Literary as hell.

Category: Writing (Page 35 of 50)

“The San Franciscan Group Home,” a poem by M. O. Mc

At least once a week

3 kids are thrown into the frying pan

carelessly yolked together

olive oil siphoned off

black & salt left out on purpose

the shells still have transparent film

stuck to the side of the garbage disposal    

homework crumbled like cake is there too

There is surplus salmon pink late notices

broken shards of glass

swept from the kitchen aluminum floor

overflowing for space Continue reading

“Sinister Romance,” a poem by Paige Simkins

Sinister Romance

 

We walked the downtown

Busy streets stark naked,

Holding black candles lit

High above our heads.

 

We shouted at business

Men in expensive black

Pinstriped suits, “Wear red,

You must remember, wear red!”

 

People sitting at outside

Tables of the Black Palm

Restaurant stared in disbelief,

Whispering amongst themselves,

 

When we sat down to join them.

**********

Paige Simkins is a poet who lives with her dog, Sir Simon, in Tampa, Florida. She holds a Bachelor degree in English (CRW) and a Master’s degree in Library and Information Science. She works as a Public Librarian and is very passionate about poetry, libraries, VW Beetles, and visual art. Her poems have appeared in Stepping Stones Magazine, Burningword Literary Journal, The Wayfarer, Crack the Spine and the Tulane Review.

“(un)Bridled,” a short story by Meghan Ferrari

(un)Bridled

“Oh Grace, you didn’t wear that out to the barn again, did you?”
Grace removed her mud-caked riding boots, and dropped them to the floor.
“Does it matter?” she replied, picking up the lace train, and heading towards the kitchen.
Grace’s mom picked up her knitting needles and held them still, like a conductor about to cue her orchestra, opened her mouth, then closed it, and returned her attention to the infinity scarf she’d be mending in her lap.
“It’s on the table,” she called to her daughter, whose wide eyes she knew were presently scanning the kitchen counters.
Grace grabbed the neatly creased crossword, and made her way up the worn oak stairs and around the corner, to the room at the end of the hall, where the floral print paper had begun to peel.
Closing her door, she grabbed the scalloped veil that hung past her shoulders, and like the wings of a moth, fluttered the soft tulle around her.
Breathing a sigh of relief, Grace dropped into the window seat, and pressed her back into the splintered woodwork. She removed the HB pencil that had been holding her unruly hair in place, and unfolding the crossword on her lap, she exhaled deeply.
Lately, Grace had been living for the crossword. She liked being presented with a puzzle, and knowing that a solution existed – regardless of how long it took her to find. She liked the way the tiny, black type attracted her eyes, the bold, black squares invited her pencil, and the way The Aurora Era turned her white wedding dress grey.
Grace began with across, and felt her muscles unwind with each word she solved. Dragging a smug lead line through the last clue, she pressed the nub of the eraser to her forehead, leaned her head sideways against the cool frame, and gazed down at the farm below, freshly ploughed, with bales of hay forming a golden border, fifty acres from her feet. The mid-day sun cast Grace in a spotlight, and she lowered her green eyes to the gravel drive, spotting the dusty, red Dodge, with the PRO-LIFE, PRO-FAMILY, PRO-FAITH sticker on its bumper. A feeling of youthfulness flooded over her.
Grace rose from the window seat, dropped her veil into the pillow’s indentation, a now receding memory of her presence, and darted out of her bedroom, down the stairs, and out the back door.
“Daniel,” she called, brightness in her voice, as she approached the fence.
“Gracie,” Daniel turned, wind chapped lips breaking into an easy smile at the sight of his younger sister, she all jewel tones and dimmed sparkle, her auburn hair catching the last ray of sun.
“It’s been a month of this…” His smile waned as he bit his lip, and moved his eyes downward, to the bottom of her dress, where the fresh manure bruised the white lace brown.
“I’m fine,” Grace breathed, looking back towards the truck. “Where’s Emily?” Grace looked for Daniel’s contented wife, but could not spot her.
“She’s with Oliver. She was pickling our latest crop of cucumbers when the day care called – he’s come down with a bug. She’s at the clinic…” The blackberry in his belt buzzed, and his words, like her thoughts of late, trailed off, as he removed it from the sturdy clip on his leather belt, and peered into its scratched screen.
“That’s Em now,” he said, eyes transfixed, calloused thumbs crafting a response.
Grace could feel the complexity of their lives in the intricate knot forming in her stomach, and the monotony of their marriage threatened to suffocate her.
“Can I help you?” Grace asked, looking at the hand saw at Daniel’s feet, hoping to change the course of conversation.
Daniel looked at his sister, wrapping her navy silk sash round and round her forefinger.
“Yeah,” he replied slowly, nodding thoughtfully. “I have to head in to have a look at Mom’s laptop…will you feed the chickens for me?”
Grace watched Daniel walk towards the house, his burgundy flannel billowing in the wind. Seeing Daniel disappear inside, she strolled to the cedar rail fence, undid her sash, tied the satin around the steel, and opened the gate, releasing their six cows to graze in the pasture. Leaving the gate unlatched, she strolled to the red doors, below “Liberty Farms”, spelled out in large white letters. Grace entered the barn, and looked up at the long boards, her eyes having fallen habitually on the three cracks that let the sunlight in.
“Bonjour, mes amies,” she said to the chickens, who had scurried to the edges of their enclosure to greet her. She grabbed the dented bucket of feed lying patiently next to the door, and sprinkled the seeds high above the chickens, as if they were brides and grooms.
She hadn’t made it to that part of the day – couldn’t have imagined rice raining down on her, when she felt as though she were already drowning. Holding the bucket of feed in both hands, like a bouquet, she walked over to the paddock: Right foot, together. Left foot, together. The walk down the aisle she had endured. Although in a new chambray suit that Mom had selected from Moore’s, she envisioned her Dad in his faded coveralls, and black rubber boots, and herself as one of his cattle, being led with a delusive gentleness to her slaughter. With each step towards Adam, she was taking a step away, from her independence, her identity.
The priest to her left, Adam before her, and her audience to her right, she tried to focus on her groom’s face – on the scar below his left brow, the one he’d received when he’d tried to sell her on the city – when they’d biked along the Queen’s Quay, and a fallen birch branch caused him to lose balance – but images of caged chicks and penned piglets pervaded her mind.
She had dropped her slim bouquet of sunflowers, once so full of life, now uprooted, and wilting before her eyes. She tucked a rogue strand of hair behind her ear, and calmly turned and strode back down the long, white aisle, bound by blue chairs.
Once she was past the bewildered guests and into the cornfield, she began to run. The husks pulled at her hair, and the stalks scratched at her skin, but this was a maze she knew her way through. She made a sharp left, and then a quick right, and she was soon on the shadowed path that led directly out of the maze; the one her father had carved for the panicked or beleaguered urbanites, drunk on country air.
The sound of her chipped nails scratching the bottom of the now empty tin bucket pulled her back into the barn.
“Shh…” she whispered to the chicks, realizing she had fed them both their lunch and dinner.
Crouching, Grace placed the pail by the pen, and noticed a rusty nail jutting from the coop. She fingered it thoughtfully, contemplating the time it had taken for the shiny steel to corrode. Her right hand reached for her left, and with a simple twist and pull, she removed her solitaire ring, and placed it on the nail’s head. Standing up, Grace made her way across the plank floors, away from her diamond, and towards her eternal gem, feeling her heart enliven.
“My love,” she said, unlatching Ruby’s stall. The white Arabian threw back its ears and whinnied a greeting. She made her way towards him, her body lightening with each step.
“I’ve missed you,” Grace cooed, stroking Ruby’s coarse mane. The horse nuzzled her palm sweetly, and Grace sighed in contentment.
“I’m yours,” she said, and began her methodical grooming process.
Grace herself had been methodically groomed that weighted morning.
She and her three bridesmaids had gathered in her guestroom, formerly her art studio, now unrecognizable, after the engagement had touched down on their farm. Linen napkins, dish towels, and dessert plates were stacked on her oil canvases, shrouding her ambition, and freshly pressed dresses hung from the curtain rod, blocking all natural light. Much like Ruby, she had been readied for show: Her long hair curled, her Mac makeup applied, and her nails, bitten down to the quick, polished.
Grace grabbed a curry comb and began to rub Ruby down in smooth, sweeping motions. Ruby’s muscles quivered, delighted at the soft touch. Systematically she lifted each of Ruby’s hoofs and delicately removed the dirt and debris. Finally, she took the mane comb and removed the tangles, leaving her hair with a satiny sheen.
From its hook, Grace grabbed the black, leather saddle, and cinched it around Ruby’s waist. Stepping back, she reached her right arm behind her and pinched the top of her dress. She twisted her left arm back, and unzipped the zipper, letting it cascade, like a feather, fallen, to the black earth below.
Stepping over her lifeless gown, Grace placed one boot into the stirrup and hoisted herself onto Ruby’s back. Grabbing the reins, she gently prodded Ruby on both sides, and eased her towards the barn door. She could feel the friendly wind on her face, and Ruby’s powerful muscles between her thighs.
“Do you want to run, Ruby?”
Leaning forward, she unfolded Ruby’s ear, and with certainty, whispered, “I do.”

*********

Ferrari  PicMeghan Ferrari lives in Newmarket, ON, and studied English Language and Literature at Queen’s University. She completed her Masters in Social Justice Education at The University of Toronto, and presently shares her passion for creative writing with her students, as an English Teacher for the York Catholic District School Board.

Man With a Wig, by Alan Steinberg

Man With a Wig

A Monologue

by

Alan Steinberg

(An older man is sitting on a chair in a long bathrobe. He is holding a woman’s wig in one hand, looking at it and touching it with the other hand. Every so often he gets up and walks downstage, closer to the audience)

She’s dead a year ago. Tomorrow. We met in high school – a year before we graduated. Junior year. We didn’t ever fight a lot. Not anything loud. Little things – like the color of the house. Maybe it was just a room. Colors matter. They make you feel something inside. Mostly it was white. The house. Clean. Bright. Safe. But you get a feeling with a color. She wanted blue. The child’s room. I wanted it yellow. Soft. Like a flower. My friend Billy had a tie like that. When we were young, growing up. In school. We used to do everything together, me and Billy. My father didn’t like it. The tie. That’s no color for a man, he said. He didn’t like Billy too much. When I told Anne – that’s my wife – she understood. She had some friends like that, too. One had red hair. One had brown. I used to see them together. But they didn’t seem to want me around. So we painted the room blue. My daughter’s room. I wasn’t going to fight about it. And we painted the parlor yellow. Soft. Like a flower.

I don’t think my father knew. When he’d visit, he didn’t say anything. Maybe he forgot about the tie when I married Anne. Maybe the child changed everything. You stand there on the porch, and it’s a nice house. With a garden. And flowers. And you have a granddaughter. And the house is mostly white. So you don’t think about a yellow tie and a yellow parlor.

We just had the one child. It seemed enough. One child. There was work. And there was church. And then we each had our friends and things to do. Like the garden. Anne took care of the vegetables. Tomatoes and squash. Lettuce and cucumbers and peas. I was the one for the flowers. Lilacs. And Sweet Williams. Lots of them. And even roses, though the weather was hard. And sometimes, just when a bush was full and set right and you figured you could count on it, winter would come and blight it and it wouldn’t bloom at all. It would just sit there in the spring, all brown and black and stunted, with just the thickened stem and thorns.

That’s a lot how it was. She had her life and I had mine. Thirty-five years. That’s how long we were married. I wanted Billy to be my best man, but my father would have none of it. He said, I’m paying for the wedding and I don’t want none of that here. Then Billy went off and joined the Navy and he got to go around the world and he never came back. And I bought that house. And we had a child. And I started working at the mill. First on the saws. Then the planers. And then out in the yard. I liked that best. Being outside. Even in the cold. You got teamwork there. Sorting. Loading. Unloading. Poling the wood. Like a lumberjack. One of the guys did that for a while. Lumberjack. Big guy. Big arms. Big hands. Had this finger missing. Ring finger. Said a buddy piked him when they were out on the river breaking up a jam. Always wore those red and black lumberman jackets. Except for summer. Then he’d wear these sweatshirts with the arms cut off. We had good times out there. Working the lifts together. Some Fridays we’d go bowling. You couldn’t tell how he’d do, what with that finger missing. Sometimes he’d get it right and you’d be thinking a 300. Other times, he’d spin the ball so hard it’d run out of the gutter into the other lane. A couple of the other guys thought it had more to do with the whiskey. He used to carry this flask with him. Out in the yard even. Nip the cold, he used to say. Nip the cold. Awful stuff. I had a few pulls on it myself. Times it got twenty below. Bad stuff. Take the chrome off a bumper. But then the mill got bought out and the new foreman got it in for him and he got fired for being drunk. And the new guys were all four-wheeler types and lady chasers, and it was just a job to them till they got something else or got some girl with child and had to get married or get out of town.

Thirty-five years. What’s the Bible say? Three score and ten? So, that’s a lot of years, those thirty-five, half of what the Bible gives you. And a daughter. She lives out west. Went off to college. Moved away. Has a whole life out there. Full of sun. The stuff you do in the sun. Around here, they just shake their heads. Say the Lord will get them for what they do. Maybe it’s the winter. The dark and cold. The snow and ice. Thick and brittle, both. Maybe it gets into your soul so that you turn your back on the bright things. Make them the devil’s things.

I think we both knew early on. Never said anything about it, though. Never talked about it head on. Maybe slantwise. Maybe with a look. I think we both just knew and made our peace with it. She had her Ladies of this or the Ladies of that. You know, sewing groups or charity groups or daughters of the revolution. Stuff like that. I’d get jealous sometimes. Seeing them at work, all together like that. Doing stuff and laughing. I seen em holding hands, hugging each other. Kissing each other even. Easy in their skin, if you know what I mean.

With me, it was different. You can have buddies as a man, but you’ve got to watch what you say. They’ll laugh, all right, but not always with you. You bring in a flower to give someone or brighten up the place and they’ll be: So, who you trying to impress? And does your wife know? And stuff like that. So you drink and you tell jokes and turn your back on all the rest. If I were to say to them, the guys I worked with or drank with or hunted with, if I were to say to them that we did what we did out of duty, out of making it seem right, and that after that we didn’t do it any more, not even when we had too much to drink. And that it was all right, for the both of us. That we could still be together and still love each other, what do you think they would say?

The time we got the twin beds. That was maybe the worst. Went out of town to get them. Brought them home at night. Took the big one down to the basement. Got all damp and moldy down there. Then when we had company we’d slide the twins together so it looked like one of those queen-sized beds. Kept the old covers and sheets. That was about as direct as it got. Couldn’t really go slant-wise into that. But we never talked much about it. I think she was the one who first wanted it. Said something about it. But I’d been thinking about it, too. Just didn’t have the guts to say. But it was nothing mean. Nothing fierce. I used to kick a lot from being on my feet all day. But it just made things easier. Getting up and down. Getting up early. Coming in late. Wearing what you wanted.

You know, you can love someone in a lot of ways. Thirty-five years. Thirty-five years of being there. Being faithful. Leaving space. Good space. Not cold or icy. Like when you plant well. And everything’s got room enough to grow. To be. Without crowding. Without interfering. Knowing, but letting it be. Making do without meanness or regret. I waited a month before I did it. (holds up the wig) I had to go on the internet. But I waited a month because it seemed wrong to rush right into it. I knew she’d do the same for me.

I can’t tell you how many times I rehearsed for it. Tried on this. Tried on that. Shaved this. Shaved that. It made me realize all my wife had to go through every day. I don’t know how she did it. How any woman does it. Then, I’d get to the door and I’d just freeze, my hand right on the knob. Maybe like a prisoner when they open the cell after a long time. Like forty years.

But I’m gonna do it this time. I made a promise to myself. To my wife. If you love somebody good enough, long enough, you let them be who they are. Dying shouldn’t change that. Should it?

(Stands up. Opens the bathrobe, revealing he is dressed in a skirt and blouse.)

I know my wife’s dead. I know that Billy’s dead. (puts on the wig, adjusts it and then his skirt) But I don’t have to be.

Exits slowly

“Worth Noting,” a short story by Scott MacAulay

Worth Noting

By Scott MacAulay

A woman at St. Vincent de Paul knows me. I’ve been going to the store since late January, since spring wasn’t too far off and I could start to think about sleeping out of doors again, in a quiet spot, in a spot where it gets dark because the sun goes down, not because the rules say it’s time for lights out. I’ve been giving her twenty dollars a month in case a good sleeping bag comes in and she can put my name on it and set it aside for me. She said I could trust her. Her name is Virginia. It’s a wonderful name. It’s wholesome. It makes me think she lives in house with a large, welcoming veranda—a two-story house with rose-coloured wooden shingles and chestnut trees in the yard. Virginia is great about my plan in another way, too. She puts aside too imperfect donations of cutlery, pots, dishes—stuff that wouldn’t make it to the sales floor. She puts them in a box with her name on it, told the other staff she’s gathering some things for her little niece to play with in her backyard playhouse. They’re for me, of course. When she offered to help, I already had a note in my pocket which listed some things I’d need.
lamp, chair, futon mattress, big
pot for spaghetti, fry pan, forks and
knives and things, a dish towel
Virginia is my age, fifty. Both of us fifty. Imagine. She’s got long, thin brown hair that’s usually pretty tangled. She wears peasant skirts and knee-high knitted slippers (or socks)—I’m not sure what they are—with leather soles, long-sleeve crew-neck shirts and turtlenecks underneath. Her face is not old, not fifty. It is narrow and smooth, no wrinkles, just hints of freckles. Her eyes are tawny. If I could love again, it would be her I’d choose.
But that’s just nonsense. Love is not on my mind. My mind is busy, busy, busy with other things. I note the things that are important to me, using stubby pencils and little squares of paper from the library. Getting to Shepherds, the Mission, St. Luke’s, St. Joe’s on time for free meals, buying my tobacco in bulk at the first of the month when my cheque comes in, before I start to drink, and protecting it from people who would steal it or would reduce it faster than you’d think by borrowing a smoke every second day. (Who borrows a smoke?
Lots of borrowers at the Cross Mission.
Monday Joe, Shin Bone, Susie are the worst.

You can’t return it except for the butt, I suppose. It’s not like a lighter.) I write down times, places, warnings to myself, and other really important things I should remember.

Virginia is lonely Be nice to her. She
told you she never married. Her niece is
named after her, Virginia.
I look at my notes at least once a week, to update them, to make sure they are current; my pockets are stuffed.
I make notes to myself. I forget things

if I don’t. I’m a note-maker. I mock notes.

I’m a note-mocker. Oh, I don’t know what

I am. I do like notes, though. I like them

so much I could lick them. That wouldn’t

be good, however. The writing would get

smudged and I’d forget what I noted. I’m

glad I wrote this down.
I bunk in shelters now. After roaming free this coming summer, I think I’ll get my own room again, so I’m going to a lot of places, dropping in on people I know or asking people I meet hanging around the streets or in the parks if I can take a look at their places. Not everyone obliges, scared I’m strange or I might roll them. All I want is to be sure I get a place with NO bedbugs. There are no guarantees, but if you find somewhere where people have been living for a while, no huge turnover, and the shared bathroom has lots of toilet paper and the shared kitchen has a clean pot on the stove, you might take the chance.
Shelters are a necessity. There aren’t any good rooms around. I’d freeze to death outside at night. Come mid-spring and for most of the summer, till the third week of August or so, I’ll use them only for the really rainy nights. There’ll be some decent rooms open by then, especially ones on the upper floors. People will have abandoned them, been driven out by the heat that’s built up over the previous three months and the cockroaches and other creatures that invade from garbage rotting along foundation walls, up through cracks in concrete and humidity dampened ancient drywall, through radiators and open windows without screens. (I can take these little guys, just NOT the bedbugs.) But these late summer fleers from upper floors are short-sighted. However endless and godless the heat seems, minus 30 degrees comes too quickly to Ottawa. Well before you can find a decent winter coat that fits and has no rips, no stains, it seems equally endless and godless. I’ve noted it in my list of things worth noting.
I’ll probably be sleeping close to some of the rooming houses that will have the fleers fleeing. My favourite place is Dundonald Park because it’s small, only one small city block square, manageable—you can see who comes and goes, who lingers. Its southwest corner is dark and the grass around the benches there is soft and clean.
I don’t drink too much when it’s hot because I get dehydrated. And I don’t drink too much when I sleep outside: I need to be alert. I should be able to save a lot of the little bit of social assistance they give to people with no fixed address. I’ll still get around to free places to eat. When I get a room, I’ll do it up well and be ready for fall and winter to do their cold and blowy business—FIRST I need a sleeping bag from Virginia at St. Vincent de Paul.
I want a good one, good to minus 20, at least, so I can start sleeping out as soon as possible. I won’t be sleeping out in minus 20, but it can get chilly at night in late April and in May, even early June sometimes. I want one with lots of room up top so I don’t feel trapped, and tapered as it goes down with lots of space beyond my feet for a thermos or cans of beer, spare socks, my watch, my glasses case, tobacco.

 

This day at St. Vincent de Paul, Virginia says, “Guess what, Mark.”
“What?”
“No, close your eyes. No, open them. You’ll have to follow me.”
“I’m no mind reader, but I’m guessing this has to do with a sleeping bag.”
“Shhh!”
Virginia’s peasant skirt is decorated with peacocks, crazy blues and greens. From grades seven to nine in Sydney, Nova Scotia, I watched a peacock and a peahen in the small park behind my junior high school. They had a small, red wooden shelter in their enclosure for rain, I guess, or for privacy. I don’t know where they went every winter. They couldn’t fly.
Virginia is excited. She’s leading me through the “Employees Only” door and down white concrete stairs, badly chipped and in need of a coat of paint. The ceilings are low. The basement is full of donated items from books to clothes to dishes to kitchen utensils, big things like mattresses and sofa combinations, and a special section for furniture that had been upstairs but just wasn’t selling and will now have to go to a landfill. It’s marked “DISPOSE”. This is where she leads me.
“Sit down, Mark.”
I sit on a scuffed-up plastic patio chair that wobbles.
“NOW close your eyes.” Virginia is standing behind a white, velour sofa, which appears to have urine stains on its cushions.
I do as I am told as she ducks behind the sofa and counts dramatically to three.
“LOOK! Tah Dah! This is yours! It came in three days ago with your name on it, literally.”
She is holding a bulky, rolled-up bundle, wrapped in clear plastic. “A sleeping bag, a really, really good one. We had something like it two years ago and the manager priced it at $120.” Virginia seems shy now that the surprise is over. If I could love again, it would be her I’d choose.
“You’ve got what, sixty dollars of mine? Can you hold the bag a while longer? Maybe the manager will let it go for eighty or something.”
“You don’t understand. Some woman came in and said she was putting an end to her boyfriend Mark’s camping expeditions. That was his name. It’s sewn in the bag. The woman said camping was an excuse for boozing, maybe a whore or two with his buddies, pardon my language. I did the inspection and reported the sleeping bag was damaged, a rip, and a zipper that needed replacement. I wrapped it up and put it here for you. Dump run is next week.”
I am grateful, but feel awkward. “Virginia, you’re nice, but I don’t’ need a ripped bag without a zipper. I’ll be sleeping out…”
“Don’t be a goofus, Mark. The sleeping bag is fine. Practically brand new, I’m telling you. You take it! You come to the basement exit an hour after closing time. Your money is wrapped in the sleeping bag.”
“You’re giving it to me. And my money?”
“It is marked for disposal.”
“Yeah, but you’re all churchy and everything aren’t you.”
“Look, some college kid would’ve grabbed it in a snap and used it for god knows what. You don’t take things now and then?”
“Well, I like to be anonymous about it.”
“Well, consider us both anonymous about it.”
I arrive at the basement door at the right time. It is at the back of St. Vincent de Paul and I feel like a sneak because all around me it is quiet and Virginia is doing something wrong, for me. And I know it. Light from the yellow bulb above the door casts my shadow and makes me want to confess, but I knock. She is waiting there, on the other side: With one knock the door opens and I’m inside. My eyes cannot adjust. It is too dark, though a candle burns a short distance behind her.
Virginia puts a finger to her lips, then a hand over my mouth.
“Shhh,” she says.
She lowers her finger, then lowers her hand.
Soon I am naked.
When you get a room, get the box of
things Virginia put aside for you.

Remember that she loved you in your new sleeping

bag on a sofa in the basement of St. Vincent de Paul.

 

**********

Scott MacAulay is a former educator and community development worker. He now devotes his time to learning the art and craft of good story telling. He resides in Ottawa, Canada.

“The Flower Shop,” by Dee Gallagher Boyd

The Flower Shop

by Dee Gallagher Boyd

Angie and I loved making deliveries. She drove the truck well, and I didn’t, so we made a good team. We had worked at Keller’s Flower Shop since high school, and were closing in on college graduation, so the place didn’t bug us as it sometimes did when there was no exit in sight.
Mimi Keller inherited the shop from her parents, and she added the pizzazz and charm the place needed. Her nimble fingers picked through flowers with an artist’s eye. Her baskets and vases meshed color and form into masterpieces. The shop was busy.
The owner hired Angie and me as a package deal. Newly sixteen, we arrived at job interviews together, brazenly insisting they needed us both. When we met Mimi she hired us both right away. She had twin daughters, so maybe she didn’t find dealing in twos unusual.
Rachel and Jody had been urging their mom to let them work at Keller’s since we started. Mimi put the twins on clean- up duty, a job that was losing its luster as they entered high school. We didn’t know their dad too well, but there was no mistaking they were his. Their thick auburn hair and aquiline features bore little resemblance to Mimi.
“It’s as if I weren’t even there,” Mimi would say, “they look so much like John Randall.” She was clearly in love with her husband, and often used his full name. Angie and I knew she was also proud of keeping her own name. She was a Keller, and everybody in town knew her as such.
Most people knew we worked at Keller’s and called out ” Angie! Chrissy!” when they saw the truck go by.
“Chrissy, there is nothing wrong with being a townie,” Angie often reminded me.
“Yeah, but the boarders think we’re scum,” I would tell her. “None of those pampered creeps could ever work like we do.”
The pampered creeps were our classmates at Chester College, which was in walking distance from the Flower Shop. Angie felt no shame driving the truck through the streets of the college. I ducked down in the seat when we passed the campus Starbucks, until Angie mocked me out of it. It was the week before Valentine’s Day. We were surrounded by roses, exquisite and fragrant. Angie yelled out to the crowd at Starbucks, and my slouching days were over.
Not only was Mimi Keller a fair boss, Angie and I liked her, and shared her love of flowers. She would ask our opinion while pulling together an arrangement, her pink rubber gloves in the air. We told her the truth, that the white lilies needed something colorful,like African violets, or the lavender orchid was wimpy. She respected us and eventually trusted us with a key to the shop.
“I’m going to be prepared this Mother’s Day,” Mimi told us pursing her lips as she did when determined. “You girls may have to let yourselves in around then. If I miss the twins’ recital another year, there will be no living with them.”
Angie and I exchanged a look, finding the twins hard on their mom. We noticed their Michael Kors bags and hair styled at Sensations, the cost of such things beyond us. Angie’s Uncle Tony sometimes hooked her up, no kids of his own to spoil. And Angie often split the spoils with me, like the time she gave me her gift card to Sensations for my cousin’s wedding.
“They mark John Randall on a curve,” Mimi continued. “I guess it’s how kids are with their dads. John can do no wrong.”
That very day we saw John Randall, as we thought of him, going into the bank, his charcoal suit adding to his dignified carriage. The shock of auburn hair was so like his daughters. He was truly handsome. I could see how Mimi was wacky over him.
I mentioned this to Angie and she said, “I think he’s too stiff. Not my type.”
“You don’t get a vote on Mimi’s taste,” I told her as we were gearing up for the Easter rush.
“We’ve got to let Mimi know Easter is exam week,” Angie said as we approached a two story colonial with a vase filled with orange and yellow tulips, so spring – like, so special. Mimi screened the recipients of our labor, the town’s being so known. She didn’t risk our safety when her full-time guys could venture into parts unknown.
“Chrissy, please warn Mimi. You have a way with her. Tell her if we keep busting our butts for her, we won’t graduate.”
“Yeah, I’ll wait for her husband and the twin brats to be there when I say that.”
“Listen to you, talking trash, like that,” she said, and I felt chastened and guilty for trying to be cool. More seriously, Angie grabbed my sleeve and made me look at her.
“Chrissy, you’re good. Don’t lose that,” she said, and I had to look away.

 

When we returned to Keller’s, we inhaled the scents of gardenias and lilies of the valley. Mimi gestured to the bundles and said, “A fresh shipment. Heavenly, aren’t they?” None of us tired of the magic of flowers.

 

While adding a bow to a baby girl arrangement, Mimi asked, “Could you two clip the ends of the lilies before storing them?”
Angie handed me the cutting shears and blurted, “Mimi, Easter week is a problem.” I rolled my eyes, like she took my job of telling. I had been rehearsing my lines in the truck as we skidded across a few icy patches.
Angie explained how busy we’d be with school, and Mimi told us her husband could help out. “He does the books, collects the sales, and makes bank deposits, so he knows the shop… and the neighborhood.”
“I don’t want to think about losing you two when you graduate,” Mimi said affectionately.
I felt myself tear up, and I think Angie did too, though she’d never admit it.
Bringing a burst of cold air with him, John Randall brushed by us and pulled Mimi aside. She smiled at him, hugged him, and they spoke quietly. He’d never taken the time to get to know us, but Angie and I didn’t expect him to.
Cutting shears resting in my hand, I let myself picture being with a John Randall of my own. I realized I was staring at Mimi’s husband, and continued to trim the lilies laid out before me. Keller’s cutting table needed a replacement. Too many nights left me fighting with a splinter from my work.
We survived the exams with lots of late nights at the campus library or Angie’s house. Her family was so proud of her scholastic life, her mother set up a work/study area in the den. Her Uncle Tony stuck his head in to cheer her on, including me in his pep talks.
“You kids are doing us proud,” his face often smudged with soot from the fires he fought. When we were too shot to sit up, we sprawled on Angie’s bed, our lap tops and books spread about us. We didn’t do this too often, as Angie respected her mother’s feelings about the study den.
We were in the den on a crisp spring day, our graduation invitations stacked on the table before us. “Is it pushy to invite people, like we’re looking for presents?” I asked Angie.
“Leave it to you, Chrissy, to worry what people think,” she said, as she looked up at me, her pen in hand. “I’m about to address Mimi’s. Should I just put the Randall family?”
“I think Rachel and Jody would like to see their names on it. Kids don’t get much snail mail,” I said, careful not to talk trash about them again. Angie was a tougher boss than Mimi.
“Too many names. I’m putting the Randall family.Do you think they will come?”
I told her I couldn’t imagine Mimi’s missing it, and the twins might be singing at the ceremony. When we arrived at Keller’s after school the next day, Mimi was in a great mood. “The twins’ recital will be a week before Mother’s Day, so this place won’t be such a madhouse. I may just ask you to pick up a few deliveries the night I’m busy.”
We took pride in our work, but we were relieved that Mimi would be with us for the Mother’s Day crazies.
The evening of the recital, I arrived at the shop before Angie. I decided to let myself in and place the flowers in the truck. The flower shop was as quiet as a church at dawn. I took a few steps and bumped into the cutting table. It was then that I saw John Randall looking tenderly down at Mark Collins. His right hand cupped Mark’s jaw, and his left clutched the buttons of Professor Collins’s jacket. I couldn’t breathe. I almost screamed.
Stricken. The word that entered my jumbled brain. Mimi’s husband looked stricken when he saw me. Mark had moved to another part of the shop, leaving John and me together.
“Deliveries,” I managed to say.
“My job tonight,” he said.
I made my way to my car, grateful that Angie was late. I trusted her, but needed time to absorb the shock of what I’d seen. I thought of Mimi and started to cry. And yet, I had never seen her husband look so comfortable, so at home with himself. I was horrified and moved by the loving embrace I stumbled upon.
Angie’s car pulled up, and I had visions of one of Uncle Tony’s pool hall buddies making little of John Randall. I tried to pull myself together to keep this to myself.
Angie knew me too well.
I hugged her fiercely, and said, “Your car. Your room.”

 

“I’ll kill him.” she growled, when I could bring myself to talk.
Never being a fan of his, Angie continued in this mode till she caught the look on my face. “What is wrong with you, Chrissy?” her loyalty to Mimi as big as her heart.
I was too stunned to say much. “He looked happy, Angie.”
“Don’t you care about Mimi?” she said.
This pierced me in a way that only Angie could. Like wind whipping up before a storm, Angie’s mood changed. She saw she had hurt me, and was beginning to accept what I saw.
“I’ll bet she knows,” Angie said. I let this sink in, knowing I would never reveal it to Mimi. In the way shock lets normal thoughts through, I realized we had never been so quiet in Angie’s room.
“Why do you think she knows, Ang?”
“Simple. Because she loves him.”

 

Dreading my next shift at work, I practiced looking normal in the mirror. I applied my make-up with care, hoping Mimi didn’t see any change in me. Mimi pulled me into her office as soon as I arrived. She looked haggard. She knew…… but I was sure…. she was just as shocked as I. “John told me.” Three words with the power to explode her universe.

 

“It’s new to me. . . We’re talking. . . He does love me, Chrissy, ” she whispered.
Straightening her shoulders she switched gears, realizing she had said too much.
“John and I accept the invitation to your graduation,” she said with a weak smile.
“Angie and I would be honored,” was all I could manage to say. I grabbed her hand with both of mine and said. “Only Angie have I told. Nobody else, I promise.”
After a few awkward days at work, Mimi and I had an unspoken understanding. If I said I hadn’t told Angie, she would have seen the lie, and there would be little between us. As the days grew into weeks, we accepted each other as two women who knew the other well. And she trusted I said nothing to others.
There was also among the three us, Angie, Mimi and me, the melancholy of an ending, and the memories of our time together at Keller’s Flower Shop.

 

Graduation day was spectacular. Chester College Commencement was outdoors on a sunny June evening. Angie picked me up in the new Jeep Uncle Tony had given her. We arrived amidst a sea of flowers surrounding the stage. They were hauntingly familiar, all those flowers.
We stood together on the stage looking out at the guests, and I saw Mimi and John.
They were smiling at the twins, who were to our right in gold choir gowns. The sun was setting behind them, and I saw the blend of color, vibrant, complex, yet simple in its beauty, much like love itself.

 

Dee Gallagher Boyd is former French teacher and a graduate of Temple University. She grew up in Chestnut Hill, Philadelphia, the youngest of the seven Gallagher children. She is the author of “Dr. McGill,” “The Baldwin Inn,” and other short stories. Dee and her husband live in Jupiter, Florida.

And Clouds Made of Bones, a play by William Orem

And Clouds Made of Bones

A play in one act

By

William Orem

AND CLOUDS MADE OF BONES was originally produced by Firehouse Theatre, at Boston Theater Marathon XII, with Jeney Richards and Dan Krstyen.

Click here to read Clouds Made of Bones by William Orem.

 

William Orem's first collection of stories, Zombi, You My Love, won the GLCA New Writers Award, formerly given to Louise Erdrich, Sherman Alexie, Richard Ford and Alice Munro. His second collection, Across the River, won the Texas Review Novella Prize. His first novel, Killer of Crying Deer, won the Eric Hoffer Award. Poems and short stories of his have appeared in over 100 literary journals, and he has been nominated for the Pushcart Prize in both genres. His short plays have been performed around the country.

Currently he is a Senior Writer-in-Residence at Emerson College. Details at williamorem.com.

 

Ant-Man left me irrationally Furious- A review rant (minor spoilers)

hope antman

 

Marvel’s Ant-Man gives us a woman, a man, and an ant-suit. Both want to wear the suit. The woman knows martial arts, can talk to ants, and already has the high-tech secrets to a master plan to save the world. The man is likeable thief Paul Rudd. The movie is called Ant-Man. Guess which one gets to wear the suit?

While still enjoyable and fun, Ant-Man left me with one burning question: why couldn’t Hope Van Dyne (Evangeline Lilly), Hank Pym’s (Michael Douglas) daughter, have been a hero?

Early on, Hope brings the stirrings of an evil plot to her father’s attention. Hank Pym starts looking for a new person to wear the Ant-Man suit he created and save the world. When Hope first confronts her father about how she should be doing the job she sums up in one sentence why she is the best choice (I’m loosely quoting here): ‘I know everything about everything gimme the suit.’ Pym’s reply: “Nah I’ve got a complete stranger in mind…he doesn’t know shit about my insanely weird tech but he’s a pretty qualified thief.”

Continue reading

Poetry by J. Lewis Fleming

burls and bird’s eyes

it was not supposed to rain today

none of the mourners

has brought an umbrella

 

gentle mist

is beads up

on black suits

polished shoes

 

runs down the sides

of a mahogany casket

tracing manic patterns

across its burls and bird’s eyes

 

giving way

 

tracing a serpentine

path through a forest

of nicked up chairs

and tumbledown couches

he finds his way

out to a decaying deck

standing still

his mind consumed

with nothing

 

he begins to wonder

how many times

he would have to jump

before the wood

at his feet

gave way

 

she is marvelous

while most folks

would lean

on a stubbly brick wall

welcoming all casual

Observers to bask

in their carefully

crafted casualness

perhaps a cigarette

burning forgotten

in their hand

 

Sophie looks

to the untrained eye

(and those schooled

in observational technique)

as though she is a critical

component of the building

as though the architect

has placed her thus

with great intent

form following function

 

poor Sophie

it appears

has been tasked

with holding up

that damn wall

 

J. Lewis Fleming, a graduate of Michigan State University, lives in a house on a hill in the fog with nine other mammals. He was poetry editor of: nibble, Cranial Tempest, and CannedPhlegm. Fleming has seven chapbooks to his publishing credit. The first: Delirious and Purple, from Kitty Litter Press. The best: Shades of Green, from Alternating Current Press. His favorite: it is winter, from nibble press. Tweets @nibblepoems.

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