Literary as hell.

Category: Fiction (Page 13 of 15)

Sparrows and Mourning Doves by Caitlin Raleigh

Sparrows and Mourning Doves

 

It took Blackbird a moment to recognize the dead man in the marshes.

 

She had to crouch in the mud just beside him to peer at his downturned face, the eyes and mouth open. She would have known it right away had it not looked so bloated and white, like the bubbles in the lake foam just before they popped. The man’s name was Emery Hunt, a friend of her father’s from before they moved out of the city. He had a long face and small eyes with little wrinkles around them. “Kindness wrinkles,” as she’d thought of them. Kindness wrinkles were different from age wrinkles; Emery Hunt was not very old. Yet there were no lines in his waxy skin now, nor much else that matched her memory of his living self.

 

From behind her, the boy’s voice. “Do you think he fell from somewhere?”

 

Still examining, Blackbird made no move to look at him. The back of Emery Hunt’s head was smudged with red-brown, like rust from the chains of an old buoy.

 

“Or did…someone kill him?” The boy was never silent for long. Often in the evenings he rode his bike past her house near Maplewood, calling for her to explore with him, chattering all the while. Blackbird knew his age (nine—five years her junior) but not his name, and after several months it seemed far too late to ask. Sometimes she made up names for him, but in her head he was always “the boy.”

 

At last she stood. The reeds and lapping water tickled her bare feet; she’d taken off her shoes to enter the marsh. For a long moment she’d hesitated on the shore, but in the end felt she had to see the man’s face. Besides, the boy had been frightened and watching. “You shouldn’t have come to me first, you know,” she said quietly. “You should have had your parents call the police.”

 

The boy frowned. With his light eyes and thick, dark eyebrows, it had a comical effect. “I thought you’d want to see.” His eyes darted to the body and back again, as if he thought it would move if he looked away for too long.

 

To him, Blackbird knew, the discovery of a body was a morbid adventure. It was a sign of flattery that he’d thought to show her first. It wasn’t uncommon to see roadkill in the area—raccoons or possums, even a stray cat once or twice—and the boy always told her when he spotted a victim. He would lead her to the site, pedaling far more rapidly than she, and approach the carcass with solemn fascination. She’d watch as he studied it, circling until he thought he knew how the animal had been hit, sometimes even prodding it with a stick. But a human body was different. She was certain there had been no prodding of Emery Hunt. And if there had been, she wouldn’t want to know.

 

She started toward the road, her feet squishing in the muddy grass. “We should go back.”

 

“Who do you think he is?” The boy caught up to her, taking wide and sloppy steps. “Can the police find out who killed him? It couldn’t have been someone from here. Could it?”

 

He’d splashed water all over her legs. “Watch where you’re stepping,” she said. “Do you want the murderer to hear you, Little Elephant?”

 

It was mean, but she couldn’t help herself. The boy frowned again, still distracted by his questions. “How long do you think he’s been there? Maybe—maybe we should stay and look for clues.”

 

“I’ll race you to my house.” And she hopped on her bike before he could refuse, nudging the kickstand back with her heel.

 

The sun sank low over the marsh as she pedaled away, the boy on her heels, orange light washing over the dead man’s body for a moment before edging toward the shore.

******

Her father’s car was in the driveway when she returned. She waved to the boy and went inside, closing the screen door gently behind her.

 

Her father was sitting at the kitchen table with his crossword. “There you are, little bird. Were you on a walk?”

 

She went straight to the fridge. “Yeah, just a short one.” She took out the Styrofoam container, opened it to take out the sandwich and fries inside, and then stuck them in the microwave. “How’s the restaurant?”

 

He shrugged. “The usual business. Listen, when you’re done eating I was thinking we could go out in the boat. Take some binoculars, maybe see if we can spot the heron.” They often saw a heron at the edge of the pier, or skimming the water’s surface with its long body as it flew. A lone and regal bird, it always seemed to be the only one in the world, so that was how they talked about it.

 

“Okay.”

 

After a minute she sat down and began to eat. At first her father went back to his crossword, jiggling the pencil absently between his fingers, then writing a word. He glanced up. “You’re quiet. The food terrible or something?”

 

She smiled, shook her head. “No. It’s good. I’m just hungry.”

 

Maybe she should tell him now, before the police did. Maybe that would be better. Orange light streamed through the window, making her father’s wiry brown hair glow from behind. Blackbird remembered the dark stain on the back of Emery Hunt’s head, and kept silent.

 

Surely it would shock her father to hear of it. He did not need the news of another death, especially that of a friend; he had already lost Blackbird’s mother five years before. She had gone into the doctor’s office for an appointment, and had come out with cancer. Blackbird remembered the hospital room, its white bed with a hundred medical tools attached; and her mother, always a pale person, now so thin and white she looked like an egret or a swan, sitting up with delicate grace as they entered the room. Blackbird’s father had even gotten loans from friends to pay for her treatment. Before, the three of them often went to zoos and museums to see the animals, and to the bird sanctuary where they would picnic and bird watch for hours. One day Blackbird’s mother couldn’t go to those places anymore, and then she couldn’t go anywhere at all, and then she was gone. Afterward Blackbird and her father had moved to their current home in Twin Lakes, which had been handed down to them years before, after his family decided to move away to Michigan. It was only meant to be a summer home, but her father had worked on the insulation and eventually saved enough for a new furnace, so it was perfectly cozy in winter too.

 

It was far from winter now, with sunlight still reaching through the window at dinnertime, and the thick hum of cicadas in the trees, and a lone cricket chirping somewhere below the windowsill.

 

Blackbird ate her sandwich and fries. Her eyes wandered through the doorway to the living room. The black bookshelf, a crinkled and stained copy of Birds of the Midwest facing outward. The other books were always aligned by two bronze gargoyles, but now several books fell forward, a cascade of tiny steps.

 

“Where are the bookends?” she asked with her mouth full, pointing.

 

“Mm?” Her father leaned over to see. “Oh, I dropped one of them. Shattered in more places than you’d believe. I figured the other one’d be lonely by itself.” He flashed her a smile. “Besides, we can use the shelf space. There’s that book fair next week in town, and I could use something besides these puzzles to stare at.”

 

Her father was not a clumsy person. She wondered if afterward he had thrown them into the garbage, or maybe into the lake. She found herself wishing she could see them again.

 

“I’m finished,” she said, standing to put the rest in the fridge. He always brought her big sandwiches with too many fries so that she could have leftovers. “Are you ready?”

 

He stood, with a quiet salute. “Yes, ma’am. You get the binoculars and I’ll meet you outside.”

 

She moved, images of diving kingfishers and sparrows already floating through her mind. Smooth and graceful, they tossed their fish-prey up in the air, crunching down with sudden force. It was funny, watching their dinnertime dance, how easily she could forget about the tiny murders they were committing.

******

It was two days later, biking up Shores Lane, that she passed the cop car in the boy’s driveway.

 

The boy spotted her and waved. His parents stood behind him, talking to a policewoman with short red hair that Blackbird recognized from in town. Blackbird waved back, wishing she were not pumping uphill, because it gave the policewoman plenty of time to call after her. “Excuse me, young lady?”

 

She had to wheel back around to enter the boy’s driveway. Before she could speak the woman continued, “This young man says you’re a friend of his. That true?”

 

Blackbird hoped ‘this young man’ hadn’t said much else. “You could say that.”

 

“And do you know anything about the body he found in the marsh?”

 

She had told the boy not to tell anyone that he had shown her the body first. So he had listened. That meant word couldn’t get back to her father. She would have given the boy an appreciative look, but that would hardly make her seem innocent. “He told me about it. But I can’t help you. I’m sorry.”

 

She was always polite, if not expressive. The policewoman looked puzzled, and Blackbird wondered what the woman would have done if she’d said, There were crickets and thunder the night Emery Hunt visited, and I don’t know where the gargoyle bookends went. “What’s your name?” the woman asked, with an uncertain smile. “And where exactly do you live, if you don’t mind my asking?”

 

“She’s Blackbird,” said the boy, as if the policewoman were a little slow. “It’s her real name, even if it is strange. She lives at the bottom of our hill.”

 

Your hill?” Blackbird favored him with a tiny smile. He had called her name strange a million times, and she didn’t mind—it was a strange name, and not the first she’d heard of it. But it was the name her mother had given her. When she was younger her parents had often played the Beatles song of the same name. They would take each other’s hands on either side of her, forming a Blackbird sandwich, and sway back and forth to the music. Her mother had once told her it had been their wedding song.

 

“So…Blackbird,” the woman said, as if the name tasted funny on her tongue. “Where were you at around two a.m. on Wednesday morning?”

 

Blackbird shrugged. “I’m never up past midnight, ma’am. Is that when it happened?”

 

“Thereabouts.” The woman was writing in her little brown notebook. “We think, since he was found in the lake after all, it’s possible he fell off the side of a boat. Hit his head.” She looked up. “Something hit his head, anyway. We’ll know more soon. Can I speak to someone else in your household?”

 

“There isn’t anyone else home right now. My father’s at work.”

 

“Well, here.” The policewoman pulled a card out of her pocket, handed it to Blackbird. “When your father gets home, have him give me a call. We’ll be by soon, just to ask some routine questions. Nothing to be afraid of.”

 

Blackbird nodded. “Is that all, ma’am?”

 

“That’s it for now. Go on, enjoy your bike ride.”

 

“Wait,” the boy called after her, and made a beeline for his bike. “Are you going to ride down Mount Doom?”

 

Mount Doom was what her family had dubbed the steep hill that led into town. When Blackbird was younger she had often coasted down it, her father on his bike behind her. One day she’d hit a stray pebble while going too fast. The horrible lurch of flying, and then she’d skidded several feet on her stomach, so that bits of gravel embedded themselves into her skin. Back home her mother had wiped the blood that went from her knees to her socks, picked out the gravel and bandaged her. That was before, when Twin Lakes was only a summer home, and there was no cancer. Now Blackbird rode her brakes down the hill, and avoided the gravel.

 

“Maybe,” she said. “Does that mean you want to come?” It wasn’t really a question.

 

The boy pedaled just behind her. “How come you didn’t want that police lady to know I showed you the…the dead man?”

 

She often worried he would clip her back wheel. “Why don’t you ride ahead of me, Roadrunner?”

 

He obliged. “Well?”

 

A kind breeze blew her long dark hair off her forehead as she pedaled upward. “I don’t need to cause any extra trouble for my father,” she said, looking straight ahead.

 

“What kind of trouble? You didn’t do anything wrong.”

 

“But I saw it.” They reached the top of the hill, turned their bikes to enter the development. “Parents worry about their children worrying. Seeing too much, and things like that.”

 

They rode side by side now. The boy looked thoughtful. “My parents get mad if I just come home after sunset. Even if it’s still really light out. When I showed them the body they weren’t mad anymore, but after they called the police they got mad all over again. They told me that’s why I can’t go riding around by myself when it’s getting dark out. But they didn’t know what happened to that man, so how could they know it was dark out when he died?”

 

“Just an assumption. They don’t want you to get hurt.” It was funny, how adults were as convinced as children that terrors came with the darkness. Let the dark keep its secrets, little Blackbird, her mother used to tell her, when she woke from nightmares that made her afraid of her room’s black corners. They won’t hurt you.

 

“I won’t get hurt.” The boy grinned at her suddenly, taking his eyes off the empty road. “I can ride fast and brake fast. No one can catch me or throw me off.”

 

Blackbird saw the grin falter a little. “You’re the best bike rider there ever was,” she agreed, and it grew once more.

 

“Want to race to Mount Doom?” The boy straightened in his seat, fear forgotten.

 

She was not much in the mood for racing. “Okay. You get a head start since your legs are short.”

 

“Nuh-uh.” He frowned his comical frown. “I’m the best bike rider there ever was, so I can beat you anyway.”

 

“Suit yourself,” she said, and waited for him to count off gleefully before pushing down on the pedal. The wind picked up with her speed, as if sweeping her away from something—forever—even if she couldn’t quite place what that something was.

******

Evening in the boat, and the cloud-mottled sunset made a liquid portrait out of the water. Her father let her hold the binoculars as the heron flew overhead, soundless.

 

“I saw a strange bird today,” said Blackbird. “It was blue, but not flat blue like a blue jay. More of a…shiny blue. The way seashells glint in the sun.”

 

“Like a metallic blue?” Her father leaned forward a little, a smile beginning to brighten his face.

 

“That’s the word I wanted.”

 

“Sounds like an indigo bunting. I haven’t seen one here in a few seasons. Where did you see it?”

 

“By the edge of the dead end road inside the development. But then that boy went too close on his bike and scared it away. Oh, and we saw a mourning dove, too.” Mourning doves weren’t rare, but Blackbird loved them anyway. They had been one of her mother’s favorite birds. Blackbird had once thought their name was spelled like ‘morning,’ which didn’t make much sense, since weren’t most birds awake in the morning? Now the real name seemed appropriate, and not just because of the low and melodic coo they made.

 

“Well.” He looked out on the water. “Isn’t this a good bird day.”

 

They sat in silence for awhile, until the sun was only a cap on the heads of the trees. Normally Blackbird liked the silences fine, but as the minutes passed her father grew tense. He would squeeze his knee with one hand, relax, then squeeze again, watching the lake all the while. At last he said, “Blackbird. I assume you’ve seen the cops around, haven’t you?”

 

She nodded.

 

“They came into the restaurant today, just for a few minutes. They—they’ve identified the body of that man. It’s Emery Hunt.”

 

He glanced up at her. Folded his hands, squeezed them together too. She only waited.

 

“Well,” he said. “Remember I told you he left before you woke up that morning? After he’d spent the night?”

 

She remembered.

 

“Well, I’m afraid he and I had a bit of a fight.” Squeeze, squeeze.

 

Please don’t say it, Blackbird thought. I’ll do anything if you would just not say it.

 

“He…wasn’t too keen to be around me, so he decided to catch a late train back to the city. I should have driven him, but I didn’t. He was going to walk into town and hitch a ride to the station the old-fashioned way, I suspect.” His hands were trembling now, even when he squeezed. “I thought he had made it to the train station. I don’t know what happened to him—we’d been drinking a bit, you know, so maybe he fell and hit his head somehow.” He looked up at her, his face contorted, his body slouched. “I’m telling you this, Blackbird, even though I didn’t tell it to the cops. I lied, Blackbird. You understand why, don’t you? How suspicious it all sounds?” He laughed shakily. “You were asleep, and there’s no one else to verify that it’s the truth. So they would suspect me, and maybe even arrest me, and then they would take you somewhere else.”

 

He leaned forward in the boat, taking her small hands in his shaking ones. “You know I would never let anyone take you away from me, little bird. You know that, don’t you?”

 

Let the dark keep its secrets, little Blackbird. “I know, Papa.”

 

“You understand, my girl?” He was still looking at her pleadingly. “You believe me?”

 

It was the hardest thing she had ever done, looking back at him. Harder than seeing Emery Hunt’s bloated face and blood-crusted head, and talking to the policewoman, even harder than two a.m. Wednesday when she’d woken up thirsty.

 

Think of birds, simple pretty birds. Kingfishers and mourning doves and great swans, and the heron, the regal lonely heron. Think of happy sparrows, twittering inside the evergreens.

 

“I understand, Papa.” And she did.

 

“There’s my girl.” For a moment he looked like he wanted to hug her. Instead he brought her hands to his mouth and kissed them, then sat back against the rim of the boat. Several moments passed, but when he spoke again his hands weren’t shaking anymore. “Well now, looks like the sun’s gone down. Shall we head in?”

******

By midnight the thunder had rolled in with the clouds. Blackbird lay awake and listened.

 

Wake thirsty. Kitchen. Two voices, rising. On the floor, shadows tearing. A thud. Then another. Silence. One voice. One voice, gasping, shuddering. Dry mouth. Bedroom window. A paddle on water. Crickets and thunder. Waiting. A boat returning.

 

Wake thirsty. Kitchen. Two voices, rising…

 

She rose from the dream that was not a dream.

 

She thought of the nightmares she’d had when she was little, how she would wake crying out in the darkness. Her mother or father would come to check on her, to smooth her sweaty hair and tell her to go back to sleep. Sometimes she would wake simply frightened, not enough to cry out, but enough to slip into her parents’ room. Even after her mother died, she would draw comfort from sneaking in to see her father, just for a minute, just to hear him say, It’s all right, little bird. Nothing bad will happen to you. It’s all right, Blackbird, go back to sleep. In the morning all will be right again.

Caitlin Raleigh is a crazy redhead who loves all things related to cats, the Beatles, and Christmas. (It’s fitting that her first widely circulated publication contains ‘furious’ in its name.) Her work has also been published in DePaul’s literary magazine, for which she has more recently been the fiction editor. She is currently a graduate student in DePaul’s Writing and Publishing program, and when she isn’t writing her many stories, she’s thinking about them. She lives and breathes equally Chicago, Illinois, and Twin Lakes, Wisconsin.

Blog: caitlinraleigh.wordpress.com

“PLEASE DO!” by Alan Swyer

Alan Swyer
“PLEASE DO!”

Please don’t, over time, had come to assume multiple meanings in the lives of the Harrises. First and foremost was the original: a pleading or urging from Rebecca that Kenny not explode, as he did often, though never at her. Then there was a softer version: as in No more tickling, or Maybe it’s not a good idea to buy that cheesecake, or I don’t really need that birthday present we can’t afford. Finally, on those rare occasions when the two of them were on the verge of a argument, a spat, or some kind of squabble, it became their safe phrase, whose invocation or utterance was enough to turn a potential dispute into a moment of shared laughter.
In the eyes of their friends, the Harrises were not simply an unlikely couple. They were almost separate species. Rebecca was calm, soft-spoken, and understanding, albeit with a kind of patrician New England remove that some mistook for aloofness. Kenny, in contrast, was loud, gregarious, and upbeat, yet capable of the kind of volatility that quickly revealed his blue collar New Jersey roots.
When confronted by a wrong or an injustice – something as insignificant as a driver cutting him off, or a jerk ignoring the wait-your-turn code at their favorite LA burger joint; or worse, something as heinous as racial prejudice or bullying – Kenny turned into a man possessed. With words or with fists, he became fearless, relentless, indomitable.
Kenny’s outbursts were a frequent sore point early in his relationship with Rebecca – one that failed to diminish as days turned to months, then months to years. Though she appreciated his willingness to fight for his rights, or theirs, plus his readiness to stick up for an underdog, Rebecca, was, and probably always would remain, uncomfortable with controversy or confrontation. More importantly, in a world where far too many hotheads were armed, she felt there was valid reason to fear for Kenny’s life.
As different as they were in background and temperament, Rebecca and Kenny shared a surprising number of loves and interests. Food, from haute cuisine to pastrami, and from pizza to treats from Burma, Ethiopia, and far-off provinces of China, provided a never-ending source of adventure and joy. As did films, whether by Godard, Bertolucci, Sergio Leone, Sam Fuller, or some new auteur from North Africa or Finland. Add to that their affection for offbeat novels and travel, plus music ranging from John Lee Hooker to Thelonious Monk to the Chambers Brothers, Southside Johnny, Sharon Jones & the DapKings, and even obscure hip-hop, and there was a common ground that was everchanging and seemingly inexhaustible.
With each of them hailing from 3,000 miles away, the two spent considerable time exploring their new environment simply as friends, with Kenny, all the while, enjoying flings not merely with locals, but also with old flames who passed through Southern California.
Inevitably, though, what started as platonic became less so. Then, what was still noncommittal evolved into something deeper and more meaningful, with the two of them ultimately searching for an apartment to share.
The notion of marriage, however, remained not just unspoken, but seemingly farfetched, until a day when Kenny, about to light up a Montecristo cigar smuggled out of Cuba by a friend, playfully tried to place the band on Rebecca’s ring finger.
“Don’t do it unless you mean it,” she said softly.
“What makes you think I don’t?”
“Am I sensing something?”
“Such as?”
“The C word,” she replied.
“You mean crazy?”
“No.”
“Cuckoo?”
“Try again –”
“You don’t possibly mean commitment –”
“Says who?”
Kenny gazed deeply into Rebecca’s eyes. “Well, I’m game if you are,” he then said, surprising not just her, but himself as well.
If either of them had been a believer in omens, the events leading up to their wedding might have made the future seem far too unlikely. Scheduled to take place in a bucolic spot overlooking Rebecca’s cherished coast of Maine, the first sign of trouble came with the arrival of the Matron of Honor, who showed up inconsolable, her husband having dumped her for a Swedish exchange student. Carla’s rage seemed tame, however, once war broke out between two other key figures: Rebecca’s mother and Kenny’s.
Determined to remain above the fray, the bride and groom took to enumerating what they playfully termed their blessings. “At least there’s no hail storm,” Rebecca said at one point. “At least there are no locusts”, Kenny stated at another. Then came, “At least W won’t be President.” And, “At least the Russians haven’t invaded.”
All that, however, was before the area was struck by a hurricane whose devastation caused the governor to declare a state of emergency.
Yet despite the number of invitees who found themselves turned away by highway patrolmen, plus the fact that a grandparent on each side was inadvertently left at a nearby motel, and above all the increased hostility between the two sets of parents, who progressed from exchanging epithets to cold-shouldering each other, the wedding proceeded without setting off nuclear warfare. As did a brief honeymoon in Montreal.
Laden with presents, many of which had little relevance to their lifestyle, the newlyweds then set off on a cross-country drive with the hope of a fresh start.
That lasted until somewhere in Wyoming, when their aged Volvo’s water pump suddenly burst.
Undaunted, they had the car towed into Laramie. There, thanks to Rebecca’s whispered pleas of Please don’t, slights and looks that might otherwise have resulted in explosions passed without serious incident. Thus what might have seemed like three days of interminable waiting instead became a second honeymoon, complete with a rodeo, country music, and loads of chicken-fried steaks.

 

Reaffirmation that their luck might be changing for the better came shortly after the newlyweds finally returned to Los Angeles. Having dreamed aloud about relocating to a nicer part of town, Rebecca and Kenny unloaded their presents, grabbed some much appreciated Thai food, then drove up to the Hollywood Hills. Certain that its rustic feel and scenic views were perfect for them, they were scouring the area in search of rentals when they came upon a guy putting up a For Rent sign.
Within minutes, the newlyweds found themselves paying first and last month’s rent on a small but cozy house that seemed perfect for them.

 

Kenny’s dealings as an up-and-coming producer in the music business, a world infinitely more volatile than Rebecca’s realm of children’s books, provided a measure of satisfaction, as well as a non-stop source of agitation. That, not surprisingly, upped his level of combustibility to the point where Please don’ts came with ever-increasing frequency during their first awkward but never dull year of married life.
Yet despite the constant tension, it was Kenny who remained a much-needed source of positive energy when attempts to have a baby turned their bedroom into a science lab. He was the one who buoyed Rebecca’s spirits each time the arrival of her period risked becoming a cataclysmic setback. And who refused to accept as definitive the ominous
reports given to them by fertility specialists. And, most significantly, who engendered Please don’ts from his wife whenever someone dared broach the subject of settling for adoption.
“Conventional wisdom,” Kenny stated after a session with a particularly vexing physician, “is nothing more than accepted ignorance.”
“Which means?” Rebecca asked.
“Fuck him!”
Not only would the two of them neither give up nor give in, Kenny insisted not once, not twice, but so enough that it became a mantra – they would ultimately, without any question or doubt, prevail.
When, at last, Rebecca became pregnant, Kenny did not pop the cork from a bottle of Dom Perignon, nor did he gloat. “Now comes the real work,” he announced. So began a program in which he squeezed fresh grapefruit juice daily once it was found to bethe only valid antidote to Rebecca’s morning sickness. And smoked a turkey breast each week to guarantee a tasty and ever-ready source of protein. And, once it was time, made their weekly Natural Childbirth class a highlight, rather than a chore, by discovering a
tasty and affordable Persian restaurant on their way.

 

In keeping with their due diligence, with only six weeks left before the expected day of delivery, Rebecca and Kenny, having conferred with both their Ob/Gyn and their pediatrician, took a tour of the hospital where the birth would presumably take place.
What they found pleased them immensely. Aside from being friendly, uncrowded, and wonderfully calm, the maternity ward had a blissful spirit of cooperation. Rebecca, they were assured, would be able to keep the baby with her at all times. Plus, Kenny would be completely welcome to remain with mom and child twenty-four hours a day.
Despite the uncertainty ahead, the parents-to-be were beyond comforted. Rebecca and Kenny, in fact, were aglow.

 

The remaining time leading up to the expected delivery date was charted and planned in greater detail, as Kenny often joked, than the invasion of Normandy. Nothing, no matter how large or small, went ignored or unscheduled – from the acquisition of a crib, to the food that would be on hand, to the commencement of a diaper service, since, for both ecological reasons and comfort, their newborn would only be touched by cotton. Everything imaginable would be taken care of, acquired, or attended to, in due time. Or
so they thought.

 

It was while headed to a business dinner that Kenny first got a hint that their carefully orchestrated plans might find a way to go awry. Seeing Rebecca’s number come up on his cell phone, he answered quickly thanks to Bluetooth. “How’s my favorite mom-to-be?”
“I t-think I had a contraction,” Rebecca announced nervously.
“But we’re close to four weeks away.”
“I know, but –”
“Want me to come home?”
“Just be on stand-by,” Rebecca said.
“You need me, I’m yours.”
“Meanwhile, I’ll call Dr. Roth.”

 

Having checked in a couple of times during the course of the evening, Kenny phoned again once seated behind the wheel of his car. Reassured that there was no need to break land and sea speed records, he arrived home in time to find Rebecca filling a cupboard with what looked like a year’s supply of recently purchased rolls of paper towels.
“Somebody nesting?” Kenny asked.
“Don’t be silly.”
“So what did Roth say?”
“He didn’t.”
“What do you mean?”
“He’s out of town.”
“Jesus!”
“But I spoke to the doctor filling in, and he said it was probably just the baby moving.”
“Really?”
“Or that it might have been a twitch.”
“You’re kidding me.”
“In any event, I feel fine. Get you something?”
“A good night’s sleep after all the yak-yak over dinner.”
“Plus maybe a little too much wine?”
“Me?” Kenny asked guiltily before yanking off his clothes and tumbling tipsily into bed.

 

Despite barely being able to touch the rim, Kenny was dreaming that he was dunking one-handed over Kobe Bryant when suddenly he was awakened by a hand rubbing his head.
“I think my water broke,” Rebecca said sheepishly as Kenny sat up.
“H-how can you tell?” he mumbled.
“The bathroom’s a swamp.”

 

With Kenny having done his best to fight off drowsiness by running water over his head, he and Rebecca burst forth moments later from their hillside lair to head toward the hospital.
“Everything’ll be fine,” Kenny said as he navigated his way through streets that were blissfully free of traffic after midnight. “Everything’ll be just fine.”
“You trying to convince me, or yourself?” Rebecca couldn’t help asking.
“Both.”
In contrast to the serenity during their exploratory visit, what they found at the hospital’s maternity ward was bedlam.
“What’s going on?” asked Kenny once they made their way through the crowd at Admissions.
“Happens every year at this time,” replied the harried staffer.
“How come?”
“It’s September 26th.”
“So?”
“Nine months and a day after Christmas. So where do things stand?”
“My water broke,” explained Rebecca.
“Your doctor in the know?”
“I wish,” Kenny interjected none too happily.
“He’s out of town,” Rebecca added. “But the fill-in’s on his way,” Rebecca stated. “And so’s the pediatrician.”
“Hopefully things’ll go easily,” said the staffer despite the chaos around her.

 

Any hope for easily disappeared once the substitute obstetrician, a rumpled but affable guy who introduced himself as Dr. Kornblau, arrived.
“I guess you know we’re talking about footling breech,” he said upon examining Rebecca.
“We know nothing of the sort,” Rebecca mumbled.
“But what’s that mean?” demanded Kenny.
“That the baby’s trying to come out one foot first,” replied Kornblau.
“I know that,” Kenny protested. “I mean for natural childbirth.”
“Well, we can try to turn him.”
“Him?” asked Rebecca.”
“You didn’t have amnio?” queried Kornblau.
“Only to check for birth defects,” Kenny explained. “We want to be surprised.”
“Then him or her,” Kornblau responded.
“And if turning doesn’t do –” Rebecca said haltingly.
“What we hope it’ll do?” said Kornblau, finishing her sentence. “If it seems there’s insufficient dilation –”
“Then?” asked Kenny.
“We’re looking at a C-section,” stated Kornblau without joy.
Once it became clear that despite their hopes and dreams, plus weeks of Persian food followed by natural childbirth classes, their baby would have to enter the world surgically, Rebecca was crestfallen.
“I’m sorry, too,” Kenny whispered as they prepared her for the operation. “But what matters most –”
“Is a healthy baby,” Rebecca affirmed, squeezing her husband’s hand. “But I can still keep it with me, can’t I?”
Kenny turned to the nurse who was doing the prep.
“No problem with that, is there?”
“Not that I know of,” the nurse replied.

 

Shell-shocked from watching Rebecca’s belly sliced open, Kenny was nonetheless thrilled when into the world, peeing in every possible direction, came the newest member of his family.
“Guess it’s the boys’ list of names,” he said to Rebecca, all the while girding himself to cut the umbilical chord.
A nurse carefully cleaned the baby, then handed him to Rebecca to nurse.
Watching with a pride the likes of which he’d never before experienced, Kenny studied his wife, who looked radiant.
But the mood was shattered abruptly when into the room came an officious hospital employee determined to assert her authority.
“Time for the baby to go to the nursery,” the blustery woman announced.
“Beg your pardon?” replied Kenny.
“Off to the nursery,” she chirped.
“We were told the baby could stay with us,” Kenny said forcefully.
“And it could if we had enough rooms. But guess what. We don’t.”
“That’s not acceptable,” Kenny declared.
“Acceptable or not, that’s the way it is.”
“Kenny?” said Rebecca firmly, while making no move to relinquish the baby.
“Yes, sweetie?”
“Know how I’m always saying Please don’t?”
“Yeah?”
“Well, Please do.”
Kenny smiled at words he never thought he’d hear from Rebecca, then turned all business as he again faced the bossy woman.
“Time for you and me to step out into the hall,” Kenny said forcefully.
“We were promised the baby could stay with us,” Kenny stated in no uncertain terms once he and the woman were face-to-face in the hall.
“And he could if we had a room in the maternity ward.”
“Then find us a room elsewhere.”
“I’m afraid that’s against the rules.”
“Want to show me where that’s written?”
“Sir, it’s against hospital policy.”
“But it’s within hospital policy to make a promise, then break it?”
“Sir, you’re being difficult.”
“Actually, I’m only warming up. Who do I have to talk to in order to make this
right?”
“My supervisor.”
“Whose name is?”
“Sheila Sullivan.”
“Please call her.”
“At 3 A.M.? I’m sure she’s fast asleep.”
“Then give me her number so that I can call.”
“Sir, I don’t think you understand!”
“No, you’re the one who doesn’t understand. You’ve got five minutes to make this
right.”
“Or?”
“Jail break.”
“Y-you can’t d-do that,” stammered the woman.”Wanna bet? Five minutes, then mom, baby, and I are out of here.”
“B-but if anything h-happens –”
“My lawyers will hold you, your absentee supervisor Miss Sullivan, and the whole
damn hospital responsible.”

 

Rebecca beamed as she, her new baby, and Kenny were taken to a bright, cheerful new room where they were suddenly allowed to stay together.
Aware that much remained to be done – they still owned no crib, no baby blankets, no baby undershirts, and had no diapers – they found comfort in that what they did have was each other.
The days ahead, like those that preceded them, would certainly not be easy. But the life that awaited, despite the bumps that they would clearly encounter, would be of their choosing. In other words, as often as was humanly possible, it would be in keeping with their own personal Please do’s and Please don’ts.

Bathroom Brazenness by Miranda Roehler

It is an unwritten, but obvious rule of dorm life that people do not converse in the bathroom. The only exception is if you know the person well enough you don’t care if they look at your face at 3:00, 5:00, or 8:00 A.M. Or noon.

For example, it was perfectly acceptable for me to chat with my friend about our history project while we brushed our teeth. But it was not alright for the girl who always says “hey” to everyone to say “hey” to me as I walked out of the bathroom stall.

Of course the most obvious tidbit of dorm etiquette is that at no time do you ever, ever talk to someone in the shower room. Once you cross the threshold into the land of showerdom, you don’t even so much as glimpse at the showers if someone else is using them. You stare at the ground, march forward, and mind your business.

The only time it is appropriate to talk to someone in the shower room is if you are related to them. This is why I didn’t consider it offensive when my younger sister stayed the night and screamed from the shower beside me that she needed my shampoo.

I was not, am not, and never intend to be related to the girl who lives in 117. Like the “hey” girl, only more bizarre, 117 will either completely ignore you or call you some pet name before trapping you in a pointless conversation.

She had been ignoring me on one particular day in October, which I was grateful for. After a long day I was looking forward to a hot shower and the few minutes of relaxation it would provide.

As I entered the shower room I observed that someone was in the third shower. I followed proper protocol and kept my head down as I scurried to my destination. Home free, I loaded my supplies onto the all-too-tiny shower shelves, stepped inside, and almost had my robe untied.

Then it happened.

Someone said something.

To the best of my knowledge, there were only two people in the room…and I was 99.99% positive I hadn’t said anything.

I maintained silence, figuring it must have been my imagination. No one would dare talk to someone else in the shower room! I must have stayed up too late the night before.

Just as I had myself convinced I would go to bed earlier that night, the third shower door swung open, revealing the smiling, sudsy face of 117.

“Well hi there sweetie!” she said, as she enthusiastically cocked her head to the side.

“Hi!” I said, sounding both overly chipper and tremendously frightened.

She laughed and shook her head. “These showers are terrible for having conversations!”

Then as quickly as she appeared, 117 vanished back into the confines of her shower world.

She’s ignored me ever since.

 

Miranda Roehler is a senior Creative Writing and History major at The University of Findlay in Findlay, Ohio, where she serves as the prose editor for The University of Findlay’s international literary journal Slippery Elm. Her writing has appeared in The University of Findlay’s campus-wide literary magazine From the Writer’s Kitchen and the online literary magazine Insert Lit Mag Here. In addition to her passion for writing, Miranda loves all things Kennedy, Disney, and Pembroke Welsh Corgi.

“A Brief History of the Marriage Vow” by Glen Armstrong

A Brief History of the Marriage Vow

The idea is to get the bride and groom to float toward each other, defying the layers of clothing they have rented. The idea is to obscure the idea with ritual, organ music and flowers, deifying the silence that, though brief, truly heralds their commitment. In this smallest of pauses before the ceremony, they have no idea. No lips. No history. No one breathes as a man trained in all things uncertain guides the trembling couple toward new uses for their mouths.

 

Glen Armstrong holds an MFA in English from the University of Massachusetts, Amherst and teaches writing at Oakland University in Rochester, Michigan. He also edits a poetry journal called Cruel Garters.

 

“Monsters and Kings,” by Rebecca Kirschbaum

Monsters and Kings

Written by Rebecca Kirschbaum

——

The gentle town of Kingsburrow has a handful of stoplights, an unstimulated police force, and an elderly man who tiptoes out of his house every morning for a predictable stroll. On Main Street, there are a handful of unordinary buildings cloaked in unassuming shadows. The town is aged, overgrown with vines and shrubbery, filled with potholes and cracked cement. Grass and dandelions grow up through the cracks in the sidewalks. A few stone fences remain from the Civil War and they line the yards of the largest houses. Children often whack at the stones of the old fences with sticks they pull from old dogwood, oak, and maple trees.

Ironically, or maybe predictably, Kingsburrow is only known for its monsters.

A little after eight, the night descends into Kingsburrow and the lights of the stores begin to go out, one by one. Here, it might seem the most wretched of threats are the feral cats, who roam the broken sidewalks, seeking a miniature victim. Ask that old man on Maple Street, the one who sits on his porch, in his rocking chair. If you sit with him as he rocks, long into the night, you will notice he is at ease as he sips at the end of his pipe. He will tell you, “Lightning never strikes twice. This town’s as safe as it’s ever been.” Continue reading

“Deborah Interviews Debra” by Kayla Pongrac

Deborah Interviews Debra—

Artist Admiration Series: Vol. 2, Issue 7

 (C) Kayla Pongrac

Deborah: Allow me to begin this interview by asking what inspired your new body of work.

Debra: The ladder outside my bedroom window has been growing exponentially. I hear it at night, crawling past my second-story window, scratching its chest against the brick walls of my apartment complex. So it was this ladder, mostly.

Deborah: I see. And how would you describe this ladder?

Debra: Oh, I think it’s just like everything else. I spend a lot of time contemplating how lovely it would be to cup it in my hands and then toss it down my throat like a piece of popcorn, you know, just so I can spend an entire afternoon painting it different colors.

Deborah: What color would you paint it?

Debra: Coloring Book Background, probably.

Deborah: White then, right?

Debra: No, more of a tan—a sad tan. And I’d mix that with the color of my dad’s initials tapping me on the shoulder.

Deborah: Is your dad still alive?

Debra: He tends to be.

Deborah: And what about your mom?

Debra: My mother reminds me of a kite that I once flew by my bedside.

Deborah: You once flew a kite by your bedside?

Debra: It was storming. All my windows were open. The strangest part about that night was the thunder—I could feel the thunder in my gums. It made my teeth vibrate and shift counter-clockwise.

Deborah: I think I want to go back to discussing this ladder. Did you mention that you own it?

Debra: I own everything I see, so I would be silly not to consider that ladder mine.

Deborah: What do you mean by “I own everything I see”?

Debra: Everything that gets put in my cup gets dissolved, and that is all. I really don’t like these questions. I thought you wanted to talk about my art?

Deborah: One critic recently compared your art to “cracking an egg on a trampoline made of seahorse intestines.”

Debra: How flattering. I don’t often read reviews because they make me seasick—all the black words floating atop the white pages, you know—but it sounds like this review could be worth two pills.

Deborah: Do you think that critics are generally helpful or hurtful? Oscar Wilde once said, “A man who does not think for himself does not think at all.”

Debra: “The critic has to educate the public; the artist has to educate the critic.” That’s something else that Oscar Wilde often says.

Deborah: Hmmm . . .

Debra: And here’s another: “There is only one thing in life worse than being talked about, and that is not being talked about.” I enjoy being talked about. I find it quite comforting.

Deborah: Do you consider yourself well-read?

Debra: No. I just know Oscar Wilde personally.

Deborah: I don’t see how that could possibly be true.

Debra: He comes over for tea on weekends.

Deborah: Comes over where?

Debra: To my apartment.

Deborah: And you two drink tea together?

Debra: Not together, but that is correct.

Deborah: Is he familiar with your ladder or your new body of work?

Debra: He knows nothing of the ladder, or the latter.

Deborah: Can you confirm his existence?

Debra: I thought you wanted to talk to me about my art? I don’t feel like we’re talking about my art.

Deborah: But we’ve learned a lot about you.

Debra: Who is “we”?

Deborah: Everyone reading this.

Debra: You mean all the nervous jellyfish?

Deborah: Perhaps we can try to re-schedule this interview at a more convenient time for you. I’m not quite convinced that I have your full attention today.

Debra: No. Just tell everybody that I like saltwater, too. That should be enough. Yes, that should plenty. Tell them that I like saltwater and that I will meet them all on the shores of the Atlantic Ocean at this time next year. I’ll have my ladder with me. We’re going to tour the country.

Deborah: Thank you. Good luck to you . . . and your ladder.

Debra: Please, allow the jellyfish to panic for a little longer. They have no hearts, bones, eyes, or brains. Someone needs to remind them of the benefits of keeping it that way.

 

Kayla Pongrac is an avid writer, reader, tea drinker, and vinyl record spinner. Her work has been published or is forthcoming in theNewerYorkSplit Lip MagazineOblongThe BohemythDUM DUM Zine, and Mixtape Methodology, among others. When she’s not writing creatively, she’s writing professionally—for two newspapers and a few magazines in her hometown of Johnstown, PA. To read more of Kayla’s work, visit www.kaylapongrac.com or follow her on Twitter @KP_the_Promisee.

Halloween Contest Finalist: Mureall Hébert

These flash pieces by Mureall Hébert are finalists of the Furious Gazelle’s Halloween contest. The contest’s winner will be announced Friday. View the rest of the finalists here.

The Side of the Road

I drove by without stopping as you stumbled down the side of the road because the rust-colored stains on your yellow dress alarmed me, and the way your head cracked at an angle didn’t compute, and the tormented scream on your face chilled my spine. I ignored the cries that wrenched at my car, pretending I didn’t hear you plead for help, or salvation, or revenge. I nudged the gas pedal harder when I glanced into the rear-view mirror and discovered you’d vanished, like you’d never existed. I raced faster when the temperature in the car plunged and the door locks clicked into place. And I refused to look at the passenger seat because I didn’t want to see you there or admit to the rawboned hand along my arm and the musty breath on my neck.

Why I Had To Bite You

I didn’t rip the head from the corpse,

tuck it into a bowling bag, and drop

it in your swimming pool. That was Igor.

He escaped his bell tower, got into the cider,

and was up to no good. Nor did I hang

the body-less hand from your car door

and hide in the woods to watch you scream.

That wasn’t me. My alibi swears I’m clean.

Most likely Poe or Norman Bates. I hear

they’re into that kind of thing. The face

in the mirror? The one dripping blood

from her eye-sockets? Not yours truly.

Don’t blame Bloody Mary either.

She’s in Tijuana, last I heard.

I suspect the gremlin in the basement

or maybe Tonto—I spotted a black dress in his closet.

Yes, I’ll admit, those puncture wounds on your neck

are my fault. Dracula’s converted to pacifism

and what’s Halloween without vampires?

Don’t thank me, really. The wounds will heal

and you were a night person anyway.

Call it my civic duty—

although I have to admit you tasted pretty good

even though I prefer iced tea.

Mureall’s fiction has appeared or is forthcoming in Suddenly Lost in Words, Lunch Ticket, Crack the Spine, Stone Crowns MagazineBartleby Snopes>kill author, Short, Fast & DeadlyBacopa Literary Review, The Citron ReviewStereoOpticon, and WhidbeyAIR. Mureall is an MFA graduate from the Northwest Institute of Literary Arts and a former editor of Soundings Review.

Halloween Contest finalist: The Nefarious: A Tale of a Notorious Halloween Dance

This short story by J. J. Steinfeld is a finalist in the Furious Gazelle’s Halloween contest. The contest’s winner will be announced Friday. View the rest of the finalists here.

“The Nefarious: A Tale of a Notorious Halloween Dance” was first published in Strange Lucky Halloween (Edited by Sandi Reed-Chan and Jean M. Goldstrom, Whortleberry Press, 2013).

© 2014 by J. J. Steinfeld

“We haven’t gone dancing in years, Shane. Not since we first got married, let alone a Halloween dance,” Cynthia said to her husband of almost thirteen years. In fact, their thirteenth anniversary was in a week, two days before Halloween, and the dance Cynthia had been invited to by her boss, Edvard Bellwether, of Bellwether Worldwide Insurers.

“I used to love Halloween when I was a kid,” Shane said, staring up at the ceiling of the living room of their suburban apartment condominium, seeming to be locating himself in the past. I usually went trick-or-treating as one superhero or another, but I don’t remember ever going to a Halloween dance.”

“When I was young and not so young, I went to some wonderful Halloween dances, wearing beautiful costumes, always beautiful, elaborate costumes for me. Seems we grew up in different social strata,” Cynthia joked, but Shane lowered his head and gave an exaggerated growl, recalling the first time he met Cynthia’s upper-crust crustacean family as he always referred to them, and the contempt with which he still maintains they treat him because he was from a poor working-class family. Cynthia’s parents, both in their mid eighties, did not approve of their daughter’s marriage to a younger man, even after thirteen years, and a wedding her father had described on numerous occasions as a disappointing, lacklustre city-hall affair, Shane emphasized with rancour. As for Shane’s family, Cynthia once remarked they reminded her of a cross between the Munsters and the Addams Family, and Shane, who usually had a lively sense of humour, called that ridiculous comparison disrespectful and insulting, despite Cynthia’s claim that both of those fictitious families were delightful even admirable in an absurd social commentary sort of way.

“What should we go as?” Shane asked, recalling the years he went trick-or-treating as Batman or Superboy in costumes sewn by his mother. He closed his eyes, his fingers periodically poking into the air as he appeared to be counting Batmen and Superboys, and added, “I think it was six times as the Caped Crusader and five times as the Boy of Steel, between the ages of four to fourteen, inclusive.”

“Edvard told me this dance has been going on for ages, every Halloween, even before he started his insurance company two decades ago, and they always have a theme. Until now, he’s never invited anyone from our company. Felt it wouldn’t be proper, whatever that means. But when I told him when we got married, even if it was two unfortunate days premature, as he characterized it, he said he couldn’t resist. And thirteen years ago, of all anniversaries, his luckiest number. One’s costume has to somehow be connected to the theme, even tangentially or obliquely, he said. Edvard likes to use fancy words.”

“So what’s this big theme, Cynthia?”

“The Nefarious.”

“The what?”
“Nefarious.”

“Is that a noun?”
“I guess you can make it into a noun. I told you Edvard likes fancy words.”

“Whenever I pick you up at your office, the guy always gives me the creeps.”

“He’s great to work with. The best boss I’ve ever had, and as you know, I’ve had my fair share of bosses and supervisors.”

“He looks like Edgar Allan Poe, if you ask me.”

“You’re not the first person to say that, but I think he’s a handsome man. Edvard even hinted he might go as Poe to the Halloween dance.”

“I never said Edgar Allan Poe wasn’t handsome, only creepy looking. John Cusak is a handsome actor, and he played Poe in The Raven, for which, if you recall, I wrote a glowing review….” Both Shane and Cynthia were avid film buffs and each wrote weekly reviews for an online film website, Shane for more current films and Cynthia specializing in older films, especially classic films. Shane liked to say that film reviewing was his passion while his successful house-painting business was a sideline.

“After I told him we got married two days before Halloween, thirteen years ago, it was the first time I ever heard Edvard laugh. He went on for about a minute, and the whole office started laughing, turning the entire first floor of the building into a strange theatre of frivolity.”

“That sounds creepy, too.”

“Not at all, darling. It was rather fun. Things can get sombre with the crazy work load this month for reasons, I assume, that have nothing to do with Halloween.”

“Well, as long as he gives you a good raise.”

“I’ve only been with Bellwether Worldwide Insurers seven months, Shane, for Heaven’s sake.”

“You’ve already proven yourself a valuable asset.”

“Edvard actually said we should have gotten married on Halloween…in costume.”

“You were married in costume, so speak…a wedding costume.”

“I told him I had a very sexy dress…for a city- wedding.”

“You were the sexiest forty-two-year-old newlywed I’d ever seen or married.”

“Stop with your silliness, Shane.”

“Silliness is what gets me through all the silliness of existence, if you know what I mean, Cynthia.”

“I know exactly what you mean, I think…more or less.”

“Now who’s being silly?”

“Perhaps the question should be, who is being more silly?”

“Your forty-one year old young hubby, looking lovingly at his sexy fifty-five year-old wife,” Shane said, and hugged Cynthia, even though it annoyed Cynthia whenever he underscored the disparity in their ages. He had just turned twenty-eight and she was two-thirds into forty-two when they married thirteen years ago,

“Who shall we go as, Shane?”

“Has to fit the theme, you said.”

“I’ll research nefarious folks on the internet and see what I come up with, Shane. Movie characters with nefarious reputations might not be a bad place to start.”

“Too bad Batman or Superboy wouldn’t qualify as nefarious. Believe it or not, Cynthia, I’m looking forward to this Halloween dance, especially if you can wear something nefariously sexy.”

“Sounds like something Edvard might say…”

*

Cynthia and Shane decided on Bonnie Parker and Clyde Barrow. They watched the film several times on DVD to get a feel for what kind of costumes to wear, acting out in their living room some of the scenes. Shane even wrote an in-depth review of Bonnie and Clyde, and used it for this week’s online review. He usually didn’t review films made before 2000, but became so enamoured of the 1967 Bonnie and Clyde, and its place in cinematic history, he decided to make an exception. Cynthia wrote a long review essay on old gangster films, which Shane said was her best writing about film to date. After watching Bonnie and Clyde for the fourth time, they went to a vintage clothing store and found the perfect 1930s outfits, including hats close to those the actors Faye Dunaway and Warren Beatty wore in the film. When Shane told the thirtyish clerk at the clothing store that both she and he weren’t even born when Bonnie and Clyde hit the big screen, but his lovely wife was already in grade school, Cynthia became angry and stormed out of the store, vintage outfit in hand.

*

By the time Cynthia and Shane arrived, there were already over a hundred partyers, everyone in costume and dancing enthusiastically at different levels of competency. The dance was being held in a large but somewhat run-down community hall in a less than desirable section of the city Cynthia had never been near but Shane had grown up in, and trick-or-treated there, he mentioned with time-defying fondness. The lighting in the large hall was dim and periodically would flicker or go out completely for brief periods, with a dark-blue spotlight on the twenty-piece band that entertained almost non-stop during the dance, the musicians dressed as a rogue’s gallery of notorious criminals from history, ranging from nefarious assassins to infamous dictators to vicious serial killers. Cynthia enjoyed herself dancing, saying she felt her spirit was rejuvenated and she felt younger, at least by a few years. Shane said dancing made him feel older, making his point by rubbing his knees which were acting up painfully.

During one dance, to a song neither Cynthia nor Shane could place, Clyde Barrow, another Clyde Barrow, cut into the costumed Cynthia and Shane/Bonnie and Clyde couple, and another Bonnie Parker took hold of Shane, as Edvard stood nearby and oversaw the switch in partners.

“I feel so embarrassed,” Cynthia said.

“Why should it be embarrassing? It’s rather flattering,” the other Clyde said.

“Yes, most flattering,” the other Bonnie added.

“The movie is stupendous, and holds up quite well in comparison to more modern gangster films,” Shane said, as the other Bonnie tightened her hold on him.
“Your duds look like they’d fit pretty close into that period,” the other Clyde observed.

“You look awfully…what’s the word—” the other Bonnie said.

“Authentic,” Edvard said. “Authentic with a capital ‘A’.”

“Thank goodness it’s not that other famous capital ‘A,’ the one in the Scarlet Letter, a film a gave a lovely review even if most other reviewers weren’t in agreement with my assessment,” Cynthia said, as the other Clyde tightened his hold on her. Both of the other Bonnie and Clyde liked to dance extremely close, as though attempting to meld their body with their dancing partner.

“Look around,” Edvard encouraged, “just about everyone has had a film or two about them, maybe a lot more,” he said, putting his arm around Jack the Ripper, “or as nefarious characters in a horrifying film about someone else,” and soon the discussion revolved around the films that contained either major or minor roles for The Nefarious, and a discussion of what qualified as nefarious behaviour, historically, in fiction, and cinematically.

A group of strikingly realistic-looking gangsters, standing close to a little too skinny and much too tall Al Capone, rattled off the names of dozens of movies and someone commented it sounded like the rat-tat-tat of an old-fashioned machine-gun. Machine Gun Kelly went out to his car and came back with a machine gun which Edvard said was authentic. Machine Gun Kelly aimed his authentic-looking weapon at Shane, and when Shane cowered, said he shouldn’t be a fraidy-cat. Shane started to walk away from the menacing Machine Gun Kelly, but he was blocked by five tough-looking gun molls that Cynthia later speculated two of whom were men dressed as gangster women, two definitely females, and the fifth was androgynous but Shane thought was a female and Cynthia a male. The five eagerly identified themselves as Helen Wawzynak, who had been dancing earlier with Baby Face Nelson, Beulah Baird with Pretty Boy Floyd, Kathryn Thorn with Machine Gun Kelly, Virginia Hill with Bugsy Siegel, and Evelyn “please call me Billie, everyone” Frechette with John Dillinger, and each gun moll tried to outdo the others with what sounded like first-hand descriptions of their nefarious backgrounds and exploits alongside their nefarious gangster associates.

Edvard, Shane pointed out, was using the word authentic a great deal. He was using it for nearly everyone, except for Shane and Cynthia whom he mildly flattered by saying that they certainly approximated the period but didn’t quite capture. He did admit to never having seen the 1967 film, but his friends who were costumed as 1930s Bonnie and Clyde had shown him photographs of the real Bonnie Parker and Clyde Parker, a thick album of old photographs, and the resemblance was uncanny, or authentic, as Edvard said several more times. As he continued to talk about the authenticity of the other Bonnie and Clyde, Edvard did a slow gyrating dance with Cynthia/Bonnie, and Shane/Clyde gave him a hard shove, but Edvard held on to Cynthia and laughed it off by saying let bygones be bygones, and let’s not turn this festive occasion into a horror story. “Mind you,” Edvard said, “Edgar Allan Poe might appreciate a more horrible tone to the festivities, and I am the nefarious Poe tonight, am I not?” Edvard even suggested that everyone call him Edgar, if only until the Halloween dance was over. After he let go of Cynthia and eyed another potential nefarious dance partner, Edvard claimed that his middle name, coincidentally, was Allan, Edvard Allan Bellwether, but Cynthia and Shane both thought that was untrue, a Halloween verbal trick.

As Cynthia danced yet another time with the other Clyde, she could see the other Bonnie dancing again with Shane, holding her husband too closely, occasionally whispering into his ear what Cynthia imagined were suggestive, erotic words. The other Clyde told Cynthia that jealously was a wretched emotion, a wicked green-eyed monster that can shred one’s emotions, and if his Bonnie wanted to rob a bank with someone else and then have a wild sex romp afterward in a cheap motel room, he wouldn’t mind.

“We could pull off a few heists together,” the other Clyde went on, whispering close to Cynthia’s ear, much in the manner the other Bonnie whispering to Shane.

“Bonnie and Clyde met a horrific end,” Cynthia said firmly, and stepped away from the other Clyde.

“That was in a Hollywood movie, not real life. The movie-makers got it all wrong. That is, the cops killed the wrong folks, and we got away.”

“That is obvious, isn’t it? But shouldn’t you be somewhat older, Clyde, say over a hundred? Bonnie and Clyde were killed in 1934, after all, he twenty-four and she twenty-three”

“Heck, deals can be made, potions can be found. I saw Mephistopheles over by the refreshments a little while ago, having a chat with Dillinger,” the other Clyde said, moving close to Cynthia again, and quickly gave her a kiss before she could avoid his lustful lips.

“By the way, that green-eyed monster you mentioned, and I can handle, thank you, is from Shakespeare, who I much prefer reading than dancing with you,” Cynthia said sharply to the other Clyde, and hurried away to the opposite side of the large room.

At the start if the last song before the costume judging, Edvard asked Typhoid Mary, wearing a surgical mask, to dance. Earlier there had been heated debate among some of the other costumed partyers that Typhoid Mary wasn’t nefarious because she had been asymptomatic and didn’t believe she was infecting others, but a veterinarian dressed as Mr. Hyde eloquently argued that since she refused to cooperate with medical authorities on many occasions, the results if not the intent were nefarious and therefore Typhoid Mary qualified as nefarious.

Edvard was the first person to ask Typhoid Mary to dance all evening. “I insisted she wear the surgical mask. Nice touch, wouldn’t you say albeit a bit of an anachronism? Maybe she’ll take it off later, but I think that’s prospective irony, if you get my drift,” he said to Cynthia and Shane, who were dancing together not far away from them.

“Not exactly, Edvard,” Cynthia responded.

“It hardly matters. Wait until the judging. First prize is incredible.”

“A get-out-of-jail-free card?” Shane said, having recently commented on how much jail time some of the characters had served, and even attempted to estimate an aggregate total of time, at least a thousand of years, he estimated, spent incarcerated by those costumed characters at the Halloween dance.

“A five-million-dollar life insurance policy, with the yearly premiums paid for a hundred years, in case the winner has longevity in their family,” Edvard said, offering a mischievous glance in Cynthia’s direction.

“I already have adequate life insurance, Mr. Poe.”

“One can never have enough life insurance. I’m sure Cynthia would appreciate the bigger policy.”

“Don’t forget the booby prize,” Typhoid Mary said, raising her voice in excitement.

“What would that be?”

“Later, Shane. Hold your horses and keep on your pants.”

“What an odd term, booby prize, isn’t it?”
But apposite…and authentic,” Edvard said, just as Cynthia joined the group standing around the gregarious organizer of the Halloween dance.

Edvard revealed that he had won three times in the last twenty or so years and the booby prize twice, “Hard to fathom that, but it’s all relative and subjective and unpredictable,” he said, rubbing his Edgar Allan Poe moustache.

“Why would anyone want the booby prize?” Cynthia asked, shaking her head in bewilderment.

“One must have a booby prize, the coveted booby prize. The booby prize consists of the first and last place costumes ending the evening with a romantic dance, depending on sexual preferences, but I‘m sure you know what I‘m getting at. I’ve seen first and last place smooching and the opening sparks of a romantic relationship. Well, last year, a dapper Beelzebub and a drab-looking Angel, albeit an Avenging Angel, really hit it off. They had to be pried apart or they’d still be kissing. They married last week, less than a year after that monumental osculation. I understand they are in their honeymoon in a hot climate, at Beelzebub’s suggestion.”

*
Sweeney Todd and Typhoid Mary won in a tie, and Cynthia and Shane received the booby prize. The band began their final number, and Sweeney Todd took Cynthia onto the dance floor, and Typhoid Mary pulled a reluctant Shane toward the centre of the dance floor as all the other costumed partyers formed a cordon around the two dancing couples, as if they were contemplating escape, “There’s no escaping this tradition,” Edvard said, seeming to be reading their minds, or at least their body language.

Near the end of the dance, Typhoid Mary removed her surgical mask and gave Shane a deep kiss he would never forget, he already starting to look more than a little ill.

“Typhoid Mary is about as authentic as you can get,” Edvard said, “even if she wasn’t nefarious in her heart…”

***

You can read more about J.J. Steinfeld at http://www.ditchpoetry.com/jjsteinfeld.htm

Halloween Contest Finalist – Blackout

This short story by Hannah Regan is one of the finalists of the Furious Gazelle’s Halloween contest. The contest’s winner will be announced Friday.

 

Blackout

By Hannah Regan

Now picture this: first, black. The sharp sound of a switch, and a light flares. It backlights a rippling white sheet. No, off-white, really. Creamy. A few slapping sounds from the darkness around you, then a silhouette appears on the screen. The figure kneels, picks something up from the ground. A quick ripping sound, a snap, and then a steady hiss, and a small yellow glare – a match lit behind the screen. A crack, and the sheet falls. You see a face – a beautiful face, the face of an angel, but marred by a jack-o-lantern smile, toothy but razored-edge canines, head thrown back, laughing, and then suddenly snaps shut into a smirk that sends shivers tearing down you. He drops the match, and everything is black, once again, until it blazes up, consuming everything in gold. And then nothing.

The boy ran through town, breathing hard, bare feet getting dirtier with every slap onto the ashy asphalt, tearing away from the golden sky blazing behind him. The pollution-heavy air weighed in his lungs and his ears rang as the sirens began to blare, waking the peaceful air. And still he ran, harder, further, faster, until he could run no more. Then he collapsed on the ground.

Lights up behind the screen again, a platform with a dark mass shadowing it this time. A curvaceous woman moves around it this time, clinking sounds as she mixes this and that, then leans over the platform. A spluttering noise, the dark mass convulses sharply. Blackout.

The boy is on his feet again, but no longer on the street. He’s bolting sidelong through a seemingly endless hallway. He sees himself running on all sides of himself. There, he is stretched like taffy, reaching to the sky. Over there, he is the size of his thumb. In a third side, he is wider than he is tall. Every few lengthy strides, he crashes into a wall. It shatters, leaving a black scar in the shimmering hall. He changes directions, and keeps running, until every wall was destroyed, and he collapses again on shards of glass.

Lights up. A barren hospital room is illuminated. One metal cot, on which is heaped a small, dark mass. Outside a steel door, two silhouettes are illuminated. The curvy nurse, and a tall, square man – the doctor? Whispers are heard leaking under the door, and then it opens. The light is white and harsh, contrasting with the warm, soft, yellow glow of the hallway outside. The gold is cut off sharply as the door slams and the man and woman enter.

Both figures bustle around the bed. The nurse fusses with the mass’s sheets, fluffs its pillows, checks the bedpan. The doctor checks vitals, making notes on pulse, breathing, lividity, on the chart hung on the foot of the bed. Both figures pause as the mass stirs, taking the shape of a small boy. His eyes flicker for a moment, revealing stripes of green iris underneath. Blackout.

The boy is trapped now in a spinning cylinder which stretches and compresses, so that just when he thinks he has reached the end, he is carried back to the start. The walls spin around him, disorienting. Getting weaker. Cylinder is shrinking. Tighter, tighter, squeezes out all the air, and he crumples, stuck inside the still invariably rotating tube.

The harsh white light flickers into being again, blinding you momentarily. The green-eyed boy is sitting up on the hospital bed now; the doctor and nurse are seen outside the door once again. The boy is examining himself. His legs and arms are hardly recognizable as such. They bear a mix of injuries: slices which seem to sparkle, as though there is glitter embedded in them; scrapes and bruises still full of asphalt and ash, dusky black amid the glitter; and everywhere, shiny red burns, glaring, giving off a radiation. You can almost feel the heat.

After a thorough self-examination, the boy lies back against the sheets, waiting. The doctor enters again, and the narrow green slits snap shut, feigning sleep. Another round of checking vitals, a crisp nod from the doctor. The first words – “alert me when he wakes” – a slamming door – and a blackout.

The click of a light, and the sheet is back. You see a long vehicle – a truck? – race along toward the golden flare in the distance. The flare hisses, crackles and pops, reaching ever higher, threatening to consume every drop of ink coloring the sky. A wailing sound grates on your ears, repetitively, and you beg for it to stop. Mercy, please. The truck reaches the blaze, the wail stills, but you know it is too late. The building is consumed, and there is nothing left to find. Shards of glass on the ground, ash falling like feathers from the sky, and in a secret corner, one, almost consumed match, much too small a thing to have committed such a grand act.

This time, first sound. Another wail, less mechanical. Human, this time. Then the grating bleached light. The boy, contorting on the pallet, as the doctor and nurse bend over him with thin silver instruments. As you watch, the doctor reaches down, there is a barely audible click, then his hand comes up, reaches over to a bowl, and relaxes. There is a ping – a shard of glass falling into the bowl. They are removing the glittery pieces from him, one by one, and he does not appear to be numbed.

They work in silence, broken only by the occasional ping as the glass hits the bowl, and the soft moan of the boy whose nervous system is being consumed from the outside, trying to hold himself together long enough to achieve a point of relief which may never come.

No lights. You sit in darkness as a series of beeps reaches your ears, then a voice. It’s human, but barely. Robotically, the woman tells you that there has been a fire in the South district. No one was harmed inside the building, an abandoned warehouse. However, the arsonist is suspected to be severely injured. She begins to describe the arsonist. It sounds terribly familiar, and you realize with a sense of horror that weighs in your stomach as if you have swallowed a stone that she is describing the small boy lying on a pallet in a cold, bare hospital. Anyone with information is asked to come forward. You can call… The voice trails off as she recites the number, the sound fading, and you are alone in the dark.

The blinding white light floods you once more, and the golden light is lighting three figures now: the pear-shaped nurse, the square doctor, and now a round man, slightly shorter. More whispers, followed by a gruff “get out of the way.” The door opens again, and the people come in to peer down at the boy.

He could be a mummy now, wrapped in bandages which covered some sort of gooey purple ointment which simultaneously soothes his burns and stings his cuts. He twitches every few seconds. His green eyes are open, the whites stung red with pain. There was a trickle of red running down his chin, where he seemed to have bitten his lip to keep from crying out.

The adults crowd the bed, and his eyes flicker between them as his body convulses. The round man sends the doctor and nurse out, and shows the boy something shiny. A silver badge, it seems. He speaks, but his voice sounds like it is coming through in a haze. The boy’s eyes narrow again. The man does not look around, and so he does not notice the book of matches lying on the bedside table.

The boy releases his hold on his lips to issue a sharp scream – it hurts you, it is so piercing. The doctor and the nurse come running back in, and shoo out the round man with the badge. Blackout.

No light. No sound. It feels as if you are floating. What is this place, precisely? Who are you? What are you? You aren’t sure. It’s heavy. It’s empty. You have no perception of time, no awareness of having any senses. What is this? Fade out.

Lights up, this time soft yellow. You are in the hallway now, watching the doctor and nurse talk to the round man with the badge in front of the door. They are arguing, the round man insisting that the boy is a criminal and needs to go to jail, while the doctor and nurse insist he is too weak. They open the door and enter, and from the brief glimpse you get, the medical professionals are right. Machines beep and whir, and the boy groans softly. The door slams, leaving you outside.

Black. You’re angry, you want inside with the boy. But you can’t open the door without a hand. As soon as this thought crosses your mind, one appears at the end of an arm that hadn’t been there. You become corporeal. Laughter bubbles up from your newly formed lungs. Efficacy at last.

Back to the warm gold light of the hallway. You lay your hand on the doorknob, admiring your fingers as they twist and contort, pushing the door in, and you enter. The doctor, nurse, and round man are all gone, off to argue in some other part of the hospital, it seems. The boy jars when he sees you.

“Who are you?” His eyes are narrowed, but you know he has noticed the resemblance between himself and you. “Do I know you?”

“Yes. Of course you do.” Although you have never spoken before, the words slip out easily, the skill already there for you to tap. “I’m you.”

“If you’re me, then who am I?” There’s a glint in his eye; he thinks he has trapped you. You smile, the ghost of a smile carved into a Halloween jack-o-lantern, lit from behind by a single match.

“I’m you. You severed me from yourself, saying it was too hard to be truly human. In fact, really, I’m you and you are a shell.” Eyes widen, and you see the ghost of a memory dance in his eyes, electric green, but flat, lifeless, no soul behind them to breathe life into him.

“I did. I cut you out. There was too much pain, too much horror.” The words come out of his mouth in a detached sort of way, there is no more emotion attached to them. You have all of his emotions, now. He has nothing left except the pain, inescapable and ever present.

“Ironic, really, that it was your desire for painlessness which leaves you in such agony now. Why’d you do it?”

“What, light the fire?” You nod. “Because I could. Because the matches were there. Because I was testing whether I really could feel nothing.”

“Nothing. Not nothing. I have felt nothing, but you still feel the physical. Are you ready for me again?” He nods, terribly slowly, grimacing in pain.

“Is there greater pain than this?” He grits his teeth. You smile, mirthless.

“Yes.” Simple, straightforward. “There is the pain of nothingness.” You rush upon him, in through the wound still gaping from where he severed you, not so long ago. You wiggle, adjusting to him again, desperately seeking the anchor which you have missed like a physical ache. As you latch in once again, he screams, you scream, the two sounds one, raw and primal – the pain of feeling once again. Blackout.

When you come to, green eyes flashing and dancing, the doctor and nurse are hovering over you, the round man standing off to the side, observing. The doctor is taking notes again, attempting to determine why you screamed, and the nurse is pumping pain medication in through the IV in your wrist. You stop her, reveling in the deliciousness of the pain, the sensation flooding your body.

The harsh white light stings your eyes, and the gritty hospital sheets rip into your delicate burns, and the beeping of the machines might as well be bombs going off. And you delight in it all, feeling it deeply, the aliveness of it all. The round man steps forward.

“Why’d you do it, son? Why’d you set the fire?” Everyone pauses in their routine tasks to hear your answer, listening intently. Your green eyes, animated now, widen, and the jack-o-lantern smile splits your angelic face. The round man steps backward.

“I don’t have a reason. I felt nothing. I feel nothing. I am nothing.” Mad laughter bursts from inside you, and you begin convulsing again, shaking all over with the utter emptiness of your mirth. The last sensation you are aware of is one sharp prick in your shoulder, as the nurse stabs you with a tranquilizer. Your laughter subsides, the world goes fuzzy, and the pain swims down, as you leave the conscious world once more. Blackout.

The Measure of a Man, by H. Rossiter

My shoes are old and frayed around the soles. A lot like me. Frayed soles, frayed souls, my granny used to say. She noticed a man’s shoes before she noticed anything else about him, his eyes or his suit or even his hair. When I was young, I wore cap toe oxfords, spit polished. Now I wear whatever I can find in the church charity bin.

I’m proud of my hair, though. You got worth if you got good hair, is what I always say. I’m not one of those old geezers who comb a few leftover wisps of sad gray over a bald skull. Not me. I’ve got a full head. Thick and strong. It’s steel gray and been that way since I was twenty two. Haven’t felt a woman’s hands in my hair since…let’s just say it’s been a long, long time. But I see them look at it, the meals-on-wheels ladies, the district nurse. I see their fingers aching to stroke it. Until they look down and see my shoes. Continue reading

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