The Furious Gazelle

Literary as hell.

Category: Essay (page 2 of 3)

“Preparing the Nursery,” by Joe Oswald

 

My wife had selected Winnie the Pooh as our baby’s theme. “Classic, not Disney,” she’d often repeat to family and friends as they called to congratulate us and ask for suggestion on gifts or clothing.

Being new to all of this, I soon found out that matching and coordinating was a common expectation when it came to such things as babies and preparing a nursery. Together we had carefully selected everything from blankets, comforter and floor rug, to the Classic Pooh table lamp that would sit on the dresser.

So, at first I was a little worried about the dresser. According to the instructions I had everything I needed for assembly – Phillips screw driver, small adjustable wrench and hammer to tap the tiny black nails to the back of the unit to prevent it, as the instructions explained, from collapsing when finished.  But, until I sliced open the box and let the pieces slide out precisely stacked as they had been when they left the shop floor half a world away, I did not know that the sand color of its smooth veneer finish was in fact an exact match to the sand colored trail of the wall boarder, on which a series of Pooh-Bears continuously roamed, night into day and day into night, honey pot in hand, appropriately accompanied by bees encircling the nursery at a height level with the top walnut railing of the crib. Continue reading

Love/Work by Ben Freeman

Love/Work

by Ben Freeman

My ex-boyfriend has changed his profile picture.

Somehow this merits five minutes of acrobatic weeping, head lolling first against the bed frame, face smushed up with the rug and lint.

When you put it that way it is kind of funny.
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“A Redneck Romance,” by Samantha McCormick

When I was in sixth grade, my family moved to a town composed of four stoplights and air perpetually tinged with the smell of chicken shit.  With the subjective delicacy of a middle school worldview, I adjusted to my new surroundings like a Harvard Ph.D. candidate dining in a Waffle House at 3 a.m. That is, with mere anthropological interest trimmed in judgment.  Burgeoning teenage angst coupled with a superiority complex along with being new to a cohort of kids together since kindergarten lead to the inevitable: I made only one friend.

Her name was Tyler, and she hated it because it sounded too masculine.  She tried adding her middle name “Anne,” which to me made her sound more like television redneck heroine Roseanne and less like a delicate feminine flower, but it never caught on anyway.  

The first time I went to Tyler’s house, we were dropping her off after she had dinner with my family.  Tyler and I sat in the back seat with my little brother, a second grader high on ADD medications.   Continue reading

“Pâté,” an essay by Tiffani Lewis-Lockhart

Pâté

Tiffani Lewis-Lockhart

I once read that most people cannot tell the difference between pâté and cat food when it’s presented to them. I’ve seen the Fancy Feast commercial, so I don’t doubt it. Particularly bored scientists have done experiments and usually get the same results. A lot of people think they would be able to tell, but it seems like such a simple experiment I’m not certain people aren’t doing it all the time. Maybe there is a vast conspiracy of people serving cat food instead of pâté, just because they can. I sometimes get the sneaking suspicion that I could eat pâté a million times until I was sure I knew what pâté tasted like. Then I’d get another opportunity to eat pâté (or alternatively cat food), and my world would come crashing down. I’d be just another victim of the pâté-cat food schemery.

I feel much the same way about overhearing people having sex. I’m never really convinced I’ve overheard people in the throes of passion. It always happens the same way. I’ll be sitting there, minding my own business, and I’ll hear a sound. Usually a female sound. And after my reaction, saying, “Oh… well… hmm,” and clasping my hands for no reason like I’ve suddenly got to break bad news, I dismiss it. I laugh nervously. Surely, I’m not really overhearing sex, I think. A ton of things sound like people having sex: fight scenes in movies, songs with high pitched notes, really jovial laughter, or even people making awkward sounds in order to make eavesdroppers uncomfortable.  And it feels awfully rude for me to assume a stranger is having a private moment when they might be doing something innocuous, like watching tennis or porn.

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“Chemical Codependency,” an essay by Jen Escher

Late weeknight phone calls throw me into a panic — fearing news of car accidents, mangled kids, suddenly dead parents.  I staggered across my bedroom to the dresser and fumbled to unplug my ringing phone. “Hello?”

“Jenny?”  The voice of Nancy, my ex-mother-in-law, one of the few people who called me by the childish name I no longer used. Nancy called me frequently – sometimes too frequently – and always started her phone calls with my name as a question, as if she weren’t sure who would answer at the number she seemed to have on speed dial.

“Yeah,” I responded, relieved but annoyed, assuming I was awoken for something inconsequential.

“Joe’s dead,” she said.  Just like that – two and a half syllables forming a sentence akin to being stabbed with a paring knife.  She continued speaking calmly, as if she were giving me directions to her house instead of telling me that her son – my ex-husband and the father of my teenage sons – was dead at forty. I couldn’t hear her words any longer, just the murmur of her voice.  My mind drifted to the last time Joe and I had spoken.  He sounded happy.  I should’ve known something was wrong. Continue reading

Wooden Statements by L.D. Zane

Wooden Statements

by L.D. Zane

The trip to Charleston, South Carolina would take thirteen hours. Eleven hours in, I pulled into a rest stop to stretch my legs. One last respite before the final push.

The grounds were a throwback to a more innocent time—when travel was an adventure, not an objective. It was a departure from the sterile sites along other interstates. I found a quiet spot, bordered by wooden rails, to savor my soda—retrieved from the sole vending machine—and smoke a cigarette. Near me was a young man practicing Tai Chi, in slow motion, among the trees. As I watched, the sounds of the highway faded. It was then I noticed weathered carvings on the rails. They seemed to fall into categories.

Love found: “Brandon and Chrissie 4ever.” Love lost: “Drop dead Jesse. Go to Hell. Good riddance.” Comings: “Finally home.” Goings: “I hate this state. Can’t wait to leave.” And apathy: “Who cares? You’re all losers.” All of them micro vignettes—the original social media.

The etchings had no dates. I wondered if Brandon and Chrissie were still together and blissfully in love. What did Jesse do to piss off whomever? Who was coming home? From where? How long had they been away? What happened to cause anonymous to hate an entire state? And where were they going in such a hurry?

“Who cares?” Someone cared enough to read and comment; carving is slow work. Perhaps that person had some—or all—of the same experiences and no longer felt the need to explain. Or maybe just gave up on life. And why the insult? Was it self-incrimination?

The road was waiting. I still had my own journey to complete, but I wanted answers. So I carved my proclamation: “Tell me more.”

 


 

LD ZaneL.D. served seven years in the Navy, which included a combat tour in Vietnam on river boats, and five years aboard nuclear-powered, Fast Attack submarines. At 65, his life is quieter now, and is a member of The Bold Writers.

L.D.’s short stories have been published in: Red Fez, Indiana Voice Journal, Remarkable Doorways Online Literary Magazine, The Writing Disorder, The Furious Gazelle and Slippery Elm.

His website is: ldzaneauthor.com.

“The Rocky Road of Moving Pens,” by Janet Buck

The Rocky Road of Moving Pens

by Janet Buck

I almost die, lose my pen, disappear, come back to life a little bit. Somehow, perhaps by the grace of persistent boredom and a two-minute glance at reality shows, I find that precious stick among tsunami-sized piles of dog hair and shredded Kleenex under the bed, and voilà, the writing world has changed its clothes. It’s been more than five years since I’ve written or published much at all, so I’m hungry for that feeling of putting together a poem without losing a piece of the puzzle to the puppy teeth of our new Yorkie. The Ars Poetica floating on the internet was always a pretty dicey glass, half-empty, half-full, but I was under the comfortable delusion I could hold the cup without it slipping from my hands.

 

The water is now on the floor, our puppy’s licking up the mess, and I am left in dizzyland. The pastures I’m familiar with have grown new grass and added weeds, thistled ones. Poetry is a slinky woman wearing a thong; editors want short and terse, nothing over 30 lines. A complete sentence in a poem is considered excess grit. The bulk of guidelines threaten me with: “Don’t do that, do this instead, we like this, we don’t like that, we hate the part of reading fifty pounds of subs—and e-mails are a presence that will get you shot, or hanging upside down in the town square, with people throwing rocks at you. We don’t pay you; you pay us. But please submit; we want your work.” I fall for it like a three-scoop ice cream cone in my favorite flavor.

 

Fairly early on in the game, I was smart enough to realize that getting paid to expose my soul just wasn’t a “happening” enterprise, rather like setting up a lemonade stand at the North Pole and expecting people to fork out a buck for more damned ice. I’m the first to admit I fully applaud the invention of submission fees because journals without fiscal support go down in flames, and I feel sad when I read giant messages on my screen that say, “We’ve drowned and no one came to rescue us.” The fact is that we’re all together standing in the breadline out in the cold.

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“Munich ’65,” a memory by Alan Stolzer

MUNICH ’65

by Alan Stolzer

 

Meister!” he exclaimed, displaying a profile that exhibited an eyeless socket and a grin, perhaps once steady now interrupted by a tooth here and there. He put his face nearer mine, breathed breath drenched in beer and pointed at his groin, his missing eye then pantomimed a rifle and its bullet entering each. The hauptbahnhof (railroad station) waiting room was smoke filled and noisy at 3am or maybe it was this way every 3am but since this was my first time I couldn’t say.

My friend swept an undamaged arm toward others in the room, several wearing wehrmacht (army) campaign hats (as he did) muddled in their thoughts or conversations. At any rate, it served as barrier against an ice-tinged, pre-sunrise morning in Munich, 1965. The ex-soldier didn’t seem to care my German wasn’t anywhere near his nor up to par for that matter. Consequently, I couldn’t begin telling him I was between jobs and without lodging for, hopefully, this night only.

His gestures and talk, some to me, the rest for the room, were easily absorbed by the erratic hum of voice and smell familiar to contained space peopled by crowded bodies; no time or inclination to wonder how one arrived here but surrender to inevitable need for warmth and companionship – desirable or otherwise.

I wanted to find out where he had served. Was it North Africa, France or most disastrously the Russian Front where I’m sure he was as ignorant of that language as I was of German – save a few necessary phrases. Was he hospitalized for long? If so, where? What about his family? Did they ever exist beyond a certain point in time? What was his name come to think of it?

Zu namen” I asked meekly, unsure of grammar or meaning (to him) for that matter. “Namen?” he straightened and showed me the good eye.

Ja” I replied securely using a word everyone knew.

Namen, namen” he went on, beginning to walk about the room, tripping on an extended foot, then shoved away by one whose lap he’d fallen into. No one queried him nor tried communicating: Here, civilized hostility seemed the norm.

He spun around room center, ended his whirl and addressed me again. “Meister!” unsteadily approaching, his nose having begun to drip, the tattered Wehrmacht overcoat open, its lining shredded, the outer part witness to who knows how many abuses or horrors.

For a wild moment I thought he was going to dance – here in this living grave of memory and reflex. How many dead had he seen? How many created by him and others? No, there was no dance, only energy that had no purpose or intention anymore. I knew he wouldn’t cry, sure whatever moisture for that outlet dried up years ago. Instead he was part of a celebration of lost souls not quite ready for last breath but acknowledging that event with the confidence of being, at last, right about death and welcoming that eventuality as one would submerge in endless ocean, warm to the skin, peaceful in benevolent introduction to forgetfulness.

I became even more frustrated knowing I was unable to even find out what his unit was, where he served and what the hell did he think of the war in the first place? There was one after all and now he was latter day victim, condemned by forces that controlled his thoughts to their own insane end. Did he, in any way, feel this? If he did, was he able to communicate what he wanted? I’d never known a shell of a human being before which aroused fascination as well as apprehension.

He was making drinking motions now, perhaps wanting me to buy him a beer. I’m sure I had a particularly stupid grin on my face as I, with difficulty since I was hemmed in, tried pulling my pants pockets out to inform him of my present state of affairs; insulted, he leapt into the stale air, pulled his pockets out then turned his back bending over to show me what he thought of my response.

Embarrassed, I huddled back into my place trying to sever whatever contact was left. But my companion would have none of that: Energized, he pointed at me and bellowed something to the uncaring room. It appeared he was trying to shame me to his world, or welcome a stranger (foreigner?) to their privacy, usher him into their present and dubious future. I couldn’t shrink any further back and couldn’t possibly dare the cold for the balance of the hostile night. Did he know he had a captive audience? Did any of it matter? Maybe he was telling them I was going to buy drinks, that an interloper had the price of relief after all. But I couldn’t say this wasn’t so and kept uneasy silence and waited for whatever came next.

Now his oration got louder. Whatever he was saying was apparently sincere. A face, here and there, rose from its previous place on its chest, some smiled, recognition of something in their eye – of what I couldn’t begin to guess. Here arose a shorter man on his feet trying to stand at attention, weak kneed but ridiculously willing. Another tried following suit and another pulled the short man’s pants down instead. Anger flared and I thought a fistfight was sure but the half dressed ex-soldier only flopped back into the lap of his undresser both laughing uncontrollably.

All jammed into this space must have been military since after a glance around the room there were clearly no civilians other than me; no civilians of 1965 nor years before. It was as if this room was reserved for those passing through all right, through a life best and deliberately forgotten by everyone in 1965. Indeed, the sooner the room was empty the better – even at 3am.

My thoughts, of course, didn’t affect my one-eyed and possibly neutered friend as he stayed on his feet not even seeking a seat among comrades. I wondered if this exhibition of resiliency would be his last and if he knew it. He certainly didn’t care and might be welcoming that waiting sea of eternity forever warm as might have been promised by a friendly prophet or two. Would he sing “Lili Marlene” as others might? Would he stiffen a good right arm in fascist salute, memory functioning mechanically as reminder of headier days?

At last he turned to me again and I saw fatigue, for the first time, exercise its will. He panted a bit, his grizzled face whiter than before. A step away he collapsed on his knees, his arms flung into my lap. Now what, I wondered? I can’t stay this way all night and who was there to help?

His face slipped down between my legs almost to the floor while he withdrew his arms to my legs, hugging them for all he and they were worth. “Meister, meister,” he moaned, now unconcerned over what friends and comrades might think.

 

**********

 

It would be some time, I don’t know how long before a crack of light entered this tomb but one did. Two policemen, clearly alerted by someone, had entered and began pulling my friend off. I could see his death even as its remaining teeth protruded through a dark mouth, frozen crookedly forever. No one murmured a syllable as the cops carried him out with his past probably only known to him – if that was the case in the first place.

 

**********

 

Alan Stolzer was born, raised and educated in New York City.  After completion of military service, he traveled throughout Western Europe working odd jobs while writing freelance journalism for International Herald Tribune, Mallorca Daily Bulletin and various other European dailies (translated articles).  Alan has been published in El Sol de Mexico and El Heraldo de Mexico.  He continued writing upon return to U.S. and have written for the stage since. He studied with playwright John Ford Noonan, and served as dramaturg at St. Clements Theatre, New York, NY.

 

She is my mother, by Jennifer Lesh

She is my mother

As she drives, she explains to me why she married my father. I listen by closing my eyes to her words. I take in her scent. It is a subtle scent, not flowery or over powering. It reminds me of when I was a child, and she would tip- toe into my bedroom. I would pretend to be asleep as she kissed me good night after coming home from a party or dinner with my father. It was the perfume she wore for special occasions that she wears now. As she drives I breathe her in. She is my mother. She is wonderful and beautiful, yet she causes me great anxiety.
Last night, as I sat on her bed, watching her rub face cream on to her freckled face, she complained that her skin is getting dry. She eyed me from the bedroom mirror as I picked at my finger nails. I pretended not to notice her staring at me. She wanted to talk to me about something last night, I knew. I sensed it, but I flopped down on the bed and started going on about how she always makes a production about everything. I complained. Why did she always have to go over-board, kissing me in public, bragging about me, telling people my secrets?
“You have secrets?” she asked, “You better not have any secrets from me. I am your mother,” she laughs, “I know all.”
“Oh please, you only know because you read my diary, and half the time I make up stuff because I know you are reading it.”
I am angry with her. I am always angry with her these days. I feel so out of sorts with myself.
She calls me a sour-puss.
How many trips have we taken together? England, France, Italy, Germany, and Switzerland, and that doesn’t include the States. She was always about the trips. She loved planning adventures together. She’d come home from work and say, “Girls, we are going to Italy this summer, start looking through the apartment for all the twenties I hide.” We found hundreds of dollars, stuffed in books, hidden in her purses, folded under the carpet, tucked away in the china cabinet. Hidden away until my mother had the urge to flee from our Chicago apartment and find our summer adventure elsewhere. We piled all the loot on our parent’s bed, and counted it out. “Girls, I think we have our plane tickets, and then some.”
I did not want my college visit to be our last trip together. I wanted it to be the next stage of our trips. I wanted her to be well. I wanted her to not worry about me. When I met her green eyes in the bedroom mirror last night I saw her tears. I knew, despite the silence between us, that she did not want this to be our last trip either. Earlier in the year, she had spoken of wanting to go to China to walk the Great Wall. “They eat dogs there,” I whined.
“You always have a complaint about something,” she had said.
I take a deep breath. To me, her scent does not smell of flowers, but an earthly manifestation. My mother’s essence bottled and stored. When I was a child, I would dab the perfume behind my earlobes. I felt strong when I would sneak a bit of her perfume on my wrists. “Are you wearing my perfume,” she would yell. The scent lingered between us. It intermingled with my sweat, my own scent.
She sent me away on my first trip to France alone, “to find myself.”
“You complain now,” she said, “but later, when you are older, you will understand why I wanted you to travel.”
“I am not lost,” I said. “I know myself very well.”
“Really, at fourteen,” she retorted.
Angouleme, a town in southwestern France, was my first trip alone. I had made my way alone through Charles De Gaulle airport, then to the train station that would take me to Angouleme. I lugged two huge bags filled with presents for my house family. It was my mother’s idea. She believed that people always like presents, even if they don’t like you. I spent the summer trying to understand why my mother had sent me away, why she didn’t want me near her.
My mother has a thing about French stuff. She used to sell French wines for a living, but she hadn’t married a Frenchmen; doesn’t know a word of French. She speaks Italian, like the rest of our family, as her second language because in her world, everyone should speak a second language. I can’t speak Italian. I can barely speak English correctly, I am told by my father, but I have attempted to bumble my way through four years of French, a language she wanted me to learn. Je suis Americane. Je suis fatigue. Je suis triste. I can also count to 100 in French.
My father had spent two years in Paris after his stint in the Korean War. He taught English to wealthy French children. He rented a small apartment in St. Germaine de Pres, and sipped coffee and smoked cigarettes at the same café that Simone de Beauvoir and Sartre wrote their philosophical offerings. My father studied philosophy in college. He went to Paris because he wanted an adventure. He was not looking for love, but a sense of who he was. That’s what he told me before I left for Paris this last time.
I wanted to go to college in France, Aix-en Provence, but my father had laughed and said my French was so horrible that I would be laughed out of the town. So, I chose a Liberal Arts college in Ohio where I had gotten a scholarship.
My mother continues to tell me her story. I tap my fingers on my lap, wanting to turn on the radio and tune her out. I close my eyes and let the hot air blow on my face from the open passengers’ window. I am the little prince, flying from planet to planet. I am touching the sun with my fingertips. My mother’s voice takes me to a place where nothing else matters, where my joy comes from knowing when I open my eyes, I will see her. She will tell me everything I ever wanted was in the palm of my hand.
“Roll up the window,” she shouts, “I don’t want my wig flying off.”
“Now that would be funny,” I joke. She laughs.
What lingers now in my dream state is the “bloody thing,” her words, that now grows in the womb that once housed my sister and me. If I could, I would lacerate the damn thing that has entrenched itself in my mother’s womb. I would kill it if I could. I’d tell it to fuck- off and never come back. The “bloody thing” has become, to me, like a misanthropic step sister. She gets all the attention now, with all of the late night trips to the hospital and discussions on the next step in treatment. She is an intrusive one, but very much a part of the intimate circle of our family of four.
She has become an omnipotent presence who invades my every sense of being. I cry myself to sleep, squeezing my eyes tight in my darkened room. I am infinite in my own space. I am outer space. Darkness has invaded my home, my safety, my love for my mother. I picture “the bloody black thing” growing in my mother’s womb. I blast it with my mind. I want it gone. I want to know that my mother’s womb is still safe and beautiful, empty of all ugliness and odorous foreign bodies.
For my college visit, I am wearing a black skirt, black blouse with black boots and black leather jacket. I refrained from wearing my fishnet nylons, and opted for black tights.
“Are you in mourning?” my mother asked.
“Yes,” I said.
“You are so damned dramatic, you should be an actress.”
“I am. I am always acting.”
None of my clothes are from French designers; all of them had been bought at local thrift stores. My mother does not understand my look. She does not understand since she has made it her job to refine my tastes by instilling culture and beauty from our world travels together by influencing me with being proper and well- groomed, by sending me to France for the last three summers to educate me, and in her words “to instill a sense of class, as well as to get me away from the ordinary.” I tell her that I know how to use a bidet. She laughs, and shakes her head and says “a $6,000 investment and that is all you got from three summers in France?”
“No,” I say, “I have impeccable table manners. I love the Provencal life-style, and when I am old and dying, I will escape to southern France and live in a chateau and wear only purple.” Again, she laughs.
We cross into Indiana. I turn up the radio. She turns it down. I start to sing to myself. She interrupts me and tells me to listen. I want to take a nap, to block out the mundane landscape of 1-95, the brightness of everything and the silence that lingers between us. I glance at her profile as she concentrates on the endless expressway. She continues to tell me about how she first met my father. It was at a party. First, she noticed the well- tailored suit he was wearing. At the time he was a social worker for the city of Chicago, and broke but he still dressed well. My mother was also a social worker at the time. My father had been back in the states for three years, leaving Paris in 1964.
Sometimes it is hard to piece together my mother’s stories. She often goes off on a tangent, like now, as she tells me that she didn’t want to go the party at first, but had nothing better to do. She had gotten into a fight with her mother and wanted to get out of the apartment. My mother did not have her own apartment at this time. She lived with her parents, as was the custom of Italian-American families, until she married my father. I can picture the fight they had—things being shouted, maybe even thrown, my grandmother crying at the kitchen table that nobody loved her and my mother running for the door. My grandfather would be on the couch, his false teeth lying out in front of him, watching T.V, ignoring the fight, and, if it got too loud, he would turn up the volume on the T.V to block out the yelling that was going on between my mother and my grandmother. My grandmother was once very beautiful, but my grandfather’s womanizing made her old. She never felt loved. I think it was because her mother died of the same thing that is killing my mother. I share a special bond with my grandmother. We both feel unloved most of the time, even though we are both loved greatly by a woman who is dying.
I want to ask her what she was wearing, but instead I picture what she might have been wearing; a black dress with pearls, something smart and well cut. Maybe something green, to set off her red hair. Her hair was probably piled high on top of her head, and she was wearing a low heeled pump. Again, I glance at my mother. It bothers me that I didn’t get her petite nose. I do not understand why she married my father, who has such a big nose. Did she not realize that most daughters inherit their father’s looks? I say this to her as she drives, interrupting her story. At this point, she is telling me that she was there with a friend and at first she thought he liked her friend, but he asked her to step out on the porch to have a cigarette with him. My father has recently quit smoking for my mother, to help fight the damned thing that has taken over our family.
“Why you are telling me this?” she asks. “You have a beautiful nose.”
“To you,” I say, looking out the window. I press my forehand to the glass. All I see is a vastness of land. I feel overwhelmed and sick to my stomach. I want to roll down the window, but I can’t, for the hot air outside will do nothing but elevate the pain I feel inside. I unfasten my seat belt and crawl to the backseat. I lie down on the backseat, pressing my cheek to the vinyl. I close my eyes to my mother’s words. Somewhere around one of the turns is my college. It’s a place that I chose from a poster I saw in one of my high school hallways. I have this intense desire to be somewhere else. I cannot explain my pain to my mother. It overtakes me; it is physical, mental, and emotional. When I think of the thing taking over her womb, sometimes I gasp out in pain as if I am suffocating, as if I too am dying. I am dying. I feel it, I too feel her pain. I am like that. I try to move out of my own body. At night I pretend again that I am the Little Prince flying; flying away from the internal void I feel whenever I think of the black thing with no eyes and no mouth and no scent. But I picture it with ears; ears that are sucking my mother’s sound out of her, rendering her powerless.
“You are so goddamned dramatic,” my mother shouts. She pulls at my hair from the driver’s seat, not turning her body or taking her eyes off the road. It is just her arm, and extension of her body that I feel pulling at my hair. “Get back up here and keep me company.” I do what she says. I refasten my seatbelt and continue to listen to her story.
“I married your father,” she continues, “not for his nose, but for his brains, and his kind nature.”
My father is very smart; like my sister, academic challenges come easily for them. My father is a thinker, but he is also very removed with his emotions. I too am a thinker, but like my mother, we tend to go off our gut feelings, intuition, she likes to say. When I was accepted to college she told me she had a good feeling about the school. I had made the right decision. There was no logic in my application. I saw the ad, liked where it was, and because it had an Equestrian program, I applied. I didn’t even research the school. I ride horses. I have since I was six. Horses are my way of being, and my mother and father have invested thousands of dollars in me, not to be an Olympic rider, but because they both knew it made me happy.
My mother knows that when I am with my horses all my worries, all my insecurities, all my fears vanish. For a brief time I am invincible. I am infinite; my fingertips are only light and sensation. This I have confessed to my mother, and she is the only one that understands my love for the horse. She is the one that cried with me when my first horse died. She held me, and let me cry and she told me to love so hard is a good thing. To let a love take you over is a good thing, to feel the pain of love is a good thing. But now, I wish I was unable to love. I wish I could remove myself from all emotion. I wish that I could not feel the pain and anguish that I carry inside me every day. Despite my anxiety over my mother, she is my mother, and I am a reflection of her—I am her extension. I am part of her soul, as she is mine.
My mother is dying even if she will not admit it, even though she continues to move her legs and mouth, even though she continues to think the doctors will blast the bloody black thing from her womb, give birth to it, and everything will go back to normal. And yet, while her womb grows swollen and painful, I can only watch in silence. There is nothing I can do, but ride my horses, go to school, and pretend.
I glance at my mother again; her glasses are perched up on her hair. It is not her real hair. She lost all of her red hair six months ago. I heard her cry to my father through their closed bedroom door. I heard him say that he had not fallen in love with her hair. He had fallen in love with her brains. I hear them laugh amid muffled tears. My parents no longer have sex. She can’t because it is too painful. I know this because my mother told me. She told my father to take on a lover. I know that behind that closed door, he is holding her in his arms—what he is thinking, I will never know.
I know he feels her pain every day. This is what we share, and this is what I know without knowing. My sister is a shadow in all of this—I don’t even know she is around most of the time. I see her at the dining room table while we have dinner, but I have no words for her. Our sense of grief is too overwhelming to even communicate any love we might have for each other.
My mother confesses to me as we drive that she never felt complete. She always felt lost, and maybe that is why she traveled so much. She always felt she was running out of time, but when she became a mother she felt whole. She said to me that finally she understood what Plato meant in his writings on love—“that we all seek a union of one’s soul in order to form a union that will make one whole again.” She knew she had to travel, and that is why she worked and took my sister and me with her on her travels. I, too, feel as if I am running out of time. I, too, feel as if there is so much to explore that I would need five lifetimes to see and feel and smell it all. This, I inherited from my mother, the affliction we share- never feeling complete, despite the love around us.
When I think about the soul, and God, love, and the meaning of this life, I scare myself. I scare myself into not thinking. I think of jet-black dots, taking over my soul. I think I’m drowning from my fear. I want time to stop. To take a breath, relax for a moment and regroup, and then, very slowly start again.
I have for months been keeping bits of my mother’s hair that I find in the bathroom sink or on her bed pillow. I put them in plastic baggies, hiding them in my underwear drawer. It is as if I am a kleptomaniac. It is an impulse I do not really understand. I steal in to her room, and brush all of the hairs into little baggies. I do not know what my mother would think if she ever found my baggies full of her lost hair. She already thinks I am a bit weird, with my punk rock look and sulky personality. She hopes I will outgrow both. She tells me that once I get laid I might be less sulky. But then again, she feels no boy will look at me or want me because of my outrageous looks.
I don’t want to talk about my father, but it appears important for my mother to tell me her story of falling in love. I am fine with it just as long as she does not tell me about their sex life. My mother is very open about sex with me. I was told on my last trip to France that under no terms was I to lose my virginity to a Frenchman. It is a running joke with my family, because there was no chance I was going to lose my virginity in France. The boy I had fallen for turned out to be gay. I think my mother in some way planned it, willed it; some “secret mother power” still protecting me, even while I was thousands of miles away. When I had complained to her that I was unlucky in love and that is why out of all the boys I had met on that trip I had fallen for a gay boy, all she had to say was, “there is no logic to love, and love does not make sense, even to your father.”
“It is getting dark. Do you want me to drive,” I ask.
“No, I need you to listen to me,” she says.
“You know the kids hated me that first summer you sent me away. I spent most of the time riding their horse.”
“I didn’t send you away.”
“You know that Dad wanted me around, he wanted to know I was safe, not tramping around the French countryside on some strange horse. I wrote to him every week, explaining that he had no worries. I had fallen in love again with of course, a horse. He wrote back saying that was the best love to have.”
“Yes, I know, I read all your letters.” She says switching lanes, and putting on the headlights.
I learned that summer that memory is magic, and time can stop for a moment, or two. And now as I listen to my mother I think of that horse. I think how I galloped him through the hills. I breathe in his musky scent. I remember how he felt under my fingertips. How I cried when I left for home, knowing I would never see him again. He was a big chestnut with a flowing brown mane. He made my summer, and I spoke perfect French to him. “Je t’aime, Je t’aime. You have my heart,” I whispered as I felt his heart beat as we trotted through the wooded bridle path.
I continue to stare out the window, listening to my mother talk. I picture myself riding a horse across the openness of the land that parallels the expressway which we travel. I picture myself as a frontier woman, making my way into a new territory, staking my claim to a new land. I picture myself any other place than listening to my mother’s words. Her loquaciousness is exhausting to me. I feel selfish for not wanting to hear about her love for my father. I am ashamed for not being more interested, but all I can think about is myself, and what I am going to do without her. How will I define my own being without my mother’s guidance?
“I first noticed your father’s hands,” my mother continues. “You know, your father’s hands are well defined, well – manicured, not stubby, and fat like some men’s.” I think on this, and have to agree with my mother. My father has very nice hands, strong, with nicely shaped finger nails that match.
“He was smoking a cigarette and going on about the labor movement, and how we all had to organize a union. And all I could do was look at his hands, and wonder how they would feel on my body.”
“Really, Mom, please skip the details,” I whine.
“Oh please, like you don’t think such things when you see a handsome boy? Remember, I read your diary.”
I close my eyes, and listen to the car wheels along the expressway. I like telling stories. I like making stuff up to get a reaction out of people to see if they will believe me. I like making up stories to tell my mother. I told my mother that I had gotten drunk on red wine with a boy from Angouleme. We had met on one of the bridle paths while I was riding. He had stopped me and asked my name. He took me to a clearing where sunflowers grew along the side of the road, and kissed me. We met every day until I left to go home. My mother at first believed me, asking me what his name was, and what he looked like. I explained to her that his name was Pierre, and he had brown hair, and hazel eyes, and he was tall, and spoke perfect English. My mother’s eyes grew wider, and she took off her glasses, setting them on the kitchen table. I continued to tell her the story about finding true love in a field of Sunflowers—she interrupts me and says—“Jen, that is a beautiful story, never ever forget it, but I don’t believe a word of it.”
“Why?” I had asked.
“You would never have gotten off the horse.”
We had both laughed. She was right. I would have galloped past him, and laughed that his name was Pierre. I am told I have my mother’s laugh.
I think of the story of the Little Prince when he first meets the fox. The fox says to him, “What is essential is invisible to the eye.” I think of my father. I think of how love is invisible, and how with one touch, one glance, one first kiss, everything changed for my father when he met my mother on that porch in Chicago. When they kissed for the first time, their fate was sealed. Never did he think he would watch her die, and be able to do nothing.
“I fell in love with your father that night, she said with a sigh. I fell in love with the cadence of his voice and the softness of his kind hands, and how he talked not at me, but to me, as if I were his equal. It took me off guard. I was, at the time, dating a man who did not want children, but I wanted to get married. I wanted children. I always knew I wanted to be a mother.”
Despite the darkness in the car, I know my mother is crying. Recently she has been crying more—she has always been a sappy crier, the type that cries over touching commercials, endearing movies, inconsequential stuff that I would never cry over, but lately, I find her crying more, especially over my father.
“How did you know it was love?” I ask her.
“He told me on the porch that he wanted to be a father. It was like our paths crossed, as if I knew that he was the one, as if I knew this was meant to be.”
I reach for my mother’s hand in the dark. I do not want her to feel alone at this moment. I feel alone for her. I feel as if her love for my father is what, at times, keeps her going. I wonder if fatherhood answered some of the questions that philosophy could not. My mother feels too much. I know she feels the black thing growing inside her.
“You will promise me Jen, one thing,” she swallows hard as she makes the turn into my college driveway, “When I am gone, you will take care of him.”
My mother and I have had this conversation before. The first time was in the hospital. Now, as we sit in the car in the dark, she brings it up again. “Jen, you have a stronger nature than most; you process your emotions differently than most.”
What does that mean? I want to shout at her. What does it mean to process emotions?
“Jen, promise me,” she asks again.
I think of my father before we left on our trip. “Make sure, if she gets too tired you do the driving.” I gave him a hug, told him that everything would be fine, everything would be great. Now, I picture myself riding my horse, jumping into fields of the unknown. I picture myself as the little Prince, blasting off into space—I hold tight to my mother’s hand. I breathe her in. She is huge and infinite. She is my mother. I will do what she asks. I will take care of my father.
*****
Jennifer Lesh lives in a small village on the back side of the Sandia Mountains. She has several dogs to keep her warm at night and she rides horses. Several of her works are scattered on the Internet. She writes not for fame or fortune but because she likes to tell stories. She can be contacted atscrappsalot@aol.com.

Things That Make Us Furious: Inconsiderate Use of Devices in Public

Inconsiderate Use of Devices in Public

By Sky Greene

I’m sure it’s happened to most of you. You’re sitting at your favorite coffee shop, minding your own business and suddenly the person at the table next to you starts talking and you snap to attention, trying to understand what he is saying to you, only to realize he is on his phone, which you can’t see because he has one of those stupid ear pieces in that is hidden unless you are staring at his ear. And he’s using his outside voice.

Being in the age of constantly new and changing technology is great. Really, it is. Most of the time. So much info is at our fingertips at any given moment and we can connect with people half way around the world at the click of a button. I love my phone, my computer, and my iPad, but I don’t consider them an extension of myself. They are not essential like my thumbs; something I need and rely on at all times. I have the ability to put my phone down and enjoy my surroundings. I can even power down for an entire week when I am on vacation (gasp)! I’m afraid that more and more individuals are unable do this. It makes me sad.

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