Literary as hell.

Tag: writing (Page 15 of 37)

“Pocket Knives,” an essay by Renee Igo

A knife has many uses in the wilderness.  I’ve taken Jamie’s knife from her, the weight of it added to mine in my pocket every day, the weight of trust hitting my leg, of no new scars.  

 

She is my student on a month-long wilderness expedition.  Our goals are to develop leadership skills, provide opportunities for reflection and growth, travel 150 miles by foot and canoe, and return everyone to their families safely.  On the sixth day of the trip, another student tells my co-instructor and me that Jamie has both snuck a pocket knife on the trip, and told her teammate about her history of cutting.  So it becomes my job, standing together on a trail slightly removed from the campsite, to ask Jamie for her knife.  I tell her I, too, snuck my knife onto my expedition when I was a teenage student in our program.  I ask her for the specifics of her past: where, when, under what circumstances, how recently.  She cries and then confides, cutting, scratching, wrists, thighs, the past two years.  I thank her and offer to carry her knife and allow her its use whenever she needs to chop vegetables or would like to whittle a stick or fillet a fish.  We return to camp with the weight in my pocket doubled.

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“Exiting A Man’s Cave,” a One-Act Play by Holly Morse-Ellington

CHARACTERS

 

JUNEY, a college-aged female

 

GEORGIA, Juney’s mom, divorced, early fifties

 

CATHY, Georgia’s sister-in-law and neighbor, late forties

 

DAVIS, Cathy’s husband, late forties

 

SCENE

Present day, afternoon.

A middle-class family in a suburban neighborhood in Kentucky. A front door opens from the wings stage left into a kitchen. Center stage, a kitchen table with four chairs. Stage left, a “kitchen island.” Upstage right, a modest Christmas tree with lights lit.

 

Note: The use of a working “kitchen island” with built-in stovetop can be implied by a cabinet, no electricity to this cabinet is necessary. A real, pre-cooked packaged spiral ham, such as Kentucky Legend, is needed as a prop.

Play begins when JUNEY and GEORGIA return home from Sunday church service.

JUNEY and GEORGIA are carrying plastic bags of groceries looped around their wrists into the kitchen. JUNEY holds a pamphlet that had been wedged inside the screen door.

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“The Movie Business,” a short story by Alan Swyer

Despite having moved up in the world from fledgling to promising and then to someone with actual screen credits, Cutler found himself stuck in one of what he called his Between Projects Blue Periods, funks that invariably started the moment he went from the precarious status of being Only the writer, Merely the writer, or Nothing but the writer to something far worse:  No longer the writer.  

He had been in Hollywood long enough to know that, with the exception of certain hyphenates — a handful of writer-directors, plus those fortunate writer-producers who happened to create a TV series — screenwriters were deemed at best a necessary evil, with the emphasis invariably on evil.  Their importance, to whatever degree such a term could be applied, ended the moment their final draft was turned in, which meant an instantaneous cessation of the phone calls and lunches designed to support a work-in-progress.

Though he detested Polish jokes, Cutler acknowledged that one was definitely on target:

Q:  How do you tell which actress in the cast is Polish?

A:  She’s the one fucking the writer.  

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“Things that make us furious: Sitting in bed, lying in bed, and sleeping” by Dan Tarnowski

I am not sitting in bed as I write this, and I am glad of it. Beds are terrible things, lousy with shoddy physics, crushed dreams, and sometimes, even lice.

A bed seems like a heavenly, therapeutic place. Ever since we upgraded from sleeping on splayed out hay (my uncle Shane still prefers this form of bed) the human bed has seemed like a lovely offering: four legs to elevate you, with a plushy surface on top to rest your corporeal frame, atop. The very invention of the bed seems like its creator got away with murder. Some shamelessly enterprising mind, at some point said, “Let’s not sleep on anything hard, anymore. Let’s put some marshmallowy stuff down, and go on top of that. In this way, we’ve made things better for ourselves!”

The unapologetic privilege of this maneuver suggests that beds were not invented by serfs.

O, the hypocrisy of a bed! A bed is manufactured for optimal niceness, but utilizing a bed is anything but nice.

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“Cast Out,” an essay by Marlena Fiol

Something was terribly wrong. My lower abdomen was swollen and sore. I had lost nearly ten pounds in the past two weeks. I could no longer keep my food down, and a screaming pain ripped through my vagina every time I peed. In order to keep this mysterious condition from my strict Mennonite missionary parents, I ran outside after almost every meal and vomited behind the hedge near the veranda of our house.

It was November of 1969. Just a few weeks earlier, I had graduated at the top of my high school class at the Liceo de San Carlos in Asunción, Paraguay. My life lay ahead of me like a shiny blank whiteboard, inviting me to imagine endless possibilities. Now, at home at my parents’ leprosy station for summer vacation, I felt only a dark cloud of pain and confusion.

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“Shake a Leg,” an essay by Susan Richardson

It was early Spring in Los Angeles and the day was perfect; temperature in the high 60’s, an easy breeze drifting across the city. The conditions were ideal for sitting outside, listening to music and maybe even taking in a show.  I have lived in Los Angeles for decades and learned to appreciate the colorful absurdity that is L.A., and the bizarre streak that runs through many of its inhabitants.  As a purveyor of public transportation, I know that freaky things happen while riding the bus, but just as many occur while you wait.

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Book Review: Searching for Someday by Jennifer Probst

Review by Tess Tabak

Searching for Someday is like a lollipop. You unwrap it, excited. I shouldn’t be reading this, you think. It has no real sustenance. But then you do read it, and you think, ugh, this is too sweet. And the prose is horrible. Did I ever use to like these? But it goes down quick before you really have a chance to think about it.

As a bodice-ripper, this book sort of succeeds. I’m saying “sort of” because it was page-turning and somewhat engrossing, which is really the only thing one asks for in books like this. I finished it in about three days. But the cringe factor is very high. I’ll leave aside the ridiculous nature of the premise – Kate runs a matchmaking agency called Kinnections, where she uses a combination of her supernatural ability to detect compatibility and real world dating advice to create lasting connections for her clients. She is also cursed to find one true soul mate in life. No one else will do it for her. OK, that part is fine.

Where the book starts to fall apart is when Slade enters the picture. A no-nonsense, super hot divorce lawyer, he becomes Kate’s client as a way of keeping tabs on his sister, who’s recently signed up for Kinnections. No. No no no no. Kate and her friends frequently cite Slade’s “protectiveness about his family” as a plus, but really? His behavior toward his sister is controlling, obsessive, unhealthy. Continue reading

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