.

When Michael shared his frustrations with a friend, the friend, meaning well, told him to just say scientist when asked next. So he did. The exchange went like this:
“What do you do?”
“I’m a scientist.”
“What kind?”
“Rocket.”.
This is when the usual conversation would end. But not in Michael’s case.
“So what do you do exactly?” the person had asked.
Was it because all little boys wanted to be astronauts and that is why they’re so intrigued? Michael was at a loss. He wanted to start making up jobs. Not boring one word answer types but if people really wanted to talk maybe he could say he was a lion tamer or a mime or something.
As it stood he was driving to a fundraiser for some charity that helped provide scholarships to kids who excelled at the sciences. He white knuckled the steering wheel with both hands. Only when he removed his left one to wipe the sweat seeping from his scalp down his forehead did he realize his hands were cramped.
He turned down a side street and parked. The sun was setting and people were shuffling home from work or out for some fun. Michael wondered what they all did for a living. Did it even matter, he thought. Why should what I do be who I am? I am more than a rocket scientist, or much less for that matter. My existence is a constant rally of going to work and enjoying my job and going out and hating everyone who asks me about it. Why can’t I be content with people’s inquiries and describe to them the joys and successes that I experience in my work? Why do I hate them for their genuine curiosity? Why do I feel like some circus sideshow?
He locked his car and started walking. He came across a bar and went in. It wasn’t his usual type of place. Not low-brow or run down but certainly not the high class leather chair watering hole he was used to. It was more middle of the road. What a better place to keep to myself, he thought.
The waitress asked him for his order and not what his employment was. For some reason he expected that for some odd reason she would ask.
He spotted her; Jane was her name, from across the dining room area where he was seated. She was at the bar, drinking something he’d never seen and reading a newspaper. Michael had always been a little intimidated of women. He thought it was an inherent trait of the nerd. And to him the rocket scientist was atop the nerd pyramid, a messiah of all things lonely men cling to. He had had women before but usually other scientists or the like. He had never just approached a woman before that wasn’t somehow linked to his profession. He downed his pint in one gulp and went and sat next to Jane.
“Hi, I’m Michael,” he said extending his hand.
“Jane,” she said eyeing him in his tuxedo. She met his hand and he shook it like you would the father of a date not a woman whom you met in a bar.
“May I join you?” he asked, shocked by his own bravado.
“Sure.”
They sat in silence for a moment, taking each other in.
“May I ask why you’re wearing a tuxedo? Attending a special event tonight?” she asked.
“No, it’s the only thing that fit me.”
“I don’t get it. Was that a joke of some kind?”
“No. Thirteen years ago I lived here in this city. After building up a successful beginning in a career as a pilot I was on a two day break in Amsterdam. I went to a market on the first morning I was there and I met a man. A monk. I was eating a pear and he asked me how it tasted. It was good I told him. He asked me how the crunch was.”
“The crunch?” Jane asked.
“Yes, the crunch. He asked me about the quality of the crunch. It was fine I said and began to walk away. How about the grower, the person who picked it, the person that brought it to the market and sold it to you, do you think about them when you enjoy this fruit? Do you take a bite at a time and enjoy the different textures, the skin, the meat? He was asking me all these questions in the middle of a busy market. I would have thought him crazy if it weren’t for the attire from the monastery that he wore.
“I told him that I didn’t think much when I ate, I just ate to feed my body. He told me that I can feed my soul with food as well. He called it mindful eating. He invited me to the monastery for dinner that night.”
“And you went?”
“At first I wasn’t going to. I was tired as anything and I’d be flying out the next night and just wanted to enjoy my downtime. I thought about it though and figured I had nothing to lose. It’d be a story to tell at the least.
“So I went to the monastery that evening and I really didn’t know what to expect. It was a nice place, not too far outside the city. I didn’t even know they had monasteries there. I thought I’d be the only regular person there but there were other regular people, mostly locals and from speaking with them some of them had eaten there before.”
Michael took an extended sip of the pint handed to him by the bartender. He couldn’t believe what was coming out of his mouth. Where was this all coming from? He felt the dim light of the bar in his bones, he heard the slightest movement of a chair or the clink of a fork hitting a plate. His senses were heightened. He felt so alive. He looked at Jane who was listening intently. She was intrigued and he was so exhilarated. He was beginning to get an erection from it all. He took another sip and continued as much for the woman who hung on his words as for himself who didn’t know where this was going either.
“So I was lead to this great dining hall and we all sat at this grand hand carved table. There was about 30 or 40 monks and about a dozen lay people there. The atmosphere was relaxed and so exciting. It was so new. I was soaring to feelings I had only felt in the fleeting moments of my youth.
“After everyone was seated someone hit a small gong near the head of the table. Another monk, whom I assumed was the leader came in and addressed us. He told us that we were here as their monthly open house to teach people about mindful eating. We were to eat our meals slowly he said. To properly observe our meals we were to put our utensils down after each bite. We must consider our food, truly experience each atom of it. We were to not speak at all unless addressed by him, who was referred to as Sifu.
“A few monks came out from a side room which I assumed housed the kitchen. They placed before each of us a small bowl of a rice and vegetable mixture. It was fragrant and colourful and we were instructed to observe the mixture of food. Think of the farmer who grew the broccoli, the trader who first introduced the spice to this part of Europe, the truck driver who brought the rice to the Netherlands. We were to observe all of this for about five minutes before eating. By the time we were told to pick up our forks I was salivating.
“I took my first bite and swallowed within seconds, without truly appreciating the food. The texture, the flavours, the experience. I sat in anguish looking at my fork waiting for the instructions to take another bite. It was madness I thought and fought the temptation to shovel my food and plow through the meal.
“By the second course I began to get it. I tuned out the world and I believe I ate for the first time in my life that evening. It’s such a reflex, a filling of an urgent bodily need that I never truly enjoyed it before.”
Michael sat silent for a few moments and Jane silently sipped her drink taking it all in.
“That sounds so serene. That is a truly fantastic story. I don’t mean to get off the topic of the monastery but you had said all this was about the tuxedo?”
“Absolutely. I was so amazed by all of this. So absolutely filled with a desire to feel. My whole life up until that point was a series of moments lived to attain a means whether it was social status or career advancement or what have you. What I learned there was I could live for the moment. Live for what I am doing now. I was so preoccupied with living for the next moment I let every single second of my life pass me by. I never left.”
“You stayed at the monastery?”
“Yup. It wasn’t easy to convince the monks let me tell you. These monks were 30th, 40th generation Buddhist monks and here I was a pilot from the western world trying to convince them to let me stay. They thought I was some yuppie trying to do something to impress my yoga class or something. I went for a walk through an orchard that night with Sifu and he said he’d let me stay for one week. That one week got extended for thirteen years.”
“Why did you leave?”
“A few weeks ago I was walking with one of the monks, one whom I had grown very fond of in my time at the monastery and he asked me why I didn’t leave? Now I understand this may seem a tad abrupt and even offensive but it was direct and sincere and real and from the heart. In this city we are so consumed with people’s ulterior motives we look for underlying meanings in everything they say. If someone is direct we see it as rude. What we fail to understand is when two humans have a genuine love for one another, a genuine compassion for one another’s well-being and happiness such annotations and backhanded compliments cease to exist. If we know that every word spoken is thought through with the same intensity we take each bite of our food with then we shall truly hear the speaker and must consider their words with the same thoughtfulness and soundness for which they thought them with.
“So when he asked me that question I truly thought about it. So much so in fact that it took me over a week to answer him and in that time I didn’t utter a single word. What was I doing there? What was I accomplishing in my time and what did I hope to achieve staying there? I awoke one morning and just realized I had accomplished all I could there. I wasn’t a monk, never claimed to be, and never planned to be. I was just a man who wanted to learn to live. I learned how. It was time to go out and practice what I learned. I told Sifu and I left this morning. The clothes I had come with were too big and Sifu had this old tuxedo lying around for whatever reason even he could not remember. The others found it fitting that I would return to the western world in a tuxedo of all things like it was some sort of royal reception.”
“Well that explains the tuxedo,” Jane said with a smile.
Michael couldn’t believe what just happened. What struck him was this was the first woman he had had a connection with in years and it was built on a lie. Very unlike the fake self he had created.
“So tell me Michael what are you going to do now?”
“I don’t know. I doubt I can go back to flying as I’ve been away much too long. I’ve always had an affinity for science. Maybe I’ll become some sort of scientist.”
He waited. With a trembling hand he took a sip of his pint and stared at Jane, waiting with cocoons birthing butterflies in the pit of his stomach for the dreaded follow-up question. She never asked. She didn’t seem to care.
Matthew Laffrade’s fiction and poetry has been published in various publications including The Wilderness House Literary Review, Sassafrass Literary Magazine, Verse Wisconsin, The Coe Review, Hitherto, and Requiem Magazine, amongst others. He is also the recipient of the University of Toronto’s Harold Sonny Ladoo Book Prize for his novella Past Present. He is currently at work archiving his work at www.matthewlaffrade.wordpress.com. He lives outside of Toronto, Canada.

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Microfiction by Jane Eaton Hamilton

The Trick

 





This is what happened when your wife left you after 20 years:  I hate you, I
wish you were dead, I kept waiting for you to die, I wish I had never
married you, I really really don’t like you, I’m not sorry in case you think
I should be, I don’t care about your arm, So what? Come back here I said.
Maybe you should go to Emerg, She’s only a friend for god’s sake, Don’t you
think we should shake it up a little bit around here, have a modern
marriage? You’re even beautiful angry.  Other people are smarter than you
are; other people have educations and good jobs and good incomes.  I’m so
sorry, let me massage it.  Really, I am so glad to be with you. So so lucky,
You have many talents, You make me laugh, You’re so wise, Thank you, thank
you, thank you for loving me, I’m so sorry, I can’t believe I flew off the
handle again, I’m sorry I scared you, You ought to despise me, I love you, I
love you, I adore you, I love your mouth, I love you, I love you, I love how
smart you are, I love you, I love you, I love your children, I love you, I’m
so incredibly lucky to have found you, Oh god, fuck me, Please kiss me, You
have no idea how much I’d like to get to know you better, Hey you.

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Gypsy Courtyard by William K Hugel

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You called it a Gypsy courtyard.

The only Gypsy you had ever met said don’t call us Roma, only people who feel sorry for us call us that. Gypsies are free people who live how they want. Then laughing she said: Roma is a word for guilty white people. Then, no longer smiling: White people feel guilty because they think everyone wants to be like them.

Though you still didn’t know what a Gypsy was. Not really. Though you had some idea of course. You had had your pocket picked in Prague. You still remember the face, brown skin dark eyes (but in America lots of people have brown skin and dark eyes, so how were you, an American, to know the difference?). You had smiled at him after you’d all bumped with the starting of the train. Only checked for your wallet later, after they’d all gotten off.

But you still remember the face. A sudden grimace and pain had met your smile after you had all bumped. This wasn’t so strange; everyone in Prague met you with a grimace and some pain you didn’t understand.

You already thought you liked Hungarians better. Not so many grimaces, not the unfathomable pain. An old woman had set herself up grandly at the other end of your courtyard here. And then you too, following her example, at the other end. Hers was far grander. A recliner and a rainbow umbrella. You saw her on your first day holding a young woman’s hand, leaning close, you hoped she told fortunes. You wanted yours told, badly.

You’d left many times like that. Apropos of nothing, like a thief in the night. Just gone. But that last time it felt different. You thought for the first time you were perhaps sick, mentally ill.

So far a cat has been your best friend. He had said hello before, he always said hello, though stressfully, fretfully. Then he came through the bars in the window. You left some butter (you wished you’d had some tuna) on the sill and you went away. You didn’t want to pressure him. He licked the butter and left while you waited in the other room.

Then the old lady with the grand terrace with the recliner and the rainbow umbrella came to you at your own new small terrace.

It had been a glorious day, or two or three, at least two, you couldn’t remember, in Budapest. Some sort of spring cleaning. A license, you supposed (though you were too shy to ask anyone, someone you didn’t know) from the city to get rid of anything you didn’t want. Spring cleaning. It was mid April. And quite glorious, all this junk piled in the street. It reminded you of something you had read. Some tribe that took everything from their huts every spring and burned it all in a pile. Then started anew.

You respected the city (you had respected everything Hungarian before you’d even gotten there) for leaving the junk out, for at least two days or three, for whoever wanted to pick through and find something. A fine day for Gypsies! you thought with some amusement. People went about the city with cars pulling trailers, finding treasures. At first you were too shy. I don’t know the customs, you thought. Maybe only Gypsies are allowed to take stuff, and besides my little apartment off the Gypsy courtyard is fully furnished-overly furnished-and you didn’t know how long you’d be there.

Then you saw a broom. They had given you a mop but not a broom. You needed one, it was true. And then you noticed that everyone was taking things, not just those with brown skin and dark eyes (though lots of people in America have brown skin and dark eyes, so how were you, an American, to know a Gypsy?) and this filled you with respect and warmth. Yes I may take something, you thought and you were elated, floating down the street with your broom, with its old bent half-gone bristles, that you knew would fall out the first time you used it.

That was the beginning. There were old chairs, some beautiful, but you didn’t need those. Then you thought of a terrace! You had admired the old lady’s, with its rainbow umbrella and reclining chair. And certainly you shouldn’t bring out the tourist apartment furniture, it might get rained on or stolen (people were always coming in and out of that courtyard) and it would be disrespectful even. So, yes! you found a soft old chair, though not a recliner, and looked for an umbrella, as the old woman certainly knew how to build a terrace in that Gypsy courtyard! And maybe just an old table… but you wondered…. There were people lingering, some digging (these ones you knew were Gypsies, almost for sure) near this pile with the old table. Other Gypsies nearby had things gathered to them. Perhaps they rightfully owned all of it!? Everything in the street may be rightfully theirs! You were always one to respect proprieties….

But you were almost sure, nearly sure, that there was a distinction. People lingering near piles or digging as opposed to people with things gathered to themselves. There was a distinction, you were almost sure of it. So you took a chance, and nervously took hold of a table, by the leg, and waited a moment. You weren’t just going to run off with it. It was a small dirty table, just right for a little terrace, opposite the old woman with the grand terrace. You walked away slowly, whistling, waiting to be followed, chased, you rehearsed in your head an apology. “Bow-cha-shon mey. Shoy-nosh.” Would someone still want to fight with you? Even with an apology, said correctly in the native tongue? Well, if they didn’t take a polite apology that wasn’t your fault, you could fight, you supposed….

But that didn’t happen. And then you were sitting at your little terrace, quite a comfortable little chair it was and the old woman approached you. You hoped she would tell your fortune.

She didn’t speak English, and you used your Hungarian phrases. You were proud of how quickly you had learned them. “Shoy-nosh. Beh-say-lick chak ed-ya kiss mad-ya-rool. Ah-meh-ree-kah-ee vod-yok.” But she kept talking Hungarian though you knew you had said it right. You wished you remembered how to say “I don’t understand,” it was in your notebook, you almost remembered. But maybe it didn’t matter. She would talk anyway.

She gave you Christian pamphlets. You wanted to think they were elaborate advertisements for her fortune telling. But they weren’t. You knew as soon as she gave them to you. She knew the word “God” in English. It’s true you were disappointed.

She went away and brought you some food. Then she opened her mouth to show you that she had no teeth. This, too, filled you with warmth and respect. Certainly you worried about your own teeth.

Of course you wondered if the food might be poisoned, so you looked at her eyes. No no innocent eyes. Of course you can’t know for sure, but you were hungry, (so she read my mind after all! you thought, and you thought this was funny, because you were always hungry) and you can’t go around insulting people who bring you food by not eating it. And you would know, you thought, if it was poisoned, you would just know, and if not, what really matters?

She went away. You said “Keh-sa-nom keh-sa-nom ser-voos” and really it was very tasty.

When you were done the cat came back, the one who had been your best friend. He was always flitting around, never peaceful and still. Though he always said hello, that was enough, though a bit stressfully it’s true. You wished he was a peaceful cat and would sit in your lap. That would be better for you both. He must be young, you thought, and you thought again about your age and your teeth.

And you wished you still had a piece left for him. And you thought about how you had up and left everything once again. Erased everything. But now it didn’t feel so bad. Maybe I’m not mentally ill, you thought. The old lady had said I was good. I had understood that much. And the cat had said it too.

 

William K Hugel dropped out of college seventeen years ago to dedicate himself to writing, drinking, dancing and all other forms of degradation that lead to good fiction. Among his proudest accomplishments are the play DEMONS, which recently had a reading at The Hive Theatre in NYC; his novella Napoleon: The Boy who Found a War, which was shortlisted for the Faulkner/Wisdom award as a novel-in- progress; and a collection of self-published, handmade original fairy tales, which he wrote after experiencing the tragedy of Hurricane Katrina. The first of these, “Beautiful Wild Rose Girl” was awarded a Gold Medal by Children’s Literary Classics International Book Awards.

Website: www.williamhugel.com

Twitter: @wkhugel

Dining Alone on Valentine’s Day by Susan Emshwiller

This short story by Susan Emshwiller is the third finalist in our Valentine’s/President’s Day contest.

Susan Emshwiller wears several hats, sometimes many at the same time, a column of them teetering on her head. Filmmaker, playwright, screenwriter, director, novelist, actress, set decorator, chicken wrangler, painter, poet… She has written and directed several plays including the critically acclaimed and award-winning BRUSHSTROKES. As an actress she was featured in Robert Altman’s The Player. She is co-writer of the Academy Award winning film Pollock. Her feature film In the Land of Milk and Money, a wild social satire, garnered awards and rave reviews at festivals in the US and internationally. She likes inventing stories and back yard contraptions.

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