Category: Poetry (Page 20 of 20)
Elusive Fool in Child’s Pose
Sore thumb in the midst
the proverbial elephant which
cannot find a place to sit
its girth has nothing left to do but stand
in the corner, swishing its bushy tail
annoyance. Waiting for someone
to acknowledge its existence.
the gory thumb pulsates, it’s tiny
capillaries burst blood clot galaxies
leaving their mark
stardust on the palm and index.
When the saw and hot iron come
To amputate I will be delighted
And I do not want reconstructive
surgery I think festering wounds
are rather romantic, keeps it more
truthful in the visceral rot.
Dancing with the Devil
Those movements which mislead to tempt
The lens of a camera, rod and cone shadows
Debauchery with Love for sale
Eviscerate Good Taste,
Cut out the heavy tongue,
In it’s budding place,
Sow in Modesty (a sort-of castrated) Honesty
For all those who take indecorous needle and thread
Into their own sloppy hand, and separate with the Hastiness
of a Man well bred though not quite read on such carnal
Banal realities
Casually,
as if piece by piece,
he begins severing out
the Parts of Her
which had previously sculpted His
Private Ideologies, a premeditated design,
An epicurean blue print for all
lowly Desires.
Fixed is the serpent’s divinity
Creative until death
Refined Mongrels
Defined by their primitive nature
Are inclined to subversive coercion
Lucrative tongue to cheek speech
Coitus
Gravity Inverse Time
tick tock said the hour to the minute
hurry before the wormhole comes
i will not be rushed! said the minute to the hour
the second giggled, the minute always took its time.
Something has broken
some thing has broke inside of me
the tinkering is a rattle
the pitter patter is droll
the tear has found its own origin
devoid of the synapse or frontal lobe
I am not sure where the Soul has gone
there was no sad letter left
Empty kitchen counter
of my subconscious has said as much
Perhaps it got milk and got lost
How unfortunate it is to have loved.
Resurgence
birthed upside down, breaking down barriers
just for a fresh breath
the umbilical cord of love strangles,
leaving the right brain holding its oxygen
like a water jug, from river to mouth.
Marissa Mireles, also known as Sans Serif, is a filmmaker, writer, and political activist residing in the US. Marissa has been writing since she was very young, deriving much of her talent from the constant downpour in her childhood town Lakewood, Washington which thrust her into creativity. She has self published two books of poetry & prose and is now working on a feature script, a novel, and a translation of Jules Barbey’s “The Old Mistress”. Marissa is an actor as well and has been on CBS, MTV, Univision, Telemundo, A&E to name a few. Marissa has also modeled and is featured in la band Dream Panther’s music video “Chutes and the Ladder”. Currently she is preparing for travel to Haiti to shoot a short film about children living as Restavek. You can find out more about her on her websites.
tostaywith.wordpress.com
sugarthenovel.blogspot.com
melodiesforthedeaf.blogspot.com
endsceneprod.blogspot.com
poetryforthemute.blogspot.com
Acrophobia
for Trina
by Harry Calhoun
I don’t mind airplanes. I probably wouldn’t mind outer space.
But real heights, above ground here on earth, scare
my knuckles white. Walking or driving over bridges. Even stepladders.
My palms sweat looking off the third floor or higher of any building.
I don’t mind God. I probably might end up in heaven or hell.
But the in between, here on earth, is spent driving, looking
hopeful up to God or fearful down from bridges when it’s better
to keep focused on the road. Heights above or below are so distractful.
I don’t fear love. Well, yes I do. There’s no higher place to be.
But with you, there is no other place to be. I look down from what
we’ve built and sometimes I fear, but I look up in your eyes and I know
I wouldn’t mind outer space. This is where I find heaven.
Meniscus
by Harry Calhoun
Crescent, the milky icicle breaking
the top of the glass, my hands shaking
a little as I toast you and what once was us.
Consent, in a royal jar placed high
on a sacred plate on the unreachable shelf
that overlooks what I thought to be you.
Meniscus, surface tension; someone moves
suddenly or simply waits for evaporation
and it spills over or disappears. But it’s never
an illusion. Worse, the cream of liquid wing soaring
atop the full goblet of our dreams, clipped
by a sudden movement, slow erosion or
the horrible god of indifference.
The Microcosm of Coffee Grounds
by Harry Calhoun
I
The sound of brewing as sparkling as God waking
his children with bright bubbles. Dark brown magic
pouring into the pot, into the cup, into the soul,
lifting a world of kitchen, bedroom and office.
Hours later, the grounds are sludge slung
over eggshells into the garbage can, washed
like a dirty memory or spoor of shame spiraling
down the kitchen drain. A dirty job that somebody’s got to do.
II
I woke each day to sunshine, at least that’s what
a boy remembers, and the bright sunny collie tan and white
waiting out in the yard, and the aroma of my parents’ coffee,
and eggs on the table and running out to meet my collie.
Years pass. My daddy didn’t know any better, or worse yet
he did. He let my mama die. She was old and crazy. She fought
with the men who came to take her to the hospital. He called me
from far away as if there was something I could do. There wasn’t.
III
I’m on the beach in Key West with the minister and the woman
I’m marrying. We’re going to be happy for a long time. It’s a love
full of laughter and pet names and our first house together and friends
and another dog. I am so happy but the dog is aggressive and I got depressed.
She left, my fault, her fault, and booze I thought was the only friend
that would understand me, and when we met it slapped me down hard,
so hard I couldn’t walk, and I crawled out of the hospital and she let me
back in and damned if I didn’t do it again. Time to wake up.
IV
Wake up and smell the coffee. First I clean the grounds from the filter,
measure the coffee and the cool clear water. Nothing we can do
with the past but learn from it, remember the good and work
with the bad we can change. Get rid of the grounds, so to speak,
and work with new coffee. I think of my mom and dad, both passed
now, before the happy percolating breaks my thoughts. My wife smiles
as I carry our full-bodied chocolate brew into the bedroom, into another chance
to realize the enduring chill of what passes, the bright sweet caffeine jolt,
the absolute holiness of crafting each day with love
from the dregs of yesterday.
Of the Creeks, the Baying Dogs
by Harry Calhoun
I remember flyfishing with my father on foggy mornings
on Pennsylvania creeks. And today my black Labs
with much hound mixed in strut undomesticated
from my wooded backlot to claim the back deck
with wildness, yowling that if I would understand
I might become werewolf, and I wish in some part
I could. As I wish I could stake some misty claim
beyond my father’s death and angle again those foggy banks,
to become the wild and the dead and the deathless,
the ineffable and feral beloved eternal and mortal.
My lover my wife beside me wished eternal and hoped forever
the father my parent wished eternal and gone forever
communication, dog, human, lycanthrope, struggle,
this I howl and the moon rises, I do not know which
comes first, as I have only this my fierce love and this
strange and wild poetry that rises in my breast.
Harry Calhoun has had work published in hundreds of poetry journals and more than a dozen books and chapbooks over the past three decades. His career has included Pushcart nominations, two Sundress Best of the Net nominations and publications in Abbey, Orange Room Review, Flutter Poetry Journal, Faircloth Review, Thunder Sandwich, Lily and others. Book publications have included I knew Bukowski like you knew a rare leaf and The Black Dog and the Road. In 2011, Flutter Press published his chapbook The Insomnia Poems. 2012 was an exceedingly good year, with the publication of the limited-edition chapbook Maintenance and Death, the chapbook of love poems,How Love Conquers the World, and the collection of poems from the ‘80s and ’90s called Retro, Maintenance and Death has now gone to a second edition. The chapbook Failure is Unimportant came out on Flutter in 2013 and a full-length poetry book, Alarmed in Space and other poems, has been accepted by Unbound Content for release in early 2015. Harry lives in Raleigh, North Carolina with his wife Trina and his dogs Hamlet and Harriet.
Elizabeth Copeland is a writer, theatre artist and arts educator who lives in Northeastern New Brunswick, Canada. She writes long and short works of fiction, poetry, plays and impassioned letters to the editor. Her works have been published or are forthcoming in: Circa: The Journal of Historical Fiction, Forge Journal, Bread ‘n Molasses, The Lorelei Signal, So to Speak and Aquille Relle. Her novella, JAZZ, will be published by Quattro Books in the fall of 2014, and her novel, TRAEH GNUL, won the 2014 Writer’s Federation of New Brunswick Y.A. fiction prize. She lives near Miramichi Bay in a little house in the woods with her composer husband, Glenn.
GHAZAL
A snail can sleep three years in the sediment of a garden.
I awaken again and again for no reason, turn on a light.
The petunias have relinquished their hold on summer.
I walk in moonlight, surveying withered bloom.
From the shadowed pasture, a red fox barks
I see a glow of eyes like ghostly lanterns.
Continue reading
Watching Myself on a Saturday
Rain shatters against the stones
she’s just walked over.
Her hands are twisted
into winter roots by her side,
locked in place,
crackling with the need to stretch. Continue reading
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