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2015 Halloween Contest Finalist : “House of Horrors” By Michael Ainaire

Michael Ainaire is one of our Halloween writing contest finalists for 2015. We’ll be publishing our contest finalists every day until Halloween, when we’ll announce our contest’s winner.

House of Horrors

By Michael Ainaire

 

The Swamp Man arrived late to the party. It was his fifth year attending and the last few hadn’t been particularly fun, but the year before he and Bloody Mary had made out for a bit after everyone else turned in for the day. There were worse places he could be spending the end of Halloween.

The last kids he had caught trespassing in his swamp had been college age, probably on some sort of dare, and as the last of them had been sinking into the bog he had found two six packs of Oktoberfest sitting in a cooler in the backseat of their car. A good enough gift to bring to the party, he supposed. He would have felt bad mooching off everyone else.

The house was in the woods with a leaning graveyard on one side of the driveway and a thicket of poisonous thorn bushes on the other. He made his way up the steps to the house’s front door, webbed feet slapping on the weathered boards.

Boogeyman, whose house it was, answered his knock.

“Hey!” he exclaimed. Swamp Man had barely opened his mouth to reply when he found himself locked in a tentacle’d hug. “I didn’t think you were going to make it! What is that, Oktoberfest? Come on in and we’ll crack one open!”

Down a twisting corridor, past portraits that turned to follow them, spaced between Hands of Glory mounted on the walls. Swamp Man could hear organ music from a distant room. He looked down at his feet, self-conscious of the black ichor and marshy sludge he trailed behind him.

“The whole gang’s here,” Boogey was saying. “I invited a few from the new crowd—they might show up later. Even reached out to some of the old folks too. Got a soft yes from Baba Yaga and the rest…” he waggled one clawed hand in a see-saw motion. “I think you know everybody.”

The rest of the guests were spread out across a decrepit living room. Frankenstein’s Monster and his Bride were sitting on a loveseat by the window. Mummy was slumped in a corner. The American Werewolf was sitting on a stool by the old piano, rummaging through a plastic trash bag.

A smaller crowd than in years past. Perhaps the rest of them, after so long, had finally begun to tire of this yearly tradition.

“Everybody, you know the Swamp Man,” Boogey said. “Look at the two of us—Boogeyman and Swamp Man. We’re the Man men!” He laughed as if it were his first time telling that joke, and because it was his house and his party, the others laughed as if it were their first time hearing it.

They all felt bad for Boogey, Swamp Man knew. Three hundred years old and still single.

“Swampy!” called the Bride. “Come over here and sit with us.”

Swamp Man shook hands with Frank and gave the Bride a quick kiss on the cheek.    

“Did Bloody Mary make it?” he asked.

“Her? No, she had business,” the Bride said. “There are a lot of slumber parties on Halloween. She does well for herself.”

“I wish I was that lucky,” American Werewolf said. “This will be my first halfway decent meal in months.” From his trash bag he produced a long pale leg with a black dress shoe on the end of it. He bit into it with relish; a thin spurt of blood landed on the floor at Swamp Man’s feet.

“How have you been doing, Swampy?” the Bride asked. “Keeping your head above the muck?” She laughed and raised her wine glass to her lips.

“I do okay,” Swamp Man said. He grabbed and Oktoberfest and bit down on the neck of the bottle with his pointed teeth. Beer and shards of glass trickled down his throat. “I try and keep things small, you know. Not spread myself too thin.”

“How’s that?” Frank asked.

“Well, I’ve become a kind of legend in my hometown. It guarantees me good eating around Halloween. And the whole small town thing means some kids are still scared of me. It all depends on who’s telling my story.”

“Yes, and what is your story again?” The Bride asked. “You weren’t always green and scaly were you?”

Swamp Man thought for a moment. “You know? I’ve forgotten.”

“That is the right way to do it,” Vlad said from across the room. Swamp Man looked over, startled. He hadn’t noticed Vlad was here. Tall and willowy in his black cloak, he stood hunched over a pool table that one of the dusty chandeliers had fallen on. Despite this, he was trying to sink one of the striped balls into the far pocket. Three young women hovered around him, stroking his arms, massaging his shoulders.

“What is?” Swamp Man asked him.

“Keep things small. Keep your legend local. Me? Fah!” He gestured theatrically with one arm. “Mine has grown too large. People now make children’s films about me, where I manage a hotel. Can you imagine such a thing?”

On the loveseat, Frank was nodding in agreement. “I hear you. They make us all too cuddly in the end. It’s hard coming back from a reputation like that.”

“What about you, Vlad?” Swamp Man indicated the three women hanging onto the vampire’s bony shoulders. “You seem to be doing alright.”

“I am a hit with the foreign exchange students,” Vlad admitted. “They always insist on taking the castle tour around Halloween. And always they think my costume is very realistic…”

The three girls turned to Swamp Man in unison, red eyes glaring flat and feral. They bared elongated canine teeth when they smiled.
“Man, do you remember when it was no work at all scaring people?” Boogeyman said. “Just the mention of your name and…” He produced a wet sucking sound with one of his mouths.  “That was all you needed. They were terrified.”

“Fear tenderizes them,” the Werewolf said, smacking his lips as well. “Gets that nice, fall-off-the-bone flavor.” He took another bite of the leg. The dress shoe bounced and bobbled.

“How hard can you have it, Boogey?” Frank asked. “You’re fear incarnate. No one knows how to make you cuddly.”

“It’s the name,” Boogey said. For the first time at any one of his parties, he actually looked glum. “The stupid name. Kids hear it now and think of big hocks of snot…”

The party rolled on. Swamp Man finished his beers, swallowing the bottles whole when he didn’t feel like drinking them. The place where he sat was growing damp and sticky beneath him. Soon it would be time to head back to where he came from, bide his time until next year.

“—he was the best!” Frank was shouting, his gray face flushed red. “The absolute best! When he was making movies, none of us went hungry. To Boris!”

“To Boris!” echoed the room, and they raised their glasses. The Bride was looking less than happy about it; this had to have been their sixth or seventh toast of the night to the late Mr. Karloff.

“Boogeyman, what happened to the other invitees?” Vlad asked. “I believe you said you invited some of the masked killers? Slenderman?”

Boogey waved a dismissive claw. “They’re not coming. Too good for this crowd.”

“Oh, honey, you know that’s not true…” the Bride began, but Boogey was staring morosely into his drink and didn’t seem to hear.

“They will be lucky to attain a fraction of the longevity we have,” Vlad said. His girls were pawing at him and making soft mewling noises. “Oh, if you insist…” With one fingernail, Vlad opened up a gash in his long pale throat. Blood leaked out, black and thick, and the girls were all over it in an instant, heads darting, tongues lapping greedily.

“The black and white days,” Frank said, more to himself than anyone else. “When the nights were longer and the shadows were deeper.”

“Oh come on, everybody, that’s enough,” the Bride said. “It seems like all we’ve done at these parties the last few years is drink and talk about the old days. There has to be something else.”

Mummy stood up from his corner, mumbled something beneath his bandages, and passed out face first onto the floor.

“Now there’s a sad case,” Boogey said with a shake of his head. “Who do you know who’s scared of him anymore?”

“Tomb robbers, I should think,” The Bride said. Swamp Man could not tell if she was being sarcastic or not.

From beyond the living room window, where the first hints of dawn were already staining the sky, came the sound of footsteps on the driveway. Voices.

“Who could that be?” the Bride asked.

They crowded around the window and peered out. Three kids—teenagers, probably—were making their way up the steps to the door. It was the classic setup: a big guy in a letter jacket. A smaller, slighter boy with glasses—probably the jock’s best friend. And a lithe young girl with tumbling waves of hair and a perky chest. The three of them positively glowed with nostalgia.

“Come on Krissy,” they heard the big guy saying. “No one’s lived here for years. And it’s almost daylight anyway. Come on. You aren’t scared, are you?”

Swamp Man could see everyone’s faces lighting up. The words were music to their ears.

“What do you say, everybody?” Boogeyman asked. He smiled with all his terrible teeth. “Want to see if we’ve still got it?”

 

2015 Halloween Contest Finalist: “The Cutout,” by Diane Leacock

Diane Arrelle is one of our Halloween contest finalists.

THE CUTOUT

by Diane Arrelle

It had been a cold, windy October and the trees shed their leaves a few weeks earlier than usual. But today the wind was still and the crisp bite in the air tasted like Halloween. It promised to be the perfect evening for trick-or-treaters, the sun would set by late afternoon and as it grew darker I imagined the clouds would skitter across the crescent moon, casting eerie shadows that would cause the costumed youngsters to both shiver in terror and giggle with false bravado along with their friends.

As I sat at my desk and looked out the window, seeing at my reflection, I wished I were a kid again so I too could travel door to door, with my identity hidden and my greedy lust for sweets worn proudly like a badge. But I am an adult, almost 30 years old, so the most I can do is open my door to those junior ghouls brave enough to ring my bell and then share in their fun vicariously.

I guess it was about three thirty when I had the urge to leave work a little early. I decided I wanted to go to the store for Halloween candy, just in case some kids showed up before I had to go out to dinner. I know I romanticize trick or treating and Halloween but I live alone in the gray duplex at the end of Downy Street, the last house right next to the woods so I almost never get anyone to ever come to my door. I don’t blame them, not a lot of kids will brave a spooky street for some cheap candy, so while I was out I stopped by the party supply store because I decided to get some Halloween decorations too. I thought maybe plastic pumpkins lit with eerie colored glow sticks would attract more trick-or-treaters.

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2015 Halloween Contest Honorable Mention: Poetry by J.M. Templet

J.M. Templet is one of our Halloween writing contest finalists for 2015. We’ll be publishing our contest finalists every day until Halloween, when we’ll announce our contest’s winner.

 

existential trolls

 

We set up under rainbows

no one notices the crunch of bones

or the rattle of stone

as we gorge on candy

left from last year

perhaps a hand might be attached

we don’t mind

 

the pink the white

the awful red

the purple and blue

they all mask the ugly

faces we hide from each

other

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2015 Halloween Contest Honorable Mention: “Halloween,” by Jon Mayo

Jon Mayo is one of our Halloween writing contest finalists for 2015. We’ll be publishing our contest finalists every day until Halloween, when we’ll announce our contest’s winner.

HALLOWEEN

by Jon Mayo

Ali hid under the table and sat on the kitchen floor. She stared at the open doorway that led to the living room, waiting for the sun to creep down and settle the day. The guests began to show up, appearing out of thin air and materializing from head to toe. Their bodies were translucent like vapor and glowed amber against the radiant dusk. Ali looked at the new arrivals and searched for a face she trusted. When a teenage boy made eye contact with her, Ali turned away.

“Ali, come out of there,” said her mother Olivia. Ali pushed herself to the base of the table and grabbed the front legs of the chair in front of her, using it as a shield from anyone who dared to disturb her.

“No!” said Ali.

“I hope she’s not scared of us,” said Grand Aunt Colleen who appeared next to Olivia.

“No, she’s just shy.”

“That is so cute,” said Grand Aunt Colleen. She stooped down to look at Ali. “Hi Ali, don’t you remember me?”

Ali struggled to identify Grand Aunt Colleen; it was hard to identify someone with a see-through face. When Ali recognized the dragonfly hairclip and the plump physique, Ali remembered. Last year, Colleen was the loudest and the rowdiest of the dead relatives. Colleen had consumed a bottle of wine, a bottle of Jack Daniels, three bottles of Guinness and a glass of Long Island Iced Tea. Ali could never forget the smell of Grand Aunt Colleen’s breath. Ali raised an arm and waved at her to say hi.

Olivia walked over to the stove top oven and checked the turkey inside. When Olivia opened the door to take a peek, the aroma escaped and wafted through the kitchen. Mrs. Carmine, who was good friends with Olivia, cooked her potatoes on the stove, frying it with garlic oil and sprinkling it with spices and seasoning. Mrs. Carmine was alive and breathing, and she could see the ghosts too, just like Olivia and Ali.

“You make them potatoes really good Mrs. Carmine,” said Grand Aunt Lisette, hovering between the kitchen table and the stovetop oven. “If only I can smell them right now.”

“You will dearie,” said Mrs. Carmine, “You will soon enough.”

Ali stayed under the table, scanning the guests as they came through the front door and as they appeared out of thin air. The living room was getting crowded, and the living and the dead mingled with one another, catching up with their loved ones and sharing stories about their travels to the country side and the nether planes. The ghosts talked about their adventures as well.

“I was in Anne Hathaway’s body when she accepted her Academy award,” said Grand Aunt Colleen. “I felt so alive and it was electric with all the lights and all the celebrities looking at you. Well, I mean, her.” The living room burst into laughter.

When moonlight entered through the kitchen window, Olivia went back to Ali. She knelt down, looked Ali in the eye and reached for her daughter.

“Come on Ali, the ritual is about to start.”

“Where’s daddy?”

“He’ll be here. Don’t worry sweetie, daddy will be home soon.”

Ali grabbed her mother’s hand and pulled herself from under the table. She immediately clung to her mother’s waist, which made the walk from the kitchen to the living room a balancing act for Olivia. When they crossed the threshold, Ali searched for her father, scanning the room filled with strangers and relatives. When Ali didn’t see him, Ali buried her face in Olivia’s dress.

“Happy Halloween everybody! Family, friends and welcomed guests, we are gathered here tonight for this special occasion,” said Olivia. “Please enjoy your brief stay in the living plane. Have fun and stay safe.”

The ghosts cheered and whistled while the living clapped with their hands. The newly dead turned to the veteran ghosts and asked what was to come.

“Wait and see kid,” said Great Aunt Lisette to the teenage boy.

“Come on sweetie, mommy needs to sing,” said a voice behind Ali and Olivia. Ali turned around and immediately recognized her father. She loosened her arms around her mother and scampered towards him. She wanted to grab him and hug him and drag him to the kitchen for tea, but Ali remembered what her mother had said about touching a ghost and interfering with their space. Ali made that mistake last year when she passed through a crowd of ghosts – she had nightmares for weeks. Like a good girl, Ali placed her hands behind her back and stood next to her father.

Olivia smiled to her husband and turned to her audience. She took a deep breath and sang. The words were not in English nor were they in Latin. No one knew what was said or knew what it was about. But Olivia sang. The high notes were perfect, and she sustained them flawlessly like a professional. She belted the low notes that came out strong and vicious. Ali listened and felt the energies emanating from her father and from the ghosts that filled the room. The hairs on her nape stood. The living listened, mesmerized by the song as if the melody touched their souls.

The ghosts slowly transformed into flesh, beginning from the head and down to their toes. The clothes they had worn before their deaths materialized with their temporary bodies. As soon as they inhaled the aroma from the kitchen, they dropped from the air and landed on the floor. Olivia finished her song, and everyone applauded until their palms were red. Olivia smiled and curtsied to her audience. She turned around and embraced her husband, kissing him in the lips and sharing a tear to his warm cheek. Continue reading

2015 Halloween Contest Honorable Mention: “Accumulation” by Josh Sczykutowicz

Josh Sczykutowicz is one of our Halloween writing contest finalists for 2015. We’ll be publishing our contest finalists every day until Halloween, when we’ll announce our contest’s winner.

Accumulation

By Josh Sczykutowicz

The darkness spread out of me, something deeper than anything I had ever dreamt before. I had fallen into sleep’s jaws like that of some ancient predator searching through the blackest depths of the ocean before, something seeking anything that might sate its leviathan appetite once again, the sensation of fullness a dull memory that had faded, much like its eyes, as eons had stretched forward and backward, time eternal forevermore. But sleep had never been as deep as this, and I knew now that I was neither dreaming nor awake. There was a place between both realms, that of collective memory and that of accumulation, and in it I now stood.

Something had crawled out of my mouth, climbing up my throat, claws digging into soft red flesh within. The familiar taste of blood trickled into my stomach. It moved upward as I wrenched forward and crumpled like paper, clutching at the throat that bulged, skin stretching in directions it was never meant to go. Tears filled my eyes and I could not breathe, everything blocked as I choked and coughed and finally it came forth. It was something small; something bundled up, coated in saliva and bile like crude amniotic fluid. Warm rain fell onto the skin of neck and trickled down hair clumping in damp solidarity. The object moved, unfurled, rain drops on its head making black eyes rimmed in maroon red blink open, mouth stretching, teeth showing, soft pink mouth vulnerable, shaking around on the dark pavement of this road. The road seemed to stretch, not just backward and forward, but to my left and to my right eternal. I looked up at the bleeding moon and saw its reflection on the ground in a puddle beginning to form, potholes and cracks filling like bottles beneath faucets to be drunk by something greater than it would ever know. Continue reading

“What have I eaten?” by Annie Turner

What have I eaten?

(Inspired by Sylvia Plath)

 

 

In response to my mother’s nagging question,
“What have you eaten today, Annie?”

 

What have I eaten?
Lies and smirks.
My diet calls for uncertainty,
I’ve got a hunger for what hurts.

  Breadcrumbs of grumbles,
And bits of anxieties unsung,
Tastes that sit familiar on my tongue.

           (I think I am made of dust and thirsty for your rain.)

 

All I have eaten for 13 months
Are leftover scraps of stale hope
And heaping portions of quiet patience.
My big eyes for love left unfulfilled,
My stomach full of deprivation.

 

 

***********************

Annie is a writer/poet named after her mother’s favorite book, Anne of Green Gables (so it’s spelled Anne-with-an-E!). She’s obsessed with poetry, stargazing, antiques, & animals, and she’s always on the lookout for unusual and/or beautiful words to record in her notebook, which she never leaves the house without. For more of Annie’s poetry and writing, follow her on Twitter (@Beannie129) or email her at aturn139@gmail.com.

“A Foreign Feeling,” by Josh Sczykutowicz

What you thought was the future disappears, all faith and belief vanishing like these swirls of smoke that roll into the distance and fade out. You knew so deeply the things that would happen, expected them like you expect the sun to rise tomorrow, with zero doubt, with zero uncertainty.

There are things you have always known would happen and these were some of them: the sun would rise and set, clouds would bring rain, air would enter your lungs if only you inhaled, water would enter if you were submerged, drowning, and you were going to get married soon. Your girlfriend was going to become your wife within the next year, no question, no doubt, just a fact of life. It was inevitable. None of your friends ever spoke any different; none of your family ever had a worrying word to share. And, if they did, they kept it silent, too sorry for you to speak out.

Everything from there on would mean something, would incorporate her into it. Anything you would ever do or anywhere you would ever go would have her injected into the very veins of these events like medicine. You have never believed in much but you believed in this, and now that belief is gone. And what does one do in a crisis of belief? How do you rebuild from this? How do you find the desire to want to? You have spent so long knowing in your heart that you would have this to count on, and now you do not, and what does that say about you? How much else might you believe in that is worth nothing? When do plans and certainties become lies and fantasies?

But she isn’t in love with you anymore and you are going to face this, you are going to suffer through the long empty spaces and pass through the hallways drained of life, the white walls looking no longer clean and bright but empty and clinical, because there are no other options.

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One Ridiculously Small Detail That Made Me Furious in Emma Robert’s new film Ashby

Ashby, a new comedy about a young boy who befriends an ex-CIA assassin, is not exactly a land mine of diversity. Not a single line was spoken by a person of color, and neither of the film’s female characters, played by Sarah Silverman and Emma Roberts, are given anything to do. Eloise (Roberts) has a mysterious MRI machine in her basement and even though she is really much more interesting than the male lead, played by Nat Wolff, she gets almost no screen time.

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However, one thing bugged me even more than this. Emma Roberts, what are you doing with your glasses? Her character has thick frames and brown hair, as befits a young nerd. But the actress seems lost on what to do with them. She wears them like an accessory. In one scene she has her glasses off, and puts them on to read a computer. Why does she do this? Is her character nearsighted? And if so why does she wear them to walk around? She’s supposed to be high school aged. Does she have bifocals?

I’m imagining a new final scene. Roberts goes to an optometrist. “But doctor, I’m losing all my near sight and my long-distance vision. I thought this was an ailment of the middle age?”

“No Emma, this is actually quite common in women of your age.”

Roberts hisses. “You promised me that the blood of orphans you gave me would keep me young. I want to keep playing high school students for another 10, 20 years.”

“The Size of Fruit,” and “Give Me Grace I Do Not Have,” two poems by Janet I. Buck

The Size of Fruit

 

When I was born

with disappointing body parts,

Mother cried in tears

the size of full green grapes,

did her best to hide their shapes,

make me smile like slices of a cantaloupe.

They hired surgeons by the herd,

combed the country for a plan

to help me walk, certain it was just a dream.

Because they didn’t quit in

centers of that prayer, I’ve stood

and walked for many years.

 

When Father read the fatal slide—

Leukemia with all the dots,

he couldn’t, wouldn’t try to talk.

Mother’s death at 33 left him there

in kitchen nooks with tart green olives

in a jar, martini glasses empty, clean

and put away, nothing left to celebrate.

He cried in plums, but kept them all away from us,

like pit bulls famous for their teeth.

 

Silence robbed so many years.

I told him straight I wanted some

acquaintance with her countenance,

the size of sweaters in her drawers,

the way she touched piano keys,

filled the room with sweet ballets inside his ears.

He played deafer than he was

the times I asked, punched his stomach

way too hard with question marks.

 

When death took him,

I wandered through a wilderness—

no figs on trees, no leaves on hope,

no corn beneath the stalks and strings,

no avocado under skins;

what scraps were there were bruised by then.

Desperate is desperate. I learned too late

dumping grief is not the goal—

you follow ivy to a grave and sit with it—

let the weeping willow weep.

My tears the size of coconuts,

I shook the tree and set one loose,

broke it quickly on a rock,

drank the milk, then found a plum,

seeded it, chewed the meat,

squeezed the juice and guzzled it.

 

If only I weren’t thirsty still—

I suck on ice all day long.

 

Give Me Grace I Do Not Have

 

The only thing that’s green today,

a heavy tank beside the bed.

He sucks on borrowed oxygen—

I bring him ice cream, watch it melt.

The final day of Father’s life,

a catheter runs his leg like caterpillars

up a branch, his fingers scratching

at the tape. I lotion skin around the edge.

 

I’m listening to piercing screams,

crows inside a muted glimpse

of Hitchcock films in black and white.

Pills will yield a scrap of rest,

but not for long. The real scuffle is with God

and what he says will happen next.

I pace the floor, leave the room,

return when I can breathe again.

 

His eyes are closed like sleeping owls.

I hear some noise, a vacuum sticking to a rug;

it’s sucking dust I want to stay,

anything to cover this.

“I want to die at home,” he says.

I sit up straight—a Blue Jay startled from a fence.

 

To steer myself away from wrecks,

I scribble on a notepad just inside my purse.

A poem smells old—mothballs in a dresser drawer—

all I own for coping skills, shaking stilts.

I’m not standing tall enough.

Times like this are not for kittens

whining for their mother’s milk.

 

I hold his hand, wishing it were mine, not his

inside this tome, between the shale

and blooming poppies in a field.

The quilt I was to keep him warm,

losing stitches one by one.

The hospice nurse suggests

we sing “Amazing Grace.”

A eunuch in the land of love,

I have no voice.

 

You can read more poetry by Janet I. Buck here

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