Literary as hell.

Tag: writing (Page 34 of 37)

I Wrote In A Hospital Bed; I Only Arrived

The Furious Gazelle is continuing to serialize poems from Charles Bane, Jr.’s book Love Poems. Read more of the book here.

I Wrote In A Hospital Bed

 

I wrote in a hospital bed
and you darted like a particle
that cannot be said to be here
or standing there but in its wave
makes material what is water or,
loved beyond reckoning, falling
down in gentlest snow;
the poem came easily now and
I would never feel like this again. Continue reading

The Author’s Autopsy by Stacey Lane

Photographer: Michael C. Moore. (2013)

Briana Osborne and Jennifer Royer in The Author’s Autopsy at Changing Scene Theatre Northwest in Bremerton, Washington. Directed by Pavlina Morris and Kyle Boynton. Photographer: Michael C. Moore. (2013)

 

 

Stacey Lane

Lane’s plays have been performed at over four hundred theatres on six continents. Her scripts are published with Furious Gazelle,  Dramatic Publishing, Playscripts Inc., Pioneer, Eldridge, Smith and Kraus, Heuer, Brooklyn Publishers, Next Stage Press, Manhattan Theatre Source, JAC Publishing, Thunderbolt Theatre & Film Productions, Seraphemera Books, San Luis Obispo Little Theatre, Sterling, Freshwater, Poydras Review, The Quotable, Euphony Journal, Germ Magazine, Mock Turtle Zine, Indian Ink, The Other Otter, Monologue Database, Actor Point, Canyon Voices, Whoopee Magazine, Steel Bananas and Scene4.  She is the recipient of the Helene Wurlitzer Foundation Residency Grant, the Montgomery County Arts & Cultural District’s Literary Artist Fellowship and winner of the Unpublished Play Reading Project Award at the American Alliance for Theatre and Education.www.StaceyLaneInk.com

The Ways in Which Times Square Makes me Furious

By e. kirshe

A disclaimer: Before you read the title and offer genuine advice about avoiding such an infuriating place I will tell you that, sadly, I work there and must navigate those putrid streets daily.

It has been slowly eating my soul.

To some Times Square is the beating heart of the city. It is alive with light and energy and conveniently towards the middle (like a heart!). The people who think this are tourists and they make me furious.

To tourists: I understand, I really do, that you’ve traveled, sometimes far, to be here and it’s all very new and exciting. What I don’t understand is why that makes you so damn rude.

That’s right, it’s not us, it’s you.

Continue reading

Microfiction by Jane Eaton Hamilton

The Trick

 





This is what happened when your wife left you after 20 years:  I hate you, I
wish you were dead, I kept waiting for you to die, I wish I had never
married you, I really really don’t like you, I’m not sorry in case you think
I should be, I don’t care about your arm, So what? Come back here I said.
Maybe you should go to Emerg, She’s only a friend for god’s sake, Don’t you
think we should shake it up a little bit around here, have a modern
marriage? You’re even beautiful angry.  Other people are smarter than you
are; other people have educations and good jobs and good incomes.  I’m so
sorry, let me massage it.  Really, I am so glad to be with you. So so lucky,
You have many talents, You make me laugh, You’re so wise, Thank you, thank
you, thank you for loving me, I’m so sorry, I can’t believe I flew off the
handle again, I’m sorry I scared you, You ought to despise me, I love you, I
love you, I adore you, I love your mouth, I love you, I love you, I love how
smart you are, I love you, I love you, I love your children, I love you, I’m
so incredibly lucky to have found you, Oh god, fuck me, Please kiss me, You
have no idea how much I’d like to get to know you better, Hey you.

Continue reading

Gypsy Courtyard by William K Hugel

DSC00533

You called it a Gypsy courtyard.

The only Gypsy you had ever met said don’t call us Roma, only people who feel sorry for us call us that. Gypsies are free people who live how they want. Then laughing she said: Roma is a word for guilty white people. Then, no longer smiling: White people feel guilty because they think everyone wants to be like them.

Though you still didn’t know what a Gypsy was. Not really. Though you had some idea of course. You had had your pocket picked in Prague. You still remember the face, brown skin dark eyes (but in America lots of people have brown skin and dark eyes, so how were you, an American, to know the difference?). You had smiled at him after you’d all bumped with the starting of the train. Only checked for your wallet later, after they’d all gotten off.

But you still remember the face. A sudden grimace and pain had met your smile after you had all bumped. This wasn’t so strange; everyone in Prague met you with a grimace and some pain you didn’t understand.

You already thought you liked Hungarians better. Not so many grimaces, not the unfathomable pain. An old woman had set herself up grandly at the other end of your courtyard here. And then you too, following her example, at the other end. Hers was far grander. A recliner and a rainbow umbrella. You saw her on your first day holding a young woman’s hand, leaning close, you hoped she told fortunes. You wanted yours told, badly.

You’d left many times like that. Apropos of nothing, like a thief in the night. Just gone. But that last time it felt different. You thought for the first time you were perhaps sick, mentally ill.

So far a cat has been your best friend. He had said hello before, he always said hello, though stressfully, fretfully. Then he came through the bars in the window. You left some butter (you wished you’d had some tuna) on the sill and you went away. You didn’t want to pressure him. He licked the butter and left while you waited in the other room.

Then the old lady with the grand terrace with the recliner and the rainbow umbrella came to you at your own new small terrace.

It had been a glorious day, or two or three, at least two, you couldn’t remember, in Budapest. Some sort of spring cleaning. A license, you supposed (though you were too shy to ask anyone, someone you didn’t know) from the city to get rid of anything you didn’t want. Spring cleaning. It was mid April. And quite glorious, all this junk piled in the street. It reminded you of something you had read. Some tribe that took everything from their huts every spring and burned it all in a pile. Then started anew.

You respected the city (you had respected everything Hungarian before you’d even gotten there) for leaving the junk out, for at least two days or three, for whoever wanted to pick through and find something. A fine day for Gypsies! you thought with some amusement. People went about the city with cars pulling trailers, finding treasures. At first you were too shy. I don’t know the customs, you thought. Maybe only Gypsies are allowed to take stuff, and besides my little apartment off the Gypsy courtyard is fully furnished-overly furnished-and you didn’t know how long you’d be there.

Then you saw a broom. They had given you a mop but not a broom. You needed one, it was true. And then you noticed that everyone was taking things, not just those with brown skin and dark eyes (though lots of people in America have brown skin and dark eyes, so how were you, an American, to know a Gypsy?) and this filled you with respect and warmth. Yes I may take something, you thought and you were elated, floating down the street with your broom, with its old bent half-gone bristles, that you knew would fall out the first time you used it.

That was the beginning. There were old chairs, some beautiful, but you didn’t need those. Then you thought of a terrace! You had admired the old lady’s, with its rainbow umbrella and reclining chair. And certainly you shouldn’t bring out the tourist apartment furniture, it might get rained on or stolen (people were always coming in and out of that courtyard) and it would be disrespectful even. So, yes! you found a soft old chair, though not a recliner, and looked for an umbrella, as the old woman certainly knew how to build a terrace in that Gypsy courtyard! And maybe just an old table… but you wondered…. There were people lingering, some digging (these ones you knew were Gypsies, almost for sure) near this pile with the old table. Other Gypsies nearby had things gathered to them. Perhaps they rightfully owned all of it!? Everything in the street may be rightfully theirs! You were always one to respect proprieties….

But you were almost sure, nearly sure, that there was a distinction. People lingering near piles or digging as opposed to people with things gathered to themselves. There was a distinction, you were almost sure of it. So you took a chance, and nervously took hold of a table, by the leg, and waited a moment. You weren’t just going to run off with it. It was a small dirty table, just right for a little terrace, opposite the old woman with the grand terrace. You walked away slowly, whistling, waiting to be followed, chased, you rehearsed in your head an apology. “Bow-cha-shon mey. Shoy-nosh.” Would someone still want to fight with you? Even with an apology, said correctly in the native tongue? Well, if they didn’t take a polite apology that wasn’t your fault, you could fight, you supposed….

But that didn’t happen. And then you were sitting at your little terrace, quite a comfortable little chair it was and the old woman approached you. You hoped she would tell your fortune.

She didn’t speak English, and you used your Hungarian phrases. You were proud of how quickly you had learned them. “Shoy-nosh. Beh-say-lick chak ed-ya kiss mad-ya-rool. Ah-meh-ree-kah-ee vod-yok.” But she kept talking Hungarian though you knew you had said it right. You wished you remembered how to say “I don’t understand,” it was in your notebook, you almost remembered. But maybe it didn’t matter. She would talk anyway.

She gave you Christian pamphlets. You wanted to think they were elaborate advertisements for her fortune telling. But they weren’t. You knew as soon as she gave them to you. She knew the word “God” in English. It’s true you were disappointed.

She went away and brought you some food. Then she opened her mouth to show you that she had no teeth. This, too, filled you with warmth and respect. Certainly you worried about your own teeth.

Of course you wondered if the food might be poisoned, so you looked at her eyes. No no innocent eyes. Of course you can’t know for sure, but you were hungry, (so she read my mind after all! you thought, and you thought this was funny, because you were always hungry) and you can’t go around insulting people who bring you food by not eating it. And you would know, you thought, if it was poisoned, you would just know, and if not, what really matters?

She went away. You said “Keh-sa-nom keh-sa-nom ser-voos” and really it was very tasty.

When you were done the cat came back, the one who had been your best friend. He was always flitting around, never peaceful and still. Though he always said hello, that was enough, though a bit stressfully it’s true. You wished he was a peaceful cat and would sit in your lap. That would be better for you both. He must be young, you thought, and you thought again about your age and your teeth.

And you wished you still had a piece left for him. And you thought about how you had up and left everything once again. Erased everything. But now it didn’t feel so bad. Maybe I’m not mentally ill, you thought. The old lady had said I was good. I had understood that much. And the cat had said it too.

 

William K Hugel dropped out of college seventeen years ago to dedicate himself to writing, drinking, dancing and all other forms of degradation that lead to good fiction. Among his proudest accomplishments are the play DEMONS, which recently had a reading at The Hive Theatre in NYC; his novella Napoleon: The Boy who Found a War, which was shortlisted for the Faulkner/Wisdom award as a novel-in- progress; and a collection of self-published, handmade original fairy tales, which he wrote after experiencing the tragedy of Hurricane Katrina. The first of these, “Beautiful Wild Rose Girl” was awarded a Gold Medal by Children’s Literary Classics International Book Awards.

Website: www.williamhugel.com

Twitter: @wkhugel

Poetry by Harry Calhoun

Acrophobia

for Trina

 

by Harry Calhoun

 

 

I don’t mind airplanes. I probably wouldn’t mind outer space.

But real heights, above ground here on earth, scare

my knuckles white. Walking or driving over bridges. Even stepladders.

My palms sweat looking off the third floor or higher of any building.

 

I don’t mind God. I probably might end up in heaven or hell.

But the in between, here on earth, is spent driving, looking

hopeful up to God or fearful down from bridges when it’s better

to keep focused on the road. Heights above or below are so distractful.

 

I don’t fear love. Well, yes I do. There’s no higher place to be.

But with you, there is no other place to be. I look down from what

we’ve built and sometimes I fear, but I look up in your eyes and I know

I wouldn’t mind outer space. This is where I find heaven.

 

Meniscus

 

by Harry Calhoun

 

Crescent, the milky icicle breaking

the top of the glass, my hands shaking

a little as I toast you and what once was us.

 

Consent, in a royal jar placed high

on a sacred plate on the unreachable shelf

that overlooks what I thought to be you.

 

Meniscus, surface tension; someone moves

suddenly or simply waits for evaporation

and it spills over or disappears. But it’s never

 

an illusion. Worse, the cream of liquid  wing soaring

atop the full goblet of our dreams, clipped

by a sudden movement, slow erosion or

 

 

the horrible god of indifference.
 
 

The Microcosm of Coffee Grounds

 
by Harry Calhoun

 

I
 

The sound of brewing as sparkling as God waking

his children with bright bubbles. Dark brown magic

pouring into the pot, into the cup, into the soul,

lifting a world of kitchen, bedroom and office.

 

Hours later, the grounds are sludge slung

over eggshells into the garbage can, washed

like a dirty memory or spoor of shame spiraling

down the kitchen drain. A dirty job that somebody’s got to do.

 

II

 

I woke each day to sunshine, at least that’s what

a boy remembers, and the bright sunny collie tan and white

waiting out in the yard, and the aroma of my parents’ coffee,

and eggs on the table and running out to meet my collie.

 

Years pass. My daddy didn’t know any better, or worse yet

he did. He let my mama die. She was old and crazy. She fought

with the men who came to take her to the hospital. He called me

from far away as if there was something I could do. There wasn’t.

 

III

 

I’m on the beach in Key West with the minister and the woman

I’m marrying. We’re going to be happy for a long time. It’s a love

full of laughter and pet names and our first house together and friends

and another dog. I am so happy but the dog is aggressive and I got depressed.

 

She left, my fault, her fault, and booze I thought was the only friend

that would understand me, and when we met it slapped me down hard,

so hard I couldn’t walk, and I crawled out of the hospital and she let me

back in and damned if I didn’t do it again. Time to wake up.
 

IV

 

Wake up and smell the coffee. First I clean the grounds from the filter,

measure the coffee and the cool clear water. Nothing we can do

with the past but learn from it, remember the good and work

with the bad we can change. Get rid of the grounds, so to speak,

 

and work with new coffee. I think of my mom and dad, both passed

now, before the happy percolating breaks my thoughts. My wife smiles

as I carry our full-bodied chocolate brew into the bedroom, into another chance

to realize the enduring chill of what passes, the bright sweet caffeine jolt,

 

the absolute holiness of crafting each day with love

from the dregs of yesterday.
 
 

Of the Creeks, the Baying Dogs

 

by Harry Calhoun

 

I remember flyfishing with my father on foggy mornings

on Pennsylvania creeks. And today my black Labs

with much hound mixed in strut undomesticated

from my wooded backlot to claim the back deck

 

with wildness, yowling that if I would understand

I might become werewolf, and I wish in some part

I could. As I wish I could stake some misty claim

beyond my father’s death and angle again those foggy banks,

 

to become the wild and the dead and the deathless,

the ineffable and feral beloved eternal and mortal.

My lover my wife beside me wished eternal and hoped forever

the father my parent wished eternal and gone forever

 

communication, dog, human, lycanthrope, struggle,

this I howl and the moon rises, I do not know which

comes first, as I have only this my fierce love and this

strange and wild poetry that rises in my breast.

 

 

Harry Calhoun has had work published in hundreds of poetry journals and more than a dozen books and chapbooks over the past three decades. His career has included Pushcart nominations, two Sundress Best of the Net nominations and publications in AbbeyOrange Room Review, Flutter Poetry Journal, Faircloth Review, Thunder Sandwich, Lily and others. Book publications have included I knew Bukowski like you knew a rare leaf and The Black Dog and the Road. In 2011, Flutter Press published his chapbook The Insomnia Poems. 2012 was an exceedingly good year, with the publication of the limited-edition chapbook Maintenance and Deaththe chapbook of love poems,How Love Conquers the Worldand the collection of poems from the ‘80s and ’90s called Retro, Maintenance and Death has now gone to a second edition. The chapbook Failure is Unimportant came out on Flutter in 2013 and a full-length poetry book, Alarmed in Space and other poems, has been accepted by Unbound Content for release in early 2015. Harry lives in Raleigh, North Carolina with his wife Trina and his dogs Hamlet and Harriet.

Survive the Night by Thomas Zimmerman

Thomas Zimmerman teaches English, directs the writing center, and edits two literary magazines at Washtenaw Community College, in Ann Arbor, Michigan. His chapbook In Stereo: Thirteen Sonnets and Some Fire Music appeared from The Camel Saloon Books on Blog in 2012. Tom’s website: http://thomaszimmerman.wordpress.com/

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