Literary as hell.

Tag: fiction (Page 9 of 16)

2015 Halloween Contest Finalist : “House of Horrors” By Michael Ainaire

Michael Ainaire is one of our Halloween writing contest finalists for 2015. We’ll be publishing our contest finalists every day until Halloween, when we’ll announce our contest’s winner.

House of Horrors

By Michael Ainaire

 

The Swamp Man arrived late to the party. It was his fifth year attending and the last few hadn’t been particularly fun, but the year before he and Bloody Mary had made out for a bit after everyone else turned in for the day. There were worse places he could be spending the end of Halloween.

The last kids he had caught trespassing in his swamp had been college age, probably on some sort of dare, and as the last of them had been sinking into the bog he had found two six packs of Oktoberfest sitting in a cooler in the backseat of their car. A good enough gift to bring to the party, he supposed. He would have felt bad mooching off everyone else.

The house was in the woods with a leaning graveyard on one side of the driveway and a thicket of poisonous thorn bushes on the other. He made his way up the steps to the house’s front door, webbed feet slapping on the weathered boards.

Boogeyman, whose house it was, answered his knock.

“Hey!” he exclaimed. Swamp Man had barely opened his mouth to reply when he found himself locked in a tentacle’d hug. “I didn’t think you were going to make it! What is that, Oktoberfest? Come on in and we’ll crack one open!”

Down a twisting corridor, past portraits that turned to follow them, spaced between Hands of Glory mounted on the walls. Swamp Man could hear organ music from a distant room. He looked down at his feet, self-conscious of the black ichor and marshy sludge he trailed behind him.

“The whole gang’s here,” Boogey was saying. “I invited a few from the new crowd—they might show up later. Even reached out to some of the old folks too. Got a soft yes from Baba Yaga and the rest…” he waggled one clawed hand in a see-saw motion. “I think you know everybody.”

The rest of the guests were spread out across a decrepit living room. Frankenstein’s Monster and his Bride were sitting on a loveseat by the window. Mummy was slumped in a corner. The American Werewolf was sitting on a stool by the old piano, rummaging through a plastic trash bag.

A smaller crowd than in years past. Perhaps the rest of them, after so long, had finally begun to tire of this yearly tradition.

“Everybody, you know the Swamp Man,” Boogey said. “Look at the two of us—Boogeyman and Swamp Man. We’re the Man men!” He laughed as if it were his first time telling that joke, and because it was his house and his party, the others laughed as if it were their first time hearing it.

They all felt bad for Boogey, Swamp Man knew. Three hundred years old and still single.

“Swampy!” called the Bride. “Come over here and sit with us.”

Swamp Man shook hands with Frank and gave the Bride a quick kiss on the cheek.    

“Did Bloody Mary make it?” he asked.

“Her? No, she had business,” the Bride said. “There are a lot of slumber parties on Halloween. She does well for herself.”

“I wish I was that lucky,” American Werewolf said. “This will be my first halfway decent meal in months.” From his trash bag he produced a long pale leg with a black dress shoe on the end of it. He bit into it with relish; a thin spurt of blood landed on the floor at Swamp Man’s feet.

“How have you been doing, Swampy?” the Bride asked. “Keeping your head above the muck?” She laughed and raised her wine glass to her lips.

“I do okay,” Swamp Man said. He grabbed and Oktoberfest and bit down on the neck of the bottle with his pointed teeth. Beer and shards of glass trickled down his throat. “I try and keep things small, you know. Not spread myself too thin.”

“How’s that?” Frank asked.

“Well, I’ve become a kind of legend in my hometown. It guarantees me good eating around Halloween. And the whole small town thing means some kids are still scared of me. It all depends on who’s telling my story.”

“Yes, and what is your story again?” The Bride asked. “You weren’t always green and scaly were you?”

Swamp Man thought for a moment. “You know? I’ve forgotten.”

“That is the right way to do it,” Vlad said from across the room. Swamp Man looked over, startled. He hadn’t noticed Vlad was here. Tall and willowy in his black cloak, he stood hunched over a pool table that one of the dusty chandeliers had fallen on. Despite this, he was trying to sink one of the striped balls into the far pocket. Three young women hovered around him, stroking his arms, massaging his shoulders.

“What is?” Swamp Man asked him.

“Keep things small. Keep your legend local. Me? Fah!” He gestured theatrically with one arm. “Mine has grown too large. People now make children’s films about me, where I manage a hotel. Can you imagine such a thing?”

On the loveseat, Frank was nodding in agreement. “I hear you. They make us all too cuddly in the end. It’s hard coming back from a reputation like that.”

“What about you, Vlad?” Swamp Man indicated the three women hanging onto the vampire’s bony shoulders. “You seem to be doing alright.”

“I am a hit with the foreign exchange students,” Vlad admitted. “They always insist on taking the castle tour around Halloween. And always they think my costume is very realistic…”

The three girls turned to Swamp Man in unison, red eyes glaring flat and feral. They bared elongated canine teeth when they smiled.
“Man, do you remember when it was no work at all scaring people?” Boogeyman said. “Just the mention of your name and…” He produced a wet sucking sound with one of his mouths.  “That was all you needed. They were terrified.”

“Fear tenderizes them,” the Werewolf said, smacking his lips as well. “Gets that nice, fall-off-the-bone flavor.” He took another bite of the leg. The dress shoe bounced and bobbled.

“How hard can you have it, Boogey?” Frank asked. “You’re fear incarnate. No one knows how to make you cuddly.”

“It’s the name,” Boogey said. For the first time at any one of his parties, he actually looked glum. “The stupid name. Kids hear it now and think of big hocks of snot…”

The party rolled on. Swamp Man finished his beers, swallowing the bottles whole when he didn’t feel like drinking them. The place where he sat was growing damp and sticky beneath him. Soon it would be time to head back to where he came from, bide his time until next year.

“—he was the best!” Frank was shouting, his gray face flushed red. “The absolute best! When he was making movies, none of us went hungry. To Boris!”

“To Boris!” echoed the room, and they raised their glasses. The Bride was looking less than happy about it; this had to have been their sixth or seventh toast of the night to the late Mr. Karloff.

“Boogeyman, what happened to the other invitees?” Vlad asked. “I believe you said you invited some of the masked killers? Slenderman?”

Boogey waved a dismissive claw. “They’re not coming. Too good for this crowd.”

“Oh, honey, you know that’s not true…” the Bride began, but Boogey was staring morosely into his drink and didn’t seem to hear.

“They will be lucky to attain a fraction of the longevity we have,” Vlad said. His girls were pawing at him and making soft mewling noises. “Oh, if you insist…” With one fingernail, Vlad opened up a gash in his long pale throat. Blood leaked out, black and thick, and the girls were all over it in an instant, heads darting, tongues lapping greedily.

“The black and white days,” Frank said, more to himself than anyone else. “When the nights were longer and the shadows were deeper.”

“Oh come on, everybody, that’s enough,” the Bride said. “It seems like all we’ve done at these parties the last few years is drink and talk about the old days. There has to be something else.”

Mummy stood up from his corner, mumbled something beneath his bandages, and passed out face first onto the floor.

“Now there’s a sad case,” Boogey said with a shake of his head. “Who do you know who’s scared of him anymore?”

“Tomb robbers, I should think,” The Bride said. Swamp Man could not tell if she was being sarcastic or not.

From beyond the living room window, where the first hints of dawn were already staining the sky, came the sound of footsteps on the driveway. Voices.

“Who could that be?” the Bride asked.

They crowded around the window and peered out. Three kids—teenagers, probably—were making their way up the steps to the door. It was the classic setup: a big guy in a letter jacket. A smaller, slighter boy with glasses—probably the jock’s best friend. And a lithe young girl with tumbling waves of hair and a perky chest. The three of them positively glowed with nostalgia.

“Come on Krissy,” they heard the big guy saying. “No one’s lived here for years. And it’s almost daylight anyway. Come on. You aren’t scared, are you?”

Swamp Man could see everyone’s faces lighting up. The words were music to their ears.

“What do you say, everybody?” Boogeyman asked. He smiled with all his terrible teeth. “Want to see if we’ve still got it?”

 

2015 Halloween Contest Finalist: “The Cutout,” by Diane Leacock

Diane Arrelle is one of our Halloween contest finalists.

THE CUTOUT

by Diane Arrelle

It had been a cold, windy October and the trees shed their leaves a few weeks earlier than usual. But today the wind was still and the crisp bite in the air tasted like Halloween. It promised to be the perfect evening for trick-or-treaters, the sun would set by late afternoon and as it grew darker I imagined the clouds would skitter across the crescent moon, casting eerie shadows that would cause the costumed youngsters to both shiver in terror and giggle with false bravado along with their friends.

As I sat at my desk and looked out the window, seeing at my reflection, I wished I were a kid again so I too could travel door to door, with my identity hidden and my greedy lust for sweets worn proudly like a badge. But I am an adult, almost 30 years old, so the most I can do is open my door to those junior ghouls brave enough to ring my bell and then share in their fun vicariously.

I guess it was about three thirty when I had the urge to leave work a little early. I decided I wanted to go to the store for Halloween candy, just in case some kids showed up before I had to go out to dinner. I know I romanticize trick or treating and Halloween but I live alone in the gray duplex at the end of Downy Street, the last house right next to the woods so I almost never get anyone to ever come to my door. I don’t blame them, not a lot of kids will brave a spooky street for some cheap candy, so while I was out I stopped by the party supply store because I decided to get some Halloween decorations too. I thought maybe plastic pumpkins lit with eerie colored glow sticks would attract more trick-or-treaters.

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2015 Halloween Contest Honorable Mention: “Halloween,” by Jon Mayo

Jon Mayo is one of our Halloween writing contest finalists for 2015. We’ll be publishing our contest finalists every day until Halloween, when we’ll announce our contest’s winner.

HALLOWEEN

by Jon Mayo

Ali hid under the table and sat on the kitchen floor. She stared at the open doorway that led to the living room, waiting for the sun to creep down and settle the day. The guests began to show up, appearing out of thin air and materializing from head to toe. Their bodies were translucent like vapor and glowed amber against the radiant dusk. Ali looked at the new arrivals and searched for a face she trusted. When a teenage boy made eye contact with her, Ali turned away.

“Ali, come out of there,” said her mother Olivia. Ali pushed herself to the base of the table and grabbed the front legs of the chair in front of her, using it as a shield from anyone who dared to disturb her.

“No!” said Ali.

“I hope she’s not scared of us,” said Grand Aunt Colleen who appeared next to Olivia.

“No, she’s just shy.”

“That is so cute,” said Grand Aunt Colleen. She stooped down to look at Ali. “Hi Ali, don’t you remember me?”

Ali struggled to identify Grand Aunt Colleen; it was hard to identify someone with a see-through face. When Ali recognized the dragonfly hairclip and the plump physique, Ali remembered. Last year, Colleen was the loudest and the rowdiest of the dead relatives. Colleen had consumed a bottle of wine, a bottle of Jack Daniels, three bottles of Guinness and a glass of Long Island Iced Tea. Ali could never forget the smell of Grand Aunt Colleen’s breath. Ali raised an arm and waved at her to say hi.

Olivia walked over to the stove top oven and checked the turkey inside. When Olivia opened the door to take a peek, the aroma escaped and wafted through the kitchen. Mrs. Carmine, who was good friends with Olivia, cooked her potatoes on the stove, frying it with garlic oil and sprinkling it with spices and seasoning. Mrs. Carmine was alive and breathing, and she could see the ghosts too, just like Olivia and Ali.

“You make them potatoes really good Mrs. Carmine,” said Grand Aunt Lisette, hovering between the kitchen table and the stovetop oven. “If only I can smell them right now.”

“You will dearie,” said Mrs. Carmine, “You will soon enough.”

Ali stayed under the table, scanning the guests as they came through the front door and as they appeared out of thin air. The living room was getting crowded, and the living and the dead mingled with one another, catching up with their loved ones and sharing stories about their travels to the country side and the nether planes. The ghosts talked about their adventures as well.

“I was in Anne Hathaway’s body when she accepted her Academy award,” said Grand Aunt Colleen. “I felt so alive and it was electric with all the lights and all the celebrities looking at you. Well, I mean, her.” The living room burst into laughter.

When moonlight entered through the kitchen window, Olivia went back to Ali. She knelt down, looked Ali in the eye and reached for her daughter.

“Come on Ali, the ritual is about to start.”

“Where’s daddy?”

“He’ll be here. Don’t worry sweetie, daddy will be home soon.”

Ali grabbed her mother’s hand and pulled herself from under the table. She immediately clung to her mother’s waist, which made the walk from the kitchen to the living room a balancing act for Olivia. When they crossed the threshold, Ali searched for her father, scanning the room filled with strangers and relatives. When Ali didn’t see him, Ali buried her face in Olivia’s dress.

“Happy Halloween everybody! Family, friends and welcomed guests, we are gathered here tonight for this special occasion,” said Olivia. “Please enjoy your brief stay in the living plane. Have fun and stay safe.”

The ghosts cheered and whistled while the living clapped with their hands. The newly dead turned to the veteran ghosts and asked what was to come.

“Wait and see kid,” said Great Aunt Lisette to the teenage boy.

“Come on sweetie, mommy needs to sing,” said a voice behind Ali and Olivia. Ali turned around and immediately recognized her father. She loosened her arms around her mother and scampered towards him. She wanted to grab him and hug him and drag him to the kitchen for tea, but Ali remembered what her mother had said about touching a ghost and interfering with their space. Ali made that mistake last year when she passed through a crowd of ghosts – she had nightmares for weeks. Like a good girl, Ali placed her hands behind her back and stood next to her father.

Olivia smiled to her husband and turned to her audience. She took a deep breath and sang. The words were not in English nor were they in Latin. No one knew what was said or knew what it was about. But Olivia sang. The high notes were perfect, and she sustained them flawlessly like a professional. She belted the low notes that came out strong and vicious. Ali listened and felt the energies emanating from her father and from the ghosts that filled the room. The hairs on her nape stood. The living listened, mesmerized by the song as if the melody touched their souls.

The ghosts slowly transformed into flesh, beginning from the head and down to their toes. The clothes they had worn before their deaths materialized with their temporary bodies. As soon as they inhaled the aroma from the kitchen, they dropped from the air and landed on the floor. Olivia finished her song, and everyone applauded until their palms were red. Olivia smiled and curtsied to her audience. She turned around and embraced her husband, kissing him in the lips and sharing a tear to his warm cheek. Continue reading

“A Foreign Feeling,” by Josh Sczykutowicz

What you thought was the future disappears, all faith and belief vanishing like these swirls of smoke that roll into the distance and fade out. You knew so deeply the things that would happen, expected them like you expect the sun to rise tomorrow, with zero doubt, with zero uncertainty.

There are things you have always known would happen and these were some of them: the sun would rise and set, clouds would bring rain, air would enter your lungs if only you inhaled, water would enter if you were submerged, drowning, and you were going to get married soon. Your girlfriend was going to become your wife within the next year, no question, no doubt, just a fact of life. It was inevitable. None of your friends ever spoke any different; none of your family ever had a worrying word to share. And, if they did, they kept it silent, too sorry for you to speak out.

Everything from there on would mean something, would incorporate her into it. Anything you would ever do or anywhere you would ever go would have her injected into the very veins of these events like medicine. You have never believed in much but you believed in this, and now that belief is gone. And what does one do in a crisis of belief? How do you rebuild from this? How do you find the desire to want to? You have spent so long knowing in your heart that you would have this to count on, and now you do not, and what does that say about you? How much else might you believe in that is worth nothing? When do plans and certainties become lies and fantasies?

But she isn’t in love with you anymore and you are going to face this, you are going to suffer through the long empty spaces and pass through the hallways drained of life, the white walls looking no longer clean and bright but empty and clinical, because there are no other options.

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“Doctors,” a short story by Linda Boroff

Doctors

by Linda Boroff

 

Berkeley attracted fugitives, Katie was beginning to realize, whether from the law, from failed relationships, or from the person one had once been. A young couple, Brigit and Tony, had just moved into the flat across the hall in the gray Victorian where Katie lived with her roommate, Cherie. Cherie believed in getting to know one’s neighbors, so she had invited Brigit and Tony to dinner. In the course of their conversation, Katie learned that Tony had done prison time in Georgia for robbery, burglary and car theft, and that Brigit had run away from her studies at Georgia State with this prize catch.

Brigit wore a short black skirt, scuffed loafers and no hose, revealing perfect legs, a grimy band-aid clinging to one knee. Though her ratty blue angora sweater had come from a Salvation Army bin, it did not conceal the fact that God had paid close attention when he put her together.

Tony was about thirty, a tall, lanky blond redneck with amused, larcenous blue eyes, an immaculate dresser and pathological liar who had also developed the bad habit of bigamy. For Tony, the law just kept breaking like a rotten shoelace. Neither Tony nor Brigit had any source of income, but masterful shoplifting kept them well provisioned.

At sixteen, Katie was on her own for the first time. Two months ago, she had arrived in Berkeley on a busload of Vietnam antiwar protestors from Santa Monica. When she called home to announce that she was staying there, her mother had not tried to dissuade her. Katie had joined a crowd at school that drank, used drugs, and had sex. She was truant and had been caught forging attendance excuses. Time and again, she stayed out all night. Her best friend, Erin, carried on with a married man. After school, Katie and Erin would get into Erin’s alcoholic mother’s vodka and call up boys and men, even teachers. Like her absent, errant father, Katie was tall and blue-eyed, curly-haired, and argumentative. The very sight of her seemed to infuriate her mother.

From day one, Berkeley had burst upon Katie, overwhelming and embracing her. This was not “another Berkeley,” or “a little Berkeley.” This was the real thing. Standing before Sproul Hall in a crowd of protesters, Katie had looked up the stairs to its Greek colonnades with a euphoric premonition that her life was at last beginning.

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The Miracle Maker, by David Scheier

The Miracle Maker

by David Scheier

I knew better than to go home with him, but he juggled planets, made arm-length dragon blood trees sprout from barstools and drank sun-fire instead of vodka, which shouldn’t impress me but did.

So how could I refuse? His head contained a wild ocean in place of his hair – a charming whirlpool at the chin that spun violently with thunder and lightning. Naturally, his eyes too, a hint of turquoise electric bolts cracking briefly in his pupils as he downed shot after shot of nuclear energy, pulled me in. He was a god all right, or part god, half Olympian bar-hopper and half culinary art school dropout.

“Sweet thang,” he said rolling bracelets of asteroids from wrist to elbow. “How ‘bout old Uncle buys you a drink?” I rolled my eyes. “All the drinks,” he added and my eyes rolled again. “Baby, I’ll turn the bartender into a mango martini, or how about a dirty Manhattan?” My eyes focused on him. He pointed his finger, the bartender swirled, body widened, and became transparent and hollowed out to a glass filled with liquid. The dirty Manhattan-tender sloshed and spun before breaking on the hardwood floor. “His name was Michael.” The god looked pensively at his finger. “And it was his time.” He raised his hands, towers of mixed drinks, canned beers, low-ball dancers and highball serenades lined the bar, teleported from the netherworld and into the hands of barflies. “Drinks on me, everybody.”

“Datz where it’s at!” shouted a blond fluffy-haired man with his shirt unbuttoned down to his navel. The god turned to me, fingers in the shape of a gun.

Oh god, he’s going to turn me into a vodka-tonic, I thought. He ran his fingers along my head, through my hair, and above my ears. I wanted to tell him how inappropriate this was: his pistol fingers, flipping my hair, and turning people into drinks.

“Susan, it’s okay Susan, I want to make you feel good.” His smile sincere, teeth chimed under the blue and purple tavern lights. “Now you’re thinking, how did I know your name?” He pulled me close using atoms, gently touched my shoulders. The tavern walls melted and transformed to an evening sky, light fixtures evaporated into the moon and street lights and finally my bedroom, yes, I was smashed. He kissed me, and kissed me some more, he kisses me aggressively, and kissing me still – when did this happen, the change from past to present tense in my story?

“Don’t worry about it Susan, we can jump time and all other narrative techniques.”

“My name isn’t Susan,” I told him. He smiled and undressed me with the touch of a finger and bite of his lip. He, too, bare now, skin, the olive smoothness of a Mediterranean dolphin. My hands possessed, caress his muscle, chiseled, and oh, god-sexy chest and arms. Just tonight, I tell myself. He winks at me. I won’t go alone to bars again. We make love for eons, looped in some out worldly time. He sets the mood with strategically placed pinhole stars, comets riding along the walls of my room and galaxies colliding and forming in the wake of our sex. The matter of space changed color, purple, blue, then a lighter shade of purple, and a then darker shade of blue. We started with headstand sex, our bodies melted to the stuff lava lamps are made of, I turned to clay and cracked when penetrated by his sex, and finally, invisible sex moving fast into the future while floating in this contained space of orbiting orange, and bustling blue stars around marble suns.

And it was over. I wake alone. My body aching from the stillness of time and my floor covered with tiny holes and ash from the scattered collections of stars and suns. A black hole still spins by my dresser, getting larger as it eats dust, dirty cloths and the paint off the walls.

*************

David Scheier is writer and illustrator who holds a Bachelor of Arts in Creative Writing from the University of Texas at El Paso and a Masters of Fine Arts in Writing from the School of Art Institute of Chicago. Currently, he teaches at Harold Washington City College. Both his illustrated and written work have appeared in various publications including the following: The State, Spork Press, BlazeVOX, OVS, Front Porch Journal, Rio Grande Review, Petrichor Machine, Gather Kindling, Meekling Press,and Ginger Piglet. Visit him online at society6.com/davidscheier.com.

“A Hole You Fill With Money and Water,” flash fiction by Stephen Pisani

A Hole You Fill With Money and Water

by Stephen Pisani

Not long after her mother left us, Janie started running around the outside of the pool. Every night, after I got home from work and her, daycare, she took about fifteen laps around the rectangular hole sunk into the far left corner of our backyard. I had a tough time telling whether it was a coping mechanism or a seven-year-old’s idea of a good time. Probably a little bit of both.

“I’m looking for Mommy,” she’d say, as if she was going to find her hiding in one of the corners of the deep end. The water wasn’t exactly crystal clear—fallen pine needles and floating bugs formed a patchwork of various shades of black and brown on the surface—but still transparent enough for even a kid to realize the pool was full of only one thing: water. No sentient beings were lurking underneath.

“Catch me,” she’d say.

“Stop that before you hurt yourself,” I’d say.

A week went by, this activity still occupying the majority of Janie’s free time, and my words proved reluctantly prophetic. She tripped on one of the uneven bricks surrounding the pool. Her sweatpants tore straight through to reveal a clean break of skin. Blood turned her pants a darker shade of blue right around her knee.

“Owweeeee,” she screamed after dropping to the ground and clutching the compromised appendage.

I knelt beside her to inspect the cut. “What did I tell you about running around the pool?” I said, a directive I understood to be common and even required dad-speak in this type of situation. From my wife, I learned that every kid is supposed to receive a dose of “I told you so” from their parents. Really, all I wanted to do was ease Janie’s pain, so I quickly adopted a gentler tone.

“Are you OK?” I said.

She didn’t take well to the Bactine. “It stings,” she squealed.

“I know, honey,” I said. “Sorry.

“It hurts soooo bad.”

“I know.”

She sobbed in one continuous burst, a tactic in histrionics I was sure she picked up from her mother. “Mom would have never let this happen,” she said. She eyed me with a “fuck off” look that sort of gave me chills. I never considered that such a thing could be hereditary.

“I know.”

Truth is my wife didn’t even want a pool. She cringed at the mention of it, like just having to look at the thing would induce some sort of seizure or something.

What she said was, “It’s just a fucking a hole in the ground with water in it. And I’m sure it’ll cost a fucking fortune. It’s just a hole you throw water and money into.”

What she did was kick a small indent in the lawn next to where the pool was slated to go. Blades of grass scattered to reveal a patch of brown earth into which she poured a dab of Poland Spring. Then she dug a few nickels from her pocket. They let out a “plink” when they hit the muddied spring water.

“There,” she said. “Same thing.”

Kneeling next to Janie, watching her face writhe in child-agony, I decided I’d fill the pool in. With what I wasn’t entirely sure. But right then and there, as I patched the gap in Janie’s delicate skin, I finally agreed with the woman who had abandoned us: it was probably a good idea to fill a hole with something more substantive than money and water.

 

Stephen Pisani is a Long Island, New York native who received his MA in Writing from Coastal Carolina University. His writing has appeared in Blue Lake Review,Soundings Review, and The Furious Gazelle.

 

“What’s Left of the Crumbs,” flash fiction by Stephen Pisani

What’s Left of the Crumbs

by Stephen Pisani

Davey holds a fresh piece of copy paper in the middle of the den, standing halfway between his girlfriend and the muted television.

Elyse’s face contorts—it takes forty-two muscles to frown, he’s been told—and she angrily waves him away. “I’m on a call,” she mouths, ignoring his sign saying, “Come Play With Me” in dark, hastily-scribbled magic marker. Outside, snow smothers the roads, so Elyse is working from home. By Davey’s unscientific count, this is the fourth conference call she’s been on today, and it’s only five past noon.

He unplugs his phone from the charger on the kitchen counter. He turns the corner into the den, cell phone in hand, and says, “Excuse me, hun, can you get me on this call?”

She patronizes him with a labored chuckle. “Give me ten minutes, then we can play.” She winks, puts the phone back on speaker, mutes it on her end, and returns to the business of ignoring him.

“Get Mr. Howard on the line,” he says, holding his cell phone to his ear for emphasis. “Tell him I have some great ideas for the business.” She rolls her eyes without taking them off the computer screen in front of her. “I’ll be in my office downstairs, when you get a hold of him,” he continues. “I’ve got all my notes down there.”

Davey pretends to descend to the basement, but they both know he won’t. Instead he returns to the kitchen, opens the double-wide doors of the stainless steel fridge that she—mostly—paid for, grabs a package of turkey and another of ham, both of which she paid for, Boar’s Head, never the cheap stuff, and makes a sandwich on the store-brand bread he bought with a few of the dollars leftover from his pitiful severance.

Davey hears what sounds like the call ending in the other room. “We need milk,” Elyse says. She won’t drink her coffee without it, and she drinks a lot of coffee, a beverage working folk tend to enjoy. Davey won’t touch the stuff.

“Right now?” he says. He sets his sandwich down on the couch and sits between it and Elyse.

“Why don’t you go to the store? I forgot I have another call in a few minutes.”

Davey turns to look through the blinds Elyse insisted they needed a few weeks after they moved in. He can see the white flakes furiously falling between each handcrafted slat. “I’m not going out in that,” he says. “It’s too icy.”

“How about you shovel, then go out to get milk?”

He stands up, sandwich in hand—a good chunk of it in mouth—and says, “How bout I get you milk from downstairs?” He puts the sandwich down on the ottoman. Standing tall over Elyse, he gradually slinks behind the ottoman, like he’s going down a flight of stairs, the one-man show only finishing when he falls on his ass and starts cackling like a hyena in heat.

“You get that out of your system?” Elyse says. She is still planted in the spot Davey’s ass occupies most afternoons. Her phone rings. She puts it on speaker—again, muted on her end.

From his seat on the carpet Elyse wants to replace as soon as they can afford it, Davey reaches to the side. He pretends like he’s paddling a canoe out of the room. When he realizes Elyse isn’t paying him any more mind than the silenced talk show hosts on their forty-inch flat screen—a gift from her parents—he grabs his sandwich off the ottoman. The bread crumbles in his hand. Seagull-friendly specks fall to the floor. He walks away, figuring the dog will pounce on most of the mess. After Elyse leaves for work in the morning, he’ll vacuum what’s left of the crumbs.

 

Stephen Pisani is a Long Island, New York native who received his MA in Writing from Coastal Carolina University. His writing has appeared in Blue Lake Review,Soundings Review, and The Furious Gazelle.

 

“(un)Bridled,” a short story by Meghan Ferrari

(un)Bridled

“Oh Grace, you didn’t wear that out to the barn again, did you?”
Grace removed her mud-caked riding boots, and dropped them to the floor.
“Does it matter?” she replied, picking up the lace train, and heading towards the kitchen.
Grace’s mom picked up her knitting needles and held them still, like a conductor about to cue her orchestra, opened her mouth, then closed it, and returned her attention to the infinity scarf she’d be mending in her lap.
“It’s on the table,” she called to her daughter, whose wide eyes she knew were presently scanning the kitchen counters.
Grace grabbed the neatly creased crossword, and made her way up the worn oak stairs and around the corner, to the room at the end of the hall, where the floral print paper had begun to peel.
Closing her door, she grabbed the scalloped veil that hung past her shoulders, and like the wings of a moth, fluttered the soft tulle around her.
Breathing a sigh of relief, Grace dropped into the window seat, and pressed her back into the splintered woodwork. She removed the HB pencil that had been holding her unruly hair in place, and unfolding the crossword on her lap, she exhaled deeply.
Lately, Grace had been living for the crossword. She liked being presented with a puzzle, and knowing that a solution existed – regardless of how long it took her to find. She liked the way the tiny, black type attracted her eyes, the bold, black squares invited her pencil, and the way The Aurora Era turned her white wedding dress grey.
Grace began with across, and felt her muscles unwind with each word she solved. Dragging a smug lead line through the last clue, she pressed the nub of the eraser to her forehead, leaned her head sideways against the cool frame, and gazed down at the farm below, freshly ploughed, with bales of hay forming a golden border, fifty acres from her feet. The mid-day sun cast Grace in a spotlight, and she lowered her green eyes to the gravel drive, spotting the dusty, red Dodge, with the PRO-LIFE, PRO-FAMILY, PRO-FAITH sticker on its bumper. A feeling of youthfulness flooded over her.
Grace rose from the window seat, dropped her veil into the pillow’s indentation, a now receding memory of her presence, and darted out of her bedroom, down the stairs, and out the back door.
“Daniel,” she called, brightness in her voice, as she approached the fence.
“Gracie,” Daniel turned, wind chapped lips breaking into an easy smile at the sight of his younger sister, she all jewel tones and dimmed sparkle, her auburn hair catching the last ray of sun.
“It’s been a month of this…” His smile waned as he bit his lip, and moved his eyes downward, to the bottom of her dress, where the fresh manure bruised the white lace brown.
“I’m fine,” Grace breathed, looking back towards the truck. “Where’s Emily?” Grace looked for Daniel’s contented wife, but could not spot her.
“She’s with Oliver. She was pickling our latest crop of cucumbers when the day care called – he’s come down with a bug. She’s at the clinic…” The blackberry in his belt buzzed, and his words, like her thoughts of late, trailed off, as he removed it from the sturdy clip on his leather belt, and peered into its scratched screen.
“That’s Em now,” he said, eyes transfixed, calloused thumbs crafting a response.
Grace could feel the complexity of their lives in the intricate knot forming in her stomach, and the monotony of their marriage threatened to suffocate her.
“Can I help you?” Grace asked, looking at the hand saw at Daniel’s feet, hoping to change the course of conversation.
Daniel looked at his sister, wrapping her navy silk sash round and round her forefinger.
“Yeah,” he replied slowly, nodding thoughtfully. “I have to head in to have a look at Mom’s laptop…will you feed the chickens for me?”
Grace watched Daniel walk towards the house, his burgundy flannel billowing in the wind. Seeing Daniel disappear inside, she strolled to the cedar rail fence, undid her sash, tied the satin around the steel, and opened the gate, releasing their six cows to graze in the pasture. Leaving the gate unlatched, she strolled to the red doors, below “Liberty Farms”, spelled out in large white letters. Grace entered the barn, and looked up at the long boards, her eyes having fallen habitually on the three cracks that let the sunlight in.
“Bonjour, mes amies,” she said to the chickens, who had scurried to the edges of their enclosure to greet her. She grabbed the dented bucket of feed lying patiently next to the door, and sprinkled the seeds high above the chickens, as if they were brides and grooms.
She hadn’t made it to that part of the day – couldn’t have imagined rice raining down on her, when she felt as though she were already drowning. Holding the bucket of feed in both hands, like a bouquet, she walked over to the paddock: Right foot, together. Left foot, together. The walk down the aisle she had endured. Although in a new chambray suit that Mom had selected from Moore’s, she envisioned her Dad in his faded coveralls, and black rubber boots, and herself as one of his cattle, being led with a delusive gentleness to her slaughter. With each step towards Adam, she was taking a step away, from her independence, her identity.
The priest to her left, Adam before her, and her audience to her right, she tried to focus on her groom’s face – on the scar below his left brow, the one he’d received when he’d tried to sell her on the city – when they’d biked along the Queen’s Quay, and a fallen birch branch caused him to lose balance – but images of caged chicks and penned piglets pervaded her mind.
She had dropped her slim bouquet of sunflowers, once so full of life, now uprooted, and wilting before her eyes. She tucked a rogue strand of hair behind her ear, and calmly turned and strode back down the long, white aisle, bound by blue chairs.
Once she was past the bewildered guests and into the cornfield, she began to run. The husks pulled at her hair, and the stalks scratched at her skin, but this was a maze she knew her way through. She made a sharp left, and then a quick right, and she was soon on the shadowed path that led directly out of the maze; the one her father had carved for the panicked or beleaguered urbanites, drunk on country air.
The sound of her chipped nails scratching the bottom of the now empty tin bucket pulled her back into the barn.
“Shh…” she whispered to the chicks, realizing she had fed them both their lunch and dinner.
Crouching, Grace placed the pail by the pen, and noticed a rusty nail jutting from the coop. She fingered it thoughtfully, contemplating the time it had taken for the shiny steel to corrode. Her right hand reached for her left, and with a simple twist and pull, she removed her solitaire ring, and placed it on the nail’s head. Standing up, Grace made her way across the plank floors, away from her diamond, and towards her eternal gem, feeling her heart enliven.
“My love,” she said, unlatching Ruby’s stall. The white Arabian threw back its ears and whinnied a greeting. She made her way towards him, her body lightening with each step.
“I’ve missed you,” Grace cooed, stroking Ruby’s coarse mane. The horse nuzzled her palm sweetly, and Grace sighed in contentment.
“I’m yours,” she said, and began her methodical grooming process.
Grace herself had been methodically groomed that weighted morning.
She and her three bridesmaids had gathered in her guestroom, formerly her art studio, now unrecognizable, after the engagement had touched down on their farm. Linen napkins, dish towels, and dessert plates were stacked on her oil canvases, shrouding her ambition, and freshly pressed dresses hung from the curtain rod, blocking all natural light. Much like Ruby, she had been readied for show: Her long hair curled, her Mac makeup applied, and her nails, bitten down to the quick, polished.
Grace grabbed a curry comb and began to rub Ruby down in smooth, sweeping motions. Ruby’s muscles quivered, delighted at the soft touch. Systematically she lifted each of Ruby’s hoofs and delicately removed the dirt and debris. Finally, she took the mane comb and removed the tangles, leaving her hair with a satiny sheen.
From its hook, Grace grabbed the black, leather saddle, and cinched it around Ruby’s waist. Stepping back, she reached her right arm behind her and pinched the top of her dress. She twisted her left arm back, and unzipped the zipper, letting it cascade, like a feather, fallen, to the black earth below.
Stepping over her lifeless gown, Grace placed one boot into the stirrup and hoisted herself onto Ruby’s back. Grabbing the reins, she gently prodded Ruby on both sides, and eased her towards the barn door. She could feel the friendly wind on her face, and Ruby’s powerful muscles between her thighs.
“Do you want to run, Ruby?”
Leaning forward, she unfolded Ruby’s ear, and with certainty, whispered, “I do.”

*********

Ferrari  PicMeghan Ferrari lives in Newmarket, ON, and studied English Language and Literature at Queen’s University. She completed her Masters in Social Justice Education at The University of Toronto, and presently shares her passion for creative writing with her students, as an English Teacher for the York Catholic District School Board.

“Worth Noting,” a short story by Scott MacAulay

Worth Noting

By Scott MacAulay

A woman at St. Vincent de Paul knows me. I’ve been going to the store since late January, since spring wasn’t too far off and I could start to think about sleeping out of doors again, in a quiet spot, in a spot where it gets dark because the sun goes down, not because the rules say it’s time for lights out. I’ve been giving her twenty dollars a month in case a good sleeping bag comes in and she can put my name on it and set it aside for me. She said I could trust her. Her name is Virginia. It’s a wonderful name. It’s wholesome. It makes me think she lives in house with a large, welcoming veranda—a two-story house with rose-coloured wooden shingles and chestnut trees in the yard. Virginia is great about my plan in another way, too. She puts aside too imperfect donations of cutlery, pots, dishes—stuff that wouldn’t make it to the sales floor. She puts them in a box with her name on it, told the other staff she’s gathering some things for her little niece to play with in her backyard playhouse. They’re for me, of course. When she offered to help, I already had a note in my pocket which listed some things I’d need.
lamp, chair, futon mattress, big
pot for spaghetti, fry pan, forks and
knives and things, a dish towel
Virginia is my age, fifty. Both of us fifty. Imagine. She’s got long, thin brown hair that’s usually pretty tangled. She wears peasant skirts and knee-high knitted slippers (or socks)—I’m not sure what they are—with leather soles, long-sleeve crew-neck shirts and turtlenecks underneath. Her face is not old, not fifty. It is narrow and smooth, no wrinkles, just hints of freckles. Her eyes are tawny. If I could love again, it would be her I’d choose.
But that’s just nonsense. Love is not on my mind. My mind is busy, busy, busy with other things. I note the things that are important to me, using stubby pencils and little squares of paper from the library. Getting to Shepherds, the Mission, St. Luke’s, St. Joe’s on time for free meals, buying my tobacco in bulk at the first of the month when my cheque comes in, before I start to drink, and protecting it from people who would steal it or would reduce it faster than you’d think by borrowing a smoke every second day. (Who borrows a smoke?
Lots of borrowers at the Cross Mission.
Monday Joe, Shin Bone, Susie are the worst.

You can’t return it except for the butt, I suppose. It’s not like a lighter.) I write down times, places, warnings to myself, and other really important things I should remember.

Virginia is lonely Be nice to her. She
told you she never married. Her niece is
named after her, Virginia.
I look at my notes at least once a week, to update them, to make sure they are current; my pockets are stuffed.
I make notes to myself. I forget things

if I don’t. I’m a note-maker. I mock notes.

I’m a note-mocker. Oh, I don’t know what

I am. I do like notes, though. I like them

so much I could lick them. That wouldn’t

be good, however. The writing would get

smudged and I’d forget what I noted. I’m

glad I wrote this down.
I bunk in shelters now. After roaming free this coming summer, I think I’ll get my own room again, so I’m going to a lot of places, dropping in on people I know or asking people I meet hanging around the streets or in the parks if I can take a look at their places. Not everyone obliges, scared I’m strange or I might roll them. All I want is to be sure I get a place with NO bedbugs. There are no guarantees, but if you find somewhere where people have been living for a while, no huge turnover, and the shared bathroom has lots of toilet paper and the shared kitchen has a clean pot on the stove, you might take the chance.
Shelters are a necessity. There aren’t any good rooms around. I’d freeze to death outside at night. Come mid-spring and for most of the summer, till the third week of August or so, I’ll use them only for the really rainy nights. There’ll be some decent rooms open by then, especially ones on the upper floors. People will have abandoned them, been driven out by the heat that’s built up over the previous three months and the cockroaches and other creatures that invade from garbage rotting along foundation walls, up through cracks in concrete and humidity dampened ancient drywall, through radiators and open windows without screens. (I can take these little guys, just NOT the bedbugs.) But these late summer fleers from upper floors are short-sighted. However endless and godless the heat seems, minus 30 degrees comes too quickly to Ottawa. Well before you can find a decent winter coat that fits and has no rips, no stains, it seems equally endless and godless. I’ve noted it in my list of things worth noting.
I’ll probably be sleeping close to some of the rooming houses that will have the fleers fleeing. My favourite place is Dundonald Park because it’s small, only one small city block square, manageable—you can see who comes and goes, who lingers. Its southwest corner is dark and the grass around the benches there is soft and clean.
I don’t drink too much when it’s hot because I get dehydrated. And I don’t drink too much when I sleep outside: I need to be alert. I should be able to save a lot of the little bit of social assistance they give to people with no fixed address. I’ll still get around to free places to eat. When I get a room, I’ll do it up well and be ready for fall and winter to do their cold and blowy business—FIRST I need a sleeping bag from Virginia at St. Vincent de Paul.
I want a good one, good to minus 20, at least, so I can start sleeping out as soon as possible. I won’t be sleeping out in minus 20, but it can get chilly at night in late April and in May, even early June sometimes. I want one with lots of room up top so I don’t feel trapped, and tapered as it goes down with lots of space beyond my feet for a thermos or cans of beer, spare socks, my watch, my glasses case, tobacco.

 

This day at St. Vincent de Paul, Virginia says, “Guess what, Mark.”
“What?”
“No, close your eyes. No, open them. You’ll have to follow me.”
“I’m no mind reader, but I’m guessing this has to do with a sleeping bag.”
“Shhh!”
Virginia’s peasant skirt is decorated with peacocks, crazy blues and greens. From grades seven to nine in Sydney, Nova Scotia, I watched a peacock and a peahen in the small park behind my junior high school. They had a small, red wooden shelter in their enclosure for rain, I guess, or for privacy. I don’t know where they went every winter. They couldn’t fly.
Virginia is excited. She’s leading me through the “Employees Only” door and down white concrete stairs, badly chipped and in need of a coat of paint. The ceilings are low. The basement is full of donated items from books to clothes to dishes to kitchen utensils, big things like mattresses and sofa combinations, and a special section for furniture that had been upstairs but just wasn’t selling and will now have to go to a landfill. It’s marked “DISPOSE”. This is where she leads me.
“Sit down, Mark.”
I sit on a scuffed-up plastic patio chair that wobbles.
“NOW close your eyes.” Virginia is standing behind a white, velour sofa, which appears to have urine stains on its cushions.
I do as I am told as she ducks behind the sofa and counts dramatically to three.
“LOOK! Tah Dah! This is yours! It came in three days ago with your name on it, literally.”
She is holding a bulky, rolled-up bundle, wrapped in clear plastic. “A sleeping bag, a really, really good one. We had something like it two years ago and the manager priced it at $120.” Virginia seems shy now that the surprise is over. If I could love again, it would be her I’d choose.
“You’ve got what, sixty dollars of mine? Can you hold the bag a while longer? Maybe the manager will let it go for eighty or something.”
“You don’t understand. Some woman came in and said she was putting an end to her boyfriend Mark’s camping expeditions. That was his name. It’s sewn in the bag. The woman said camping was an excuse for boozing, maybe a whore or two with his buddies, pardon my language. I did the inspection and reported the sleeping bag was damaged, a rip, and a zipper that needed replacement. I wrapped it up and put it here for you. Dump run is next week.”
I am grateful, but feel awkward. “Virginia, you’re nice, but I don’t’ need a ripped bag without a zipper. I’ll be sleeping out…”
“Don’t be a goofus, Mark. The sleeping bag is fine. Practically brand new, I’m telling you. You take it! You come to the basement exit an hour after closing time. Your money is wrapped in the sleeping bag.”
“You’re giving it to me. And my money?”
“It is marked for disposal.”
“Yeah, but you’re all churchy and everything aren’t you.”
“Look, some college kid would’ve grabbed it in a snap and used it for god knows what. You don’t take things now and then?”
“Well, I like to be anonymous about it.”
“Well, consider us both anonymous about it.”
I arrive at the basement door at the right time. It is at the back of St. Vincent de Paul and I feel like a sneak because all around me it is quiet and Virginia is doing something wrong, for me. And I know it. Light from the yellow bulb above the door casts my shadow and makes me want to confess, but I knock. She is waiting there, on the other side: With one knock the door opens and I’m inside. My eyes cannot adjust. It is too dark, though a candle burns a short distance behind her.
Virginia puts a finger to her lips, then a hand over my mouth.
“Shhh,” she says.
She lowers her finger, then lowers her hand.
Soon I am naked.
When you get a room, get the box of
things Virginia put aside for you.

Remember that she loved you in your new sleeping

bag on a sofa in the basement of St. Vincent de Paul.

 

**********

Scott MacAulay is a former educator and community development worker. He now devotes his time to learning the art and craft of good story telling. He resides in Ottawa, Canada.

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