Bill Posley’s new one-man play, The Day I Became Black, deals with racial identity and racism in America. However, the heart of his message lies in radical empathy. Posley wants us to be able to look at each other with understanding-sometimes literally as he asks the audience to find someone who doesn’t look like themselves and stare at that person. The central premise of the show is the day Posley realized the world saw him as black. What he wants everyone to know is that he isn’t a special case- the world decides who you are for you.
Amanda Quaid’s new film, Toys, packs a powerful punch in just two minutes. Based on a poem by stage and screen actress Peggy Pope, it tells the story of a father who uses gendered toys to mold his daughter into something she’s not, and a girl who resists.
An actress and playwright herself, Quaid stepped outside of her comfort zone in directing this film. She’d never done any kind of animation before – this was her first foray into the world of stop motion. “There’s real freedom and curiosity that can come from just being a beginner at something and seeing it through and not making it a livelihood or not making it my main focus. … I’ve been really fixed my whole life on what I was pursuing.”