I grew to hate All-Ireland Sunday, keeping this torment concealed from my family. The day stiffened my resolve to leave Dublin after wasted college years. I went to flat parties with childhood friends and pale girls who rolled their eyes at my slurred advances. Now winter lingered, inducing darkened days that lead to early gatherings in pubs and late nights on the quays.
A taste of whiskey was lodged in my throat, the fetid sweat off a weekend binge bleeding into the walls. I forgot it was All-Ireland Sunday for a moment, although this business of Dublin versus Kerry soon flooded my consciousness. I reached across the bedside table for my watch, the hands on the dial approaching two p.m. Sundays had become an effort in killing time. Ashen clouds brushed the sky through a slit in the curtains. My mum had come in earlier to say she was going to my aunt’s house for the afternoon.
‘Try and at least drag yourself out of bed for the throw-in!’
There’s a blue neon cactus on the side of the road, almost turquoise, so diffuse the plasma seems to turn the night around the sign the color of a bruise and she can’t be sure if the sign reads Vacancy or No. Motel is in the middle of nowhere, east-bound strip of I-80 heading toward Utah, and it’s the middle of the week – she thinks it’s unlikely to be full and signals to the empty highway as she slides right, across weeds and rocks and into the gravel parking lot. The last hour there haven’t even been semis on the highway and it feels later than it is – just past nine with the last of the summer-green twilight just faded and the sky inky black.
Angela’s been driving eleven hours, from Los Angeles to Elko, Nevada, and beyond, no destination in mind, no cash, just credit cards and fury and a hard knot of tears in her throat. Eleven hours to make it to nowhere, driving ever since Jim came home this morning smelling of perfume and guilt but apparently past the point where he needed to make up stories for her.
Apparently he was past a lot of points. Continue reading
Darren C. Demaree’s Two Towns Over is an introspective illustration of drug culture in the American Midwest. Erratically, the poet exposes his reader to literal, sentimental and introspective illustrations of a lifestyle and environment that are totally controlled by hedonism and psychoactive substances.
While much of the imagery is grotesque and enticing to the senses, monotony is one of the most notable characteristics throughout Two Towns Over. It often feels as if Demaree communicates the same sentiment better in a couple of short stanzas than he does in multiple poems. Filled with structural and linguistic experimentation that is often hit or miss, various pieces, such as a majority of the poems with the title “Sweet Wolf”, feel gimmicky or uninspired. This monotony offers a literary simulation of the futility and frustration the nameless residents of the work’s Ohio townships are constantly battling. Continue reading