Literary as hell.

Tag: poems (Page 11 of 12)

Poetry by Chris Brooks

(For M)

A Perfect Stranger and Other Remembrances

 

I remember an imperfect night in a Tokyo bar

Crowded with Marines

And exotic women wearing flannel and black leather

Hoping for God knows what

My best friend screwing a woman with bad teeth in the only bathroom

Causing a line out the door

And much desperation

We missed the last train to Yokosuka

Had to sleep on the train station sidewalk

Waking to the buzz of a Tokyo morning

Gazing up meekly into the bewildered eyes

Of an old woman selling magazines and trinkets

To weary morning commuters 

  Continue reading

Poetry by John Repp

Sisters

One rode horses. The other danced. Their house
sat cool under sycamores. When they fought,
they raged, and when done, done. Their mother mourned
their father, as they did, but laughter made
grief music, his absence palpable and sweet.

One hummed as the day’s one cool breeze bellied
the screen, a muslin dress hiked above her waist.
The other retched into a milk-glass bowl
as a friend massaged her neck and told
how yoga or acupuncture could help.

A guest might point to clouds ridged and rain-black
as those that made his London hostel stay
a run from doorway to miserable
doorway—no, ridged as a rug a kid
has slid down Grandmother’s dust-mopped hallway.

He lies panting, sore, then up, run, slide
till she yells Stop it! He lies hungry, glad,
her handiwork bunched round his feet. Ridges
like that. What do they think? One scrubs the sink.
The other says We need rain. Mother says

Matthew’s coming. How about chicken
on the grill? Bees go where bees go.
Swallows plunge and shrill over the lawn.
By the time Matthew and the kids stand soaked
on the porch, they’ve spread the food, bunched lilacs

in green-glass vases, ridden, cooled, curried
and nuzzled Desiree, the boarded mare.
They eat their usual meal of wine, meat
and contradiction. Fall for the dancer
as she fingers the mole on her neck or leans

her head back to yawn or executes one
of her innumerable stretches. Fall
for the honey and gravel in the other’s
every syllable, forgetting
for a long time how love takes a whole heart

and the will to sit in the dark without
hope while things work out, or not.
Lilacs drop petals on the table
Luke made Sarah the week before he died.

To an Enemy Now Dead

No matter how much you loved baseball, how much your grandchildren
adored your every smile & syllable, no matter the five milligrams
of social justice you sprinkled on the scale, the dissertations
inconceivable without your wisdom, the wife you worshipped
& tended & grieved, the agony you endured, the drugs that eased it,
the thoughts you could no longer form, the breath you could no longer draw,
I’d still, if I could go back thirty years, tear out with my teeth
the elbow you buried in my kidney as I missed another pretty layup,
grind your face into the asphalt & pour into your hairy ear
misery’s hot gasoline, pour till both you & the coward
who has always limped off the court gumming the pabulum
of peace & love were dead.

John Repp’s most recent collection of poetry is Fat Jersey Blues, winner of the 2013 Akron Poetry Prize from the University of Akron Press.

 

Poetry by Changming Yuan

Breaking Out

During the yard time 3 days ago
My inner self finally managed to flee
From the prison heavily guarded
With the high walls of my yellowish
Skin and electrical wires
Made of my id nerve endings

However, once free wandering
In the endless desert nearby, I
Felt like a gold fish jumping out of
The glass water jug: shall I return
To my cell and continue my chained life
Or die a free death in the wild open? Continue reading

Poetry by Dennis Milam Bensie

Peep Show

By

Dennis Milam Bensie

 

Love enters, unasked.

 

On a hazy Sunday afternoon

The side garden was packed with watchful family and friends

Bearing flowers, cake, and punch.

 

A wedding,

Not too showy

But triumphant,

A sense of relief and pride,

 

The gallant pair,

Hot and flushed,

Stand hand in hand

On a little platform at the foot of a tree.

 

There is no preacher.

 

The two handsome men get tangled up in their love-talk,

Then they kiss with gaiety.

 

Husband and husband

Are jubilant.

 

At last, queer rights.

Two men can marry

And settle down

Despite the sex.

Continue reading

“How to Write Poetry” by Martin Willitts Jr

How to Write Poetry

 

 

They will never understand you,

although you speak clearly

as light through leaf-break

splitting shadows in a dense forest.

You will be misunderstood,

because to them you are a river

evading a dam

to keep under control

for they will never comprehend wildness

and they will never try.

They will force what they cannot

into confines, but you are air

leaking in cracks, whispering

your difference. They are impatient.

They will go past gentle persuasion,

right to strong arm tactics.

It won’t work. You are light in a dark room.

 

Pretend to listen to them.

It appeases them. Make it believable.

Tell them, yes, yes, I agree;

when you don’t. Take what they say,

weigh the truth or lies of it.

If it seems almost right, consider slowly,

is it almost what you need

because it never will be one hundred percent.

If it feels like a half-truth or outright lie,

and it will, then consider what they gain,

what you lose, and the gap between.

Is it huge? They never expect thinking;

they only know forced cooperation.

They think everyone thinks like them.

They only know public relations

and blind obedience.

Become whitecaps stirring in a storm.

 

Continue reading

Poetry by Lucas Campbell

Qi

 

Lavender silk rains from above,

but there’s no longer a God to worship.

 

Instead we decide to worship the sky.

Sifting through purple waves, we find stars waiting.

 

I think they are patient mothers.

You think they are lanterns lighting our way.

 

We both agree that we can hear them

mourning. They are only meant to be felt

like dry ice filled with dying matter.

The separation between stars above

 

and ground below is little more than wind.

The sky sends a phoenix and a dragon

for us to behold. The emptiness swallows both

and spits out a new color that is sharp

at the edges, but burning at the center.

 

Shifting under our feet, the world

molts and we accept it. Cracked dirt gives way

to rising lakes. We try to name creation,

but only your tongue moves.

I am silent.

 

 

 

A Sage of Dreams

-to Li Bai

 

 

I love wine more than myself.

A red river like blood runs

through me as it ran through

you. When my mind fills

with the metal of war, I can empty it

 

into a cup. I don’t much care

for sitting with flowers and trees

on nights like this, but there’s comfort

in the moon. The moon’s light

embraces the dark and creates

 

a shadow. I turn towards it and imagine

that you’ve come to drink. I raise my glass

to you, and we make a toast to the moon.

There is no singing or dancing, though.

Spring has vanished and taken you

 

and your joy. I’m too drunk to care

that you’ve left me. The soft grass invites

my eyes to close, but I try to look through

blurred vision to find your River of Stars

floating in a sea of pearls. Instead, I see

 

the moon and her light flood the sky

and merge with the night water below.

Now I understand why you grasped

for the moon with your arms.

In her light there is an endless sleep.

 

 

Massacre

 

 

Can you tell me God’s name? I think I’ve forgotten it in the grass. Monsters take out their knives to carve out shrieking chests. I dream that each blade mourns for Sơn Mỹ.

 

“I’m alive,” says the child.

 

All of her ancestors were on the wrong end of a gun. She looks into my face, but I don’t demand anything. I’m tired of everyone preaching about freedom. It’d be better to go look at the headstones of Kennedy, Johnson, Nixon, and some 500 villagers.

 

“Who are you?” she asks me.

 

My mouth won’t answer sweetly; instead I talk with my eyes. I try to say I am from a place of trees, passion, and fire. I think those are related somehow, but I can’t put it together. The sunlight in her eyes fades. My words can’t seem to stop the clouds from coming.

 

“You’ll be fine,” I say.

 

I look for some salvation, but there is no one left to ask. I turn to America, to God, to the masses. They all turn away from me, so I turn to the jungle instead. The trees offer me the compassion of fruit, but leave none for the girl. All that’s left is heat beating down on my shoulders and mud sticking to my boots.

 

 

The Tet Offensive

 

 

The vase went missing

years ago, during the hunting

season. My uncle swore it was lost

in the Gulf of Tonkin.

I think he lost it in Saigon,

but I let his unrelenting waves

beat against my side.

His furniture fled

from the mermaids

as they rode in on green tides

and into our beige walls, leaving

a taste of ash in my mouth.

The family portraits waited

patiently to be taken

by these thieves. Instead,

the paint peeled into sirens

and waited for something new

to happen; maybe like the extinction

of the dinosaur.

I’ve been thinking,

they should have bought

better life insurance before the war.

 

 

Supernova

 

 

When the solar flares woke up,

they stuffed our lungs full of soot

and exiles. Our skin sizzled,

 

or maybe that was just the streets

trying to stop roses from blossoming.

Now those streets stretch on

 

and on and on. Everyone calls it space.

I don’t know if it’s empty enough

for that kind of name.

 

I’m pretty blue,

but I hear that’s the color of heaven.

 

I try to fit my words into infinity,

but I hear that science killed god.

 

I’m not sure what that means,

but I think I’m going to fly out to Mars

where no one gets lost in all-consuming blazes.

 

Everyone calls it the End

of Days, but I don’t know

any myths that end like this.

 

Instead I’ll trust my eyes, filling up

with crimson dust and an old sky

twisted into a slightly new frame.

 

 

 

Lucas Campbell is a poet whose greatest goal is to become a professional vagabond. He currently lives in Ohio, but will always have California on his mind. While he writes about a variety of topics, he has a special place in his heart for madness, wine, and myth.

“You Descend Like Rain” and “At the Observatory” from Love Poems by Charles Bane

This post concludes the Furious Gazelle’s serialization of Charles Bane’s new book of poetry, Love Poems. You can find the rest of Love Poems here.

You Descend Like Rain

You descend like rain
on fleece and I am
a second hand circling
nights around your
face. Bowed in sleep
you form in clusters
past the window ledge
and burrowing deeper in
the sheets set fires.

At the Observatory

At the observatory, I can
watch all the water mills
of galaxies. I deny every
injury in me and long to see
not backward but to forward
cliffs. I think the consequence
of you is written into the structures
we cannot know but by candles
in our room. Do you unfurl for
me? No, rather it is starry in your
eyes naturally and I want you
to order all the murdering
unstained from paper histories.
I deny sacredness
not born of your womb,
your hair the thousand
gestures of lovingness that
fall in gravity.

Charles Bane, Jr. is the American author of The Chapbook (Curbside Splendor, 2011) and Love Poems (Kelsay Books, 2014). His work was described by the Huffington Post as “not only standing on the shoulders of giants, but shrinking them.” A writing contributor for The Gutenberg Project, he is a current nominee as Poet Laureate of Florida.

“Undying Light” from Love Poems by Charles Bane

The Furious Gazelle is continuing to serialize Charles Bane’s new book of poetry, Love Poems. You can find more of his poetry here.

Undying Light

Undying light, undying
words that carry into
times to come the
power of undying such as
we, who loved and
fell. Spilling like
wine from the largest
skins, or clouds holding
seas. Beloved, all the
surface wears away the
stones of fear that stand
in the way of running
streams and the cupped
hands of explorers drink
cold and thirsty when
they kneel. Only mystics
see, but the air is charged
and forked and I have always
known what is written in
me is you, again and
again, repeatedly.

Charles Bane, Jr. is the American author of The Chapbook (Curbside Splendor, 2011) and Love Poems (Kelsay Books, 2014). His work was described by the Huffington Post as “not only standing on the shoulders of giants, but shrinking them.” A writing contributor for The Gutenberg Project, he is a current nominee as Poet Laureate of Florida.

Poetry by Caitlin Johnson

Elizabeth R.

A redhead. A queen. A woman.

Yes, she is me, and no:

no one’s woman, someone’s queen, sometime redhead.

Power(ful)(less)(hungry).

Every day a society to conquer, a territory to annex.

Gold in my eyes, on my fingers, in my coffers.

 

Storm Season

Summer nights so hot even the rain

can’t cool us down, & steam radiates

from the asphalt, like the fog

we get in winter, yet more sinister

somehow, billowing the way it does.

All we want is bare feet, but we

can’t risk burning our toes. I don’t know

how the toads survive it, their tiny

bumpy bodies absorbing what the sun

left behind before the clouds rolled in.

Thunder keeps rumbling.

 

Susannah, I’m Sorry

I couldn’t be your mother.

The specter of you follows me

through unexpected doorways,

like when I look at the man I wanted

as your father & am tempted to say,

“Go ahead. Knock me up.”

But I promise it’s better for you

that you’ll never be born

or incubated

or even conceived.

You see, Susannah, I wouldn’t be able

to love you, because I would be too afraid

a mysterious impulse would float

into my brain, begging me to make a ghost

out of your tiny, breakable, pale-skinned body.

At best, I’d have to abandon you,

leaving you to be raised by anyone

other than me.

At worst–well, let’s just say

you and I would be buried together.

Susannah, it’s not your fault.

I want you & your sister Dominique.

I do. But what I don’t want

is the haunted look I’ll see in my own eyes

in the mirror, the face of a woman

who still feels like a girl & is just selfish

enough to contemplate disappearing

so I can go live the life I planned,

& then I’ll be an apparition of the mother

you deserve: wandering the roads at night,

asking to be spirited away

to escape your midnight howls.

 

Caitlin Johnson holds a Master of Fine Arts in Creative Writing from Lesley University. Her work has appeared in Boston Poetry Magazine, Clare Literary Journal, Eternal Haunted Summer, Fortunates, Momoware, Pembroke Magazine, Vagina: The Zine, and What the Fiction, among other outlets, and is forthcoming in Baseline Literary Arts Journal and Stoneboat Literary Journal. She can be found online at cateismilesaway.net.

 

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