You limp the way a stream
will soothe a single rock
and along the bottom
remembers this path
as darkness and dry leaves
though you don’t look down
–you hear it’s raining :the hush
not right now but at night
these cinders float to the surface
keep one foot swollen, the other
has so little and for a long time now
the listening in secret.
The alarm went off and we found that the world
hadn’t ended, that all the ramblings of the church elders
weren’t true. My husband sighed and rolled out of bed
found there were only dirty clothes left for him to wear
sighed again, dressed, went to work.
I could hear birds chirping in the yard
a squirrel on the roof, cars
passing on the road out front.
I held onto my dreams of apocalypse
for a few moments longer, savoring visions
of the angels, the devastation
that could still be waiting just outside the door.
when I was pregnant, all of my dreams
were about snakes. as much as I tried
to dream only about baby kittens, baby puppies
human babies, my nights would be filled
with twisting pythons gathered in knots
inside me, their slick skin undulating
in the dark, pushing and bumping as if
trying to find a way out.
friends without children would ask me
what it was like to be pregnant and I’d
have to lie. I was so worried that
imagining the baby inside me was a coiled serpent
in my stomach
meant that I was already a bad mother
meant something was wrong with my baby.
“It’s like being a butterfly house, ” I’d say instead.
“I’m all full of fluttering butterflies.” I’d put his or her hand
on my straining stomach as I spoke, whispering
“Can you feel them move? Can you feel it?
Isn’t it wonderful?”
We wait for the bombs to feel us out
pass the potatoes, say grace over the odd angels
that have watched over us for years
through the stained-glass windows of old churches
through the eyes of Orthodox iconography. This is a moment of peace
that will never come again.
Through the windows, the strength of distant concussions
fold trees in half, take grain silos and snap power lines.
We turn up the gas, clear the dinner table
I put a knife in your hand, just in case.
The sky grows as dark as if seen through closed eyes
windows shake and fly apart. Hands
over their eyes, I stretch out next to the children
tell them it’s just the sound of His voice, there’s nothing
to be afraid of, it’ll all work out in the end.
the soldiers didn’t seem to care
that the hotel we were staying in
was haunted. they didn’t seem even a little interested
when we told them chairs were moving all by themselves
that we could hear voices whispering in the bathroom pipes
that the clocks had all stopped exactly at midnight.
the people in the streets outside
didn’t seem to care either, seemed more concerned with
pushing back against the soldiers, standing ground
in front of their own crumbling, possibly haunted hovels
seemed more annoyed than anything when we
said we needed to find another place to stay.
Holly Day’s poetry has recently appeared in Asimov’s Science Fiction, Grain, and Harvard Review. Her newest poetry collections are Where We Went Wrong (Clare Songbirds Publishing), Into the Cracks (Golden Antelope Press), Cross Referencing a Book of Summer (Silver Bow Publishing), and The Tooth is the Largest Organ in the Human Body (Anaphora Literary Press).
I’m learning how to be mentally present
such that I’m more likely to hear random things
I don’t know I want to know yet
Eyes like ripening fruit, an image
Enters, plunges into heart and is gone.
Gather the emptiness in your arms
Until they overflow. Trap the voices
In resin, melt it so they flutter away
Out of order—aimless moths.
Conjuring is the spitting out of words.
These are only words. Let them in.