Literary as hell.

Tag: creative nonfiction

Will You Love Me If I Give You a Dollar? By Leigh Katharine Camp

When I was in the fourth grade, I decided I was in love with Cory Schneider.* He was a blond-haired, blue-eyed boy in my class, skinny with a smattering of freckles on his nose. 

And because it was circa 1998 and what I’d learned from 90s sitcom televisions about love up to that point was that you sent secret admirer letters to those you crushed on, I did just that.

I wrote three in total — with each one I became more daring than the last. And, let me tell you, that was the most thrilling two-week period of my entire life up until that moment.

I remember writing the first one. It was short, sweet, to the point. Said something like, “Dear Cory, I think you’re cute. Love, Your Secret Admirer.” 

Then I snuck down to my mom’s room, pulled out a bottle of Chanel No. 5 — her signature scent, which I had to use in a pinch, having not yet acquired a signature scent of my own — and sprayed probably $5 worth of perfume on that piece of paper. I sprayed until the ink blurred a little, but it was still legible.

Then I put it into an envelope, and not having any lipstick to seal it with a kiss, as one must, and not being brave enough to steal any of that from my mother, I grabbed a magic marker, applied what was probably toxic dye to my lips, and then gave the seal a good ol’ SMACK. 

I walked a few blocks down the street to Josh Haydell’s house. He was a friend of Cory’s, so I dropped the letter in the mailbox for him to deliver on my behalf. I think the envelope just said, “To Cory Schneider ” and I assumed Josh would know what to do with it. 

I’d known where Cory lived, too, and could have walked to deliver it to his mailbox, but that seemed risky. Also, he lived a lot farther away, and I guess there were limits to the lengths I was willing to go to for my love. 

That next morning, I didn’t have to wait long. Because it was the 90s and children were still familiar with how standard letter delivery worked, Josh had indeed known exactly what to do with his missive. 

Upon entering my classroom, the room was already abuzz with what had happened: Someone had sent Cory — squeee! — a secret admirer letter.

Giving it to Josh turned out to be an even better plan than I’d originally thought, because it meant that Cory couldn’t pretend to never have gotten it. The deed was immediately very public. 

And the news rippled like wildfire. I even heard teachers talking about it. “What’s all this about a letter,” one teacher asked my teacher. “Oh, just some girl crushing on Cory,” the other one said. 

That was ME! I was some girl!

I waited a few days. The buzz died down. So, obviously, I had to send a second letter. 

I executed and delivered this message in much the same way: wrote it, perfumed it, SMACKED it shut with magic-marker lips, and dropped it safely off at Cory’s for delivery. 

But this backfired on me in the worst way.  

My faithful, unwitting delivery man, Josh Gilstrap, started getting bullied pretty quickly the next day as a result. 

The guys were saying it was weird that he kept getting these letters — was HE the secret admirer?

In the 90s, being gay wasn’t something you talked about freely. It was a shittier time. I felt terrible the other boys were teasing Josh, and knew I had to fix this.

So I did the only thing I could think of: I wrote ANOTHER letter.

In this one, I explained that Josh was most DEFINITELY not the secret admirer, that it was someone else, and that someone really liked Cory. I also put a dollar bill in the envelope this time, because what says love if not cold, hard cash?

Then I mustered up all the courage my little fourth-grade heart could manifest, and I dropped the letter into his backpack when he wasn’t looking so Josh wouldn’t be held culpable for my actions any longer.

That plan may have actually worked, too. And I could have maybe gone on the rest of the year dropping anonymous notes to this poor kid, embarrassing him to no end in my own need to feel important as the new kid at the school after moving to Shreveport, Louisiana, from Austin, Texas, in the wake of my parents’ divorce. 

It was still fresh, the divorce — and I was desperate to ignore the hurt of it, I suppose. So I wrote these silly letters. But if I didn’t want to have to look at it too closely in the midst of this little mess I was busy making, dear reader, then neither should you. So let’s move on.

Where were we? Oh, yeah. I would have gotten away with it, too — except … this last time I sent the letter, I made a devastating boo-boo.

I’d met a new friend at school that week. Nicole Hernandez. She was funny and outgoing and smart and I wanted us to be besties. I wanted it so badly, I was going to will it into being. 

Earlier that week, in an effort toward this goal, I’d asked for her phone number. She’d given it to me on a slip of paper which I then put into my pocket.

As part of my letter production, I always wrote my letter upstairs, put the note into my pocket, brought it downstairs, doused it in perfume, then brought it back upstairs, put the contents of my pocket in the envelope, and SMACKED the envelope shut with pursed magic marker lips.

Efficient? No. But hey, I was eleven. 

This time, though, my methods totally failed me in the worst way imaginable, because … NICOLE HERNANDEZ’s NUMBER ENDED UP IN THAT DAMN ENVELOPE.

And, also, because Nicole — who was, of course, going to be my best friend — was the only person at school who knew I was the identity of the secret admirer! SQUEEE, indeed!

I’d told her in a moment of weakness. And I had probably also hoped the secret would act as collateral in establishing the foundation of a true friendship I desperately craved.

Things happened very quickly after that.

In homeroom, everyone was saying that Nicole liked Cory. How embarrassing.

Then, in the hallway, Nicole cornered me and told me either I could come clean myself and we could be friends, or she’d do it for me and would never speak to me again. 

I explained that it was an accident! And begged her not to make me tell Cory that I was the one who liked him and not her.

She held her ground. (As she damn well should have.) And so it was decided that I would tell Cory in our next class together, art class.

Nicole was in that class, too, so she made sure I did it, practically shoving me over to Cory’s table where he was working on something. I interrupted his concentration to mumble quickly, “I wrote the notes.” He didn’t hear me. “What?”

I took a breath and said more clearly, “It was me. I’m the secret admirer. I wrote the notes.”

Nicole was standing next to me triumphantly. I wanted to die. I wasn’t mad at her, but my God, did she have to smirk like that? This was, after all, the worst moment of my life! I didn’t know what would happen.

Corey simply asked, “Why?”

And this was the moment in the movies where I would have told him it was because I loved him more than anything else in the world and could we please ride off into the sunset together. And then we would. But I was eleven, so I just said, “I don’t know.” And walked away. And left it at that.

Cory was a kind boy and never mentioned it again. Which, honestly, is even more than kind if you think about the politics of the fifth grade. He could have crucified me. He just let it drop.

We remained friends throughout middle and high school, up until we were old enough to laugh about it, I thought. 

But when I brought it up in a moment hoping to clear the air, and just cackle about it together, my timing must have been too soon. Instead of the healthy belly laugh I was yearning for, he just gave me this sweet smile and said, “Yeah, Leigh. That was weird,” and then moved on, resuming our “let’s never talk about this,” contract before I’d gotten whatever satisfaction I’d wanted out of that interaction.

Nice guy. But not enough passion in him for me.

I wonder what he did with that dollar. 

*Names changed to protect the innocent … and the guilty. 

 

__________________

Leigh Katharine Camp is a writer based in Austin, Texas. She’s spent a lifetime learning that you can’t buy love — especially if you only have a dollar. With the high rate of inflation these days, forget about it. You at least need, like, $10. Leigh’s writing has appeared in The Hairpin and elsewhere. Read more of her work on her website, TrySomethingScary.com.

“How Are You” by Maria Tolosa

Oh please. Not that question.

No, I am not fine, I twisted my ankle leaving the bus, I have two dentist appointments this week, the ATM swallowed my card and I have a headache. I am not fine at all but I have to put on a brave smile and say that I totally am.  

Or: Yes, I feel great today, I got brand new teeth, a promotion, and I won 10 euros in the lottery. Again, I have to clench those brand new teeth and rave that I am fine and parrot the question back. It reminds me of the ritual dance of the red-crowned cranes. 

You may say that people are asking because they are polite and they care. Not at all!  I mean, yes, they are polite but they obviously want to hear only “I am fine”, so no, they don’t care. 

Actually, they don’t want to hear any details, good or bad. Well, I don’t expect them to care, everyone has problems of their own. But then why ask and spend time on this dance?

You may also say that to argue with the language itself is silly.  “How are you” is used as a friendly greeting. But still, I cannot understand why usual greetings like “hello” or “good morning” are not good enough.  If we want to add something else, why not make it more personal or more specific, for example: “Today is very hot, are you feeling well?” Just to show that we care about each other.

I don’t know why it bothers me now more than before. Probably, because of the pandemic. People revalued a lot of things, including communication. All those formulas, rituals, and clichés bubbled to the surface and became more visible.  

In my opinion, asking a question without any interest in the answer is hypocrisy, plain and simple. Tell me, why it is such an essential criterion for good manners? I help people in need, collect and separate my recycling, and donate to charities. Am I good enough? Or without the proper “I am fine, thank you, and you?” I am not part of this great civilization and should be sent to a remote village where I belong?

I see it as a game. Or a kind of password that helps polite people to recognize each other in a crowd, like spies.  For me, the world is already weird enough, sorry.

Mondays are even worse, like it being Monday is not enough.  On Mondays, another question is added to “How are you?” – “How was your weekend?”Come on, do you really want to hear about my weekend, or you are trying to distract and soften me before asking me to do something for you? 

After this ritual of exchange of pleasantries, it is not so easy to say no, is it? Without realizing it, you feel obliged, even before the real conversation starts. Very clever. Now it is not only insincere- but also- manipulation. 

This is why I developed my personal answer to “How are you?” 

“I am fine so far, but it will depend on what you say next“.  

You will not believe how fast the boundary is set. 

Well, I need some kind of shield in this brutal world. 

_________

Maria Tolosa lives in Luxembourg and sometimes thinks she can write something better than a grocery list.  English is not her mother tongue, so she is still fascinated with it, poor thing.

“Still Dancing (behind the glass)” a memoir excerpt by Katherine Davis

At the time of my bone marrow transplant for Hodgkin’s lymphoma, without retrospect’s safety net, morning came. I remember the scent of bagels from a biscuit shop across the street from the hospital. Sprinklers doused flower beds of marigolds, daffodils, daisies. I walked with my mother and sister to Swedish Hospital on Pill Hill in Seattle, entered, heard the elevator doors closing, sealing me off from the world of people worried about getting to work, kids scrambling for buses, sunlight amid trees. I did feel lucky that the official Fred Hutchinson Cancer Research Center inpatient facility didn’t have room for me. Devoted only to transplant patients, it seemed a dark forbidding place. Death, a gentleman in top hat and overcoat, held the door for families who walked in and didn’t leave. Instead, I would be committed to Eleven South West, a wing of the huge Swedish Hospital which the Hutch used for overflowing cancer cases. I much preferred being in a place called “Swedish” which conjured images of vigorous blond women, meatballs, and massages. Also, I liked it because it seemed more normal—white and sterile, instead of sinister and shadowy—and teeming with diversity. I may have been preparing for a torturous exit, but in the same facility, there were babies being born, tonsillectomies, broken arms, concussions, heart attacks. I didn’t want to be surrounded only by people like me. In Swedish, there were different dramas taking place, more like living than death. 

Despite having visions of nineteenth-century asylums, I entered my laminar airflow room on 11 SW in April 1986 with relief and terror. It certainly was not the torture pit of my nightmares. But it was horrifying in its anonymity. Welcome to the institution, baby! There was one hospital bed in front of a wall chock full of mysterious equipment—suction tubes, pumps, monitors, gauges, plugs. There were two chairs covered in blue vinyl, a television, stationary bicycle, clothes cupboard, and tray on wheels. From the hospital corridor, you entered a small room, a vestibule where you anointed yourself before seeing me. Okay, you actually scrubbed your hands with antiseptic soap and put on a surgical mask to protect me from germs. During my pre-transplant chemotherapy, you also had to don shoe covers, gown, and paper cap. It was actually fun after a while to watch the doctors go through all this just to see me, made me feel like royalty instead of a usual denizen of purgatory. Once dressed and cleansed, you could pass through a second very solid door, making sure the door to the general corridor was closed first, letting no germs in. The bathroom and wall with television were to your left, the bed to your right. Opposite the door, a huge window with triple-paned glass looked down on a magnificent view of St. James Cathedral. In the distance, there was Puget Sound. If this had been a hotel, I would have been very impressed. The triple-paned glass on the window was to ensure no breeze permeated my atmosphere; I was to live on rarified air pumped in through special vents. At the time, I also thought the extra panes discouraged despairing patients from jumping—momentary flight, then nothingness. 

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“The Inheritance” by Christine Fair

Sitting across the rotting planks of a water-worn picnic table at a lake dive in Rome City, Indiana, Chris glowered at Bob and strained not to hear him. She studied his ruddy face with his pale, hooded, sky-blue eyes. His face was unmistakably and disappointingly redolent of her own. In anger, her mom would shake her head slowly and deliberately while growling in revulsion, “You look just like him.” She usually managed to render “just” a two-syllable word to make her point. Chris hated this actuality and longed to resemble her mother who always lingered just beyond her reach. But his widow’s peak, unruly hair and godawful teeth were all lamentably hers too. Maintaining her own teeth was a Sisyphean task. They’d crack or break. Dr. Hill would patch them up. They’d break again and Dr. Hill, again, would do the needful. Bob simply let his rot. In fact he seemed proud of these gaping holes as they were yet another signifier of his indifference to the consequences of his decisions.

She wished she could be tender or something like that. But, “This putrid son of a bitch” rolled around in her head like her moist sneakers in the dryer after an early run in the dew-kissed grass of spring. She tried to appear indifferent as he plowed along in his flat, nasal Midwestern voice which also—irritatingly—sounded like a more masculine version of her own hilljack voice.  Episodically her ears grabbed onto his words and she could feel that familiar anger rearing up on its hind legs, begging for permission to lunge at him, sink its teeth into his crepe-skinned neck and suck out whatever life lingered in that wankstain’s body. She forced herself to intermittently grunt or nod, feigning interested disinterest. The task helped to keep his venomous words at bay. 

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Book Review: People I’ve Met from the Internet

As Stephen Van Dyck was coming of age, the internet came of age around him.

For a gay teen in a small town, the internet meant the freedom to find other gay boys and men for dating, casual hookups, and friendship. In his new book, People I’ve Met from the Internet, Van Dyck has published a meticulously kept list of these encounters annotated with stories.

The list itself, published in non-annotated form at the start of the book, is entertaining to read, with snippets like “cuddled, asked me to call him Dad” that hint at a larger story. Van Dyck began maintaining a list of people he met on the internet over ten years ago as an art project. Though some encounters on the list are innocent (a few female friends, and some purchases of furniture through Craigslist) the meetings are overwhelmingly hookups.

The list grows more self-referential as we move through time to the point where Dyck began maintaining the list (at some points, he notes that people may be acting differently around him, either being more guarded or acting strangely on purpose, because they’re aware that he might write about them). This tracks on Dyck’s own evolution from the young teen he was at the start of the book to the performance artist he’s grown into by the end. Continue reading

“Sore Finger Road” by Adrienne Pilon

There’s not much in the hot desert that stretches from California into Arizona, save giant tumbleweeds, strangely anthropomorphic cacti with upstretched arms for branches, and a long, long highway that is interstate 10, replete with mirages and, every so often, a blip in the road for gas stations.  The last time I traveled down that highway the temperature was topping out at 121 degrees. It was July, but this was hot even for July. We– my husband, children, and nephew—had just crossed the border into Arizona, on our way to Sedona for the annual family vacation, when I saw a remarkable road sign.    I shouted out: “Did you see that? The sign for Sore Finger Road?”

     No one else in the car had seen it.  They didn’t believe me. Instead, they all laughed, and my husband looked over at me and said something about my vivid imagination and projecting and excess energy, because I couldn’t drive.   

    He was right, because on a road trip, I share the driving.  I’m a good driver, and I like to be in control. Hurtling down a highway at 80 miles per hour is much more appealing if I am the one doing the hurtling.  This time, though, I was confined to the passenger seat for eight hours with a bank of pillows to prop up my heavily bandaged left hand because, you see, I had one very, very sore finger.  

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CONTEST ANNOUNCEMENT

Ross_Bay_Cemetery_Fall_colors_(1) (1)

Dear readers,

While it is still September, supermarkets already have their Halloween sections out and my candies look like eyeballs. THEREFORE Halloween contests are upon us and it is time for you to make us cry tears of terror. Send us something haunting, grotesque, pumpkin themed, etc. and you could win a book in the genre of your choosing as well as a $25 Barnes and Noble gift card. The top contenders will all be published on our site. Only one gets the coveted book and gift card.

Acceptable forms of writing for this contest are the same as our regular submission guidelines which are here: http://thefuriousgazelle.com/faq/ . The only rule is that this is a Halloween contest so your piece(s) should reflect that in whatever way you deem Halloween-ish.

That’s right piece(s)! We will take up to five submissions from each contestant. Please send your submissions with Halloween Contest Submission in the subject line of your email. The Deadline is Friday October 24, 2014.

BOO!

-The Furious Gazelle Editors

“Bee, Telephone, Flower” by Rebecca Lawhorne

Check out a new essay titled “Bee, Telephone, Flower” by Rebecca Lawhorne, below.

Rebecca Lawhorne was born on a Christian commune in rural Alaska, but was migrated to an island in Florida. After years of feeling like she was missing out on an essential part of the human experience, brutal weather and wild animals, she moved herself back north. She now shares her life with two farm-raised women and their dogs, practices subsistent living and attends the Univeristy of Alaska, Fairbanks, studying under poets Derick Burleson and Sean Hill. You can pick her brain at moonpixie.tumblr.com and tune into her radio show “Hipstery” on KSUAradio.

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